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\n<\/div><\/li>\n<\/ul>\n<\/p>\nThe last chapter of the project Restless Image focuses on how feminism has impacted the works of recent moving image artists. The subject of the five films showcased during the event is the formation and re-evaluation of relationships between the authors, protagonists, and the viewers of the audiovisual artworks. <\/span>As a part of the event, a themed publication with an essay by Hana Jane\u010dkov\u00e1 will be launched. The essay is inspired by the presented works and explores the significance of female role models in the recent moving image works. Looking at artist’s re-workings of historical moments, controversial figures \u2013 such as the Sphinx, the first trans star, the Algerian freedom fighter Jamila Bouhired, and an unknown porn actress \u2013 are positioned to explore the understanding of female sociability, intergenerational relationships, and queer desire.<\/p>\n Curators:<\/strong> Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1, Mark\u00e9ta Jon\u00e1\u0161ov\u00e1 a Hana Jane\u010dkov\u00e1<\/p>\n Presented videos:<\/strong> The Project is financially supported by grants from the Ministry of Culture of the Czech Republic, Prague City Hall and Rosa-Luxemburg-Stiftung.<\/p>\n
\nAnetta Mona Chisa a Lucia Tk\u00e1\u010dov\u00e1 – Dialectics of Subjection #4, 12 min.
\nBarbora Kleinhamplov\u00e1 – MPEG Girl, 8 min.
\nSusan Stryker – Christine in the Cutting Room, 10 min.
\nMarwa Arsanios – Have you ever killed a bear \u2013 or Becoming Jamila, 25 min.
\nNguyen Trinh Thi – Eleven Men, 28 min. (screenshot used for the invitation)<\/p>\n