\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n<\/ul>\n\nV\u00fdstava Magdy Stanov\u00e9 v etc. galerii nen\u00ed v prav\u00e9m slova smyslu v\u00fdstavou. Prostor galerie se po t\u0159i t\u00fddny st\u00e1v\u00e1 m\u00edstem pro performance, besedy a p\u0159edn\u00e1\u0161ky um\u011blkyn\u011b, kter\u00e1 se v posledn\u00ed dob\u011b soustavn\u011b sna\u017e\u00ed analyzovat proces um\u011bleck\u00e9ho tvo\u0159en\u00ed. Jej\u00ed t\u0159i po sob\u011b n\u00e1sleduj\u00edc\u00ed intervence v etc. galerii (Moment, kdy bylo v\u0161e mo\u017en\u00e9, Algoritmy ve fotografii, S v\u011bdci o um\u011bn\u00ed) <\/i>jsou performativn\u00edmi p\u0159edn\u00e1\u0161kami, ve kter\u00fdch si um\u011blkyn\u011b ov\u011b\u0159uje n\u011bkter\u00e9 principy p\u0159evzat\u00e9 z exaktn\u00edch v\u011bd, je\u017e pak aplikuje do um\u011bn\u00ed. Pracuje s diagramy, odkazuje na teorie v\u011bdc\u016f z obor\u016f vzd\u00e1len\u00fdch um\u011bn\u00ed, prop\u016fj\u010duje si pojem algoritmu, jeho\u017e prost\u0159ednictv\u00edm nahl\u00ed\u017e\u00ed na jednotliv\u00e9 mezn\u00edky v \u017eivot\u011b (nejen) um\u011blce, jako na sled po sob\u011b jdouc\u00edch krok\u016f, kter\u00e9 vedou postupn\u011b k \u0159e\u0161en\u00ed, tj. ke vzniku v\u00fdtvarn\u00e9ho d\u00edla, k tomu, \u017ee se \u010dlov\u011bk stane um\u011blcem. Prvn\u00ed z akc\u00ed za\u010d\u00edn\u00e1 ot\u00e1zkou: „Student um\u011bleck\u00e9 \u0161koly nemus\u00ed absolvovat \u017e\u00e1dn\u00fd p\u0159edm\u011bt z exaktn\u00edch v\u011bd. Ale, co kdy\u017e pr\u00e1v\u011b v t\u011bchto oborech jsou my\u0161lenky, kter\u00e9 by mohly p\u0159in\u00e9st vhled do ch\u00e1p\u00e1n\u00ed um\u011bn\u00ed?“. Krom\u011b v\u00fdchodiska, \u017ee exaktn\u00ed v\u011bdy mohou b\u00fdt inspirativn\u00ed pro porozumn\u011bn\u00ed procesu tvo\u0159en\u00ed, pracuje Magda Stanov\u00e1 s pojmem ambivalentnosti v um\u011bn\u00ed, s vlastnost\u00ed, kter\u00e1 podle neurov\u011bdce Semira Zekiho v exaktn\u00edch v\u011bd\u00e1ch chyb\u00ed a naopak defiluje v oblasti „neuchopiteln\u00e9ho“ um\u011bn\u00ed.<\/p>\n
Magda Stanov\u00e1 nestav\u00ed galerii do pozice laborato\u0159e, nevytv\u00e1\u0159\u00ed tzv. work in progress, tak\u017ee ka\u017ed\u00e1 z akc\u00ed je sv\u00e9bytn\u00e1 a z\u00e1rove\u0148 tvo\u0159\u00ed jednotn\u00fd koherentn\u00ed celek. Diagramy, pomocn\u00e9 n\u00e1kresy, jejich\u017e prost\u0159ednictv\u00edm se pokou\u0161\u00ed osv\u011btlit teorii, na kter\u00e9 pracuje, vytv\u00e1\u0159\u00ed do\u010dasnou instalaci\u00a0 k\u0159ehk\u00e9 vizuality a \u00fasporn\u00e9 znakov\u00e9 \u0159e\u010di, kde v\u0161e zmiz\u00ed p\u0159ed ka\u017edou n\u00e1sleduj\u00edc\u00ed akc\u00ed a prostor galerie se stane tabulou rasou pro dal\u0161\u00ed p\u0159edstaven\u00ed, aby nakonec pozvala ke konfronta\u010dn\u00ed debat\u011b v\u011bdce pohybuj\u00edc\u00ed se jak na poli exaktn\u00edch, tak humanitn\u00edch v\u011bd.<\/p>\n
Mark\u00e9ta Vinglerov\u00e1<\/i><\/p>","protected":false},"excerpt":{"rendered":"
V\u00fdstava Magdy Stanov\u00e9 v etc. galerii nen\u00ed v prav\u00e9m slova smyslu v\u00fdstavou. Prostor galerie se po t\u0159i t\u00fddny st\u00e1v\u00e1 m\u00edstem pro performance, besedy a p\u0159edn\u00e1\u0161ky um\u011blkyn\u011b, kter\u00e1 se v posledn\u00ed dob\u011b soustavn\u011b sna\u017e\u00ed analyzovat proces um\u011bleck\u00e9ho tvo\u0159en\u00ed. Jej\u00ed t\u0159i po sob\u011b n\u00e1sleduj\u00edc\u00ed intervence v etc. galerii (Moment, kdy bylo v\u0161e mo\u017en\u00e9, Algoritmy ve fotografii, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-928","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=928"}],"version-history":[{"count":4,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/928\/revisions"}],"predecessor-version":[{"id":1803,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/928\/revisions\/1803"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}