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\n<\/div><\/li>\n<\/ul>\n\nUdalosti posledn\u00fdch dn\u00ed s\u00fa v znamen\u00ed nudy. Nuda sama o sebe v\u0161ak nemus\u00ed by\u0165 \u00faplne nudn\u00e1. Tr\u00e1venie \u010dasu iba tak, bez pr\u00ed\u010diny, m\u00f4\u017ee vytvori\u0165 podmienky preto, aby sa veci ocitli v nov\u00fdch s\u00favislostiach. Nuda sa dostav\u00ed, ke\u010f nem\u00f4\u017eeme robi\u0165 to, \u010do by sme chceli, alebo ke\u010f mus\u00edme robi\u0165 to, \u010do nechceme. Je to podvedom\u00e9 \u010dakanie, ktor\u00e9 sa men\u00ed na o\u010dak\u00e1vanie. Nuda silou vlastnej negat\u00edvnosti m\u00f4\u017ee paradoxne smerova\u0165 k pozit\u00edvnemu prevratu.<\/span><\/em><\/p>\n \u010clov\u011bk je zv\u00ed\u0159etem, kter\u00e9 se nau\u010dilo nudit. A\u0165 u\u017e jsme unaveni z \u010dinnost\u00ed, jimi\u017e se jindy bezmy\u0161lenkovit\u011b zab\u00fdv\u00e1me, \u010di jsme znechuceni nad t\u00edm, \u017ee tu nen\u00ed nic, \u010d\u00edm bychom se v\u016fbec zab\u00fdvat mohli, skrze nudu se st\u00e1v\u00e1me cizinci v jinak d\u016fv\u011brn\u011b zn\u00e1m\u00e9m sv\u011bt\u011b. Z odstupu pak nevn\u00edm\u00e1me jen, co v\u0161echno bychom mohli d\u011blat, n\u00fdbr\u017e tak\u00e9, a to je velice podstatn\u00e9,\u00a0<\/span>co v\u0161echno bychom mohlined\u011blat<\/span><\/em>. Ocit\u00e1me se v ryze poetick\u00e9m prostoru \u010dir\u00e9 lhostejnosti, z n\u011bho\u017e lze \u00fapln\u011b jinak nahl\u00e9dnout, co je v na\u0161em b\u011b\u017en\u011b ob\u00fdvan\u00e9m prostoru v\u016fbec mo\u017en\u00e9.<\/span><\/p>\n Mark\u00e9ta Vinglerov\u00e1<\/span><\/p>\n \u00a0<\/span><\/span><\/span><\/p>\n Udalosti posledn\u00fdch dn\u00ed s\u00fa v znamen\u00ed nudy. Nuda sama o sebe v\u0161ak nemus\u00ed by\u0165 \u00faplne nudn\u00e1. Tr\u00e1venie \u010dasu iba tak, bez pr\u00ed\u010diny, m\u00f4\u017ee vytvori\u0165 podmienky preto, aby sa veci ocitli v nov\u00fdch s\u00favislostiach. Nuda sa dostav\u00ed, ke\u010f nem\u00f4\u017eeme robi\u0165 to, \u010do by sme chceli, alebo ke\u010f mus\u00edme robi\u0165 to, \u010do nechceme. Je to podvedom\u00e9 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-596","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=596"}],"version-history":[{"count":5,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/596\/revisions"}],"predecessor-version":[{"id":1614,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/596\/revisions\/1614"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nJaro Varga a Dorota Kenderov\u00e1 zkoumaj\u00ed stav nudy jako podm\u00ednku autentick\u00e9ho tv\u016fr\u010d\u00edho aktu, sv\u016fj projekt v\u0161ak pon\u011bkud ne\u010dekan\u011b rozv\u00edjej\u00ed v kontextu ne\u00fanavn\u00e9ho ruchu metropole obl\u00e9han\u00e9 turistick\u00fdm pr\u016fmyslem. Uprost\u0159ed nekone\u010dn\u00e9ho davu val\u00edc\u00edho se Karlov\u00fdm mostem od brzk\u00fdch rann\u00edch hodin po pozdn\u00ed ve\u010der v\u00e1b\u00ed pouli\u010dn\u00ed st\u00e1nka\u0159i sv\u00fdm pohledem turisty a kas\u00edruj\u00ed v\u00fdd\u011blek. \u201eUm\u011bn\u00ed kon\u010d\u00ed p\u0159ed mostem a za\u010d\u00edn\u00e1 zas za n\u00edm\u201c, poznamen\u00e1v\u00e1 jeden z posed\u00e1vaj\u00edc\u00edch kresl\u00ed\u0159\u016f portr\u00e9t\u016f a karikatur. Nuda se nutn\u011b ztr\u00e1c\u00ed v nep\u0159etr\u017eit\u00e9m hem\u017een\u00ed kolemjdouc\u00edch. Slovensk\u00e1 dvojice si p\u0159esto klade ot\u00e1zku: Na co se d\u00edvaj\u00ed ti, kte\u0159\u00ed tr\u00e1v\u00ed ve\u0161ker\u00fd sv\u016fj \u010das na m\u00edst\u011b, kam sm\u011b\u0159uj\u00ed pohledy turist\u016f ze v\u0161ech kout\u016f sv\u011bta a jemu\u017e se domorodec vyh\u00fdb\u00e1 obloukem, \u010di tudy kr\u00e1\u010d\u00ed co nejrychlej\u0161\u00edm tempem, jen aby u\u017e byl pry\u010d? Na co mysl\u00ed v kr\u00e1tk\u00e9m momentu vytr\u017een\u00ed z nikdy nekon\u010d\u00edc\u00edho toku okukuj\u00edc\u00edch lid\u00ed a potenci\u00e1ln\u00edch z\u00e1kazn\u00edk\u016f? Sloven\u0161t\u00ed um\u011blci, kte\u0159\u00ed jsou, dlu\u017eno podotknout, tak\u00e9 kur\u00e1tory, vyzvali kresl\u00ed\u0159e z Karlova mostu, aby svou \u201enudu\u201c vizu\u00e1ln\u011b ztv\u00e1rnili. Nejsou tyto artefakty v\u00fdmluvnou metaforou um\u011bleck\u00e9 tvorby v dne\u0161n\u00ed dob\u011b pozdn\u00edho kapitalismu?<\/span><\/p>\n
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