{"id":2029,"date":"2015-09-12T06:43:44","date_gmt":"2015-09-12T06:43:44","guid":{"rendered":"http:\/\/etcgalerie.cz\/?p=2029"},"modified":"2016-03-01T21:34:39","modified_gmt":"2016-03-01T21:34:39","slug":"sejla-kameric-1395-days-without-red","status":"publish","type":"post","link":"https:\/\/etcgalerie.cz\/en\/sejla-kameric-1395-days-without-red\/","title":{"rendered":"\u0160ejla Kameri\u0107 \/ 1395 DAYS WITHOUT RED"},"content":{"rendered":"<p>&nbsp;<\/p>\n<header>\n<div class=\"post-terms\">\n<ul class=\"bxslider\" ><li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/1395dayswithoutredprvn\u00ed-1000x590.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/1395dayswithoutredprvn\u00ed-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/1395dayswithoutredprvn\u00ed-1000x590.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_4-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_4-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_4-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_6-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_6-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_6-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_10-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_10-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_10-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_9-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_9-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_9-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_8-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_8-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_8-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_7-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_7-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_7-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<li><div class='slide-wrapper'>\n<img src='https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_11-1000x667.jpg' data-interchange=\" [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_11-450x300.jpg, (default)], [https:\/\/etcgalerie.cz\/wp-content\/uploads\/2015\/09\/web_SejlaKameric_etc.2015_11-1000x667.jpg, (large)] \"  \/>\n<\/div><\/li>\n<\/ul>\n\n<\/div>\n<div class=\"post-terms\">\n<p>Classic photographic document viewers most commonly associate with images depicting the \u201cdecisive moment\u201d, so it would seem that the work of \u0160ejla Kameri\u0107 is purely anti-documentary. \u0160ejla Kameri\u0107 (Sarajevo, 1976) is a Bosnian artist who entered the European art scene in the late nineties. Her work was fully stigmatized with a conflict in the former Yugoslavia, and thus her work is a sophisticated post-conceptual play with personal and social memory that confronts the documentary practice and media properties.<\/p>\n<p>\u0160ejla Kameri\u0107\u00b4s works are always filled with high emotion, as same as they are distinguished by persistent minimalism, fueled by her education in graphic design. She can take over the language of the advertising and media world, but these strategies are turning against obtuse viewer, who is already oversaturated with media images. Her works express the many traumas of war and the actual position of women in society &#8211; \u2028an important point of her work is her own body. Whether photographing herself, as we know from her most famous work \u201eBosnian Girl\u201c or introspective photo \u201eSorrow\u201c (referring to van Gogh\u00b4s drawing) or as an invisible participant happening in impressive photo from the first day of the Palestinian second Intifada \u201eWe Were Chilling By the Pool When The War Started\u201c . In these and other works, though she does not create the myth of ego-artist, but with simple resources highlights the societal gears grinding individuality \u2028(or memory) of an individual.<\/p>\n<p>The film 1395 Days without Red was created as an artistic collaboration between \u0160ejla Kameri\u0107 and Albanian artist Anri Sala, when eventually each decided to create her\/his own version of the footage. The story is again going on in war-affected place, in suffocating timelessness of the occupied Sarajevo between 1992 and 1996. In an isolated town its residents, if they had decided to leave their homes, had never wear bright clothes on the street, because they would become an easy \u201cprey\u201d for Serbian snipers hidden in the hills around the city. To these factors is reffering the eloquent title of the work.<\/p>\n<p>1395 Days without Red is not characterized by excessive narrative, on the contrary it underscores the timelessness and anxiety of an confined environment, focusing on the actions of only one character in the film, starred by Spanish actress Maribel Verd\u00fa, which is a charismatic and elegant woman passing through the streets of Sarajevo. A significant component of the film is music: Tchaikovsky\u2019s sixth symphony plays the Sarajevo Philharmonic Orchestra led by Ari Benjamin Meyers. All movie scenes and images are intertwined by uncommon touch of an art as so unexpected during the war. Aggression and violence are not accented in explicit representation, while the entire movie is filled with principle that could probably be named as missing. This missing is the intersection of many centrifugal approaches to shared memories, personal experience, media reality and narrative fiction. This film is possibly not documentation of \u201creality\u201d, but also we can not say that it\u2019s an art detached from the experiences and memories of millions of people.<\/p>\n<\/div>\n<div class=\"post-terms\"><\/div>\n<div class=\"post-terms\"><span style=\"font-size: small;\">The exhibition is held in the framework of Fotograf Festival #5.<\/span><\/div>\n<\/header>\n<div class=\"entry\">\n<p>Curators: Mark\u00e9ta Viglerov\u00e1 a Martin Prudil<\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Classic photographic document viewers most commonly associate with images depicting the \u201cdecisive moment\u201d, so it would seem that the work of \u0160ejla Kameri\u0107 is purely anti-documentary. \u0160ejla Kameri\u0107 (Sarajevo, 1976) is a Bosnian artist who entered the European art scene in the late nineties. Her work was fully stigmatized with a conflict in the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2029","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/posts\/2029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/comments?post=2029"}],"version-history":[{"count":7,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/posts\/2029\/revisions"}],"predecessor-version":[{"id":2155,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/posts\/2029\/revisions\/2155"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/media?parent=2029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/categories?post=2029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/en\/wp-json\/wp\/v2\/tags?post=2029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}