{"id":5934,"date":"2024-07-17T15:43:15","date_gmt":"2024-07-17T13:43:15","guid":{"rendered":"https:\/\/etcgalerie.cz\/?p=5934"},"modified":"2025-08-17T19:55:52","modified_gmt":"2025-08-17T17:55:52","slug":"etc-rezidence-2024","status":"publish","type":"post","link":"https:\/\/etcgalerie.cz\/cs\/etc-rezidence-2024\/","title":{"rendered":"etc. REZIDENCE 2024"},"content":{"rendered":"<p><strong>V roce 2024 etc. galerie vyhl\u00e1sila open call na REZIDENCE pro um\u011blkyn\u011b, kur\u00e1tory, teoreti\u010dky \u010di akademick\u00e9 pracovn\u00edky, kte\u0159\u00ed se zab\u00fdvaj\u00ed v\u00fdzkumem \u010di tvorbou pohybliv\u00e9ho obrazu. Z v\u00edce ne\u017e 50 p\u0159ihl\u00e1\u0161ek komise slo\u017een\u00e1 z kur\u00e1torek galerie Nely Klajbanov\u00e9 a S\u00e1ry M\u00e4rc a um\u011blkyn\u011b a pedago\u017eky B\u00e1ry Mr\u00e1zkov\u00e9 vybrala dva v\u00edt\u011bzn\u00e9 projekty:<\/strong><\/p>\n<p><strong>ZAHER JUREIDINI: RESISTING ERASURE: VISUAL HISTORIES<\/strong><\/p>\n<p>V\u00fdzkumn\u00e1 pr\u00e1ce Zahera Jureidini zkoum\u00e1 vlivy mocensk\u00fdch dynamik na uchov\u00e1v\u00e1n\u00ed vypr\u00e1v\u011bn\u00ed a p\u0159\u00edb\u011bh\u016f v pohybliv\u00e9m obraze. V\u00fdzkum se soust\u0159ed\u00ed na marginalizovan\u00e9 p\u0159\u00edb\u011bhy z arabsk\u00fdch a palestinsk\u00fdch kultur a na jejich udr\u017eov\u00e1n\u00ed a obnovov\u00e1n\u00ed v kontextu dominantn\u00edch koloni\u00e1ln\u00edch vypr\u00e1v\u011bn\u00ed. Studie zkoum\u00e1 historickou a sou\u010dasnou vizu\u00e1ln\u00ed dokumentaci od ran\u00fdch koloni\u00e1ln\u00edch z\u00e1b\u011br\u016f a\u017e po modern\u00ed sn\u00edmky a zd\u016fraz\u0148uje roli arabsk\u00fdch a palestinsk\u00fdch um\u011blc\u016f a um\u011blky\u0148 a filma\u0159\u016f a filma\u0159ek v odporu proti vymaz\u00e1n\u00ed kultur. V\u00fdzkum pak vych\u00e1z\u00ed z p\u0159esv\u011bd\u010den\u00ed, \u017ee filmov\u00e9 nat\u00e1\u010den\u00ed v regionu m\u016f\u017ee b\u00fdt hlubok\u00fdm politick\u00fdm aktem. Proto se v r\u00e1mci v\u00fdzkumu Jureidini zab\u00fdv\u00e1 r\u016fzn\u00fdmi formami pohybliv\u00e9ho obrazu, aby osv\u011btlil slo\u017eitost vypr\u00e1v\u011bn\u00ed pravdy a zobrazov\u00e1n\u00ed identity v kontextu syst\u00e9mov\u00e9ho vymaz\u00e1v\u00e1n\u00ed.<\/p>\n<p>Zaher Jureidini je libanonsk\u00fd kameraman \u017eij\u00edc\u00ed v Praze. Magistersk\u00fd titul z\u00edskal na Filmov\u00e9 a televizn\u00ed fakult\u011b Akademie m\u00fazick\u00fdch um\u011bn\u00ed v Praze (FAMU). Zaherova tvorba zahrnuje celou \u0159adu t\u00e9mat, od soci\u00e1ln\u00edch a politick\u00fdch vypr\u00e1v\u011bn\u00ed a\u017e po rozmanit\u00e9 um\u011bleck\u00e9 imaginace. Nat\u00e1\u010d\u00ed r\u016fzn\u00e9 typy vizu\u00e1ln\u00edch projekt\u016f \u2013 kr\u00e1tk\u00e9 filmy, hudebn\u00ed videoklipy, um\u011bleck\u00e1 videa a reklamy. Mezi Zaherovy kameramansk\u00e9 pr\u00e1ce pat\u0159\u00ed nap\u0159\u00edklad kr\u00e1tk\u00fd film Sea Salt (2023), kter\u00fd m\u011bl premi\u00e9ru na 80. ro\u010dn\u00edku filmov\u00e9ho festivalu v Ben\u00e1tk\u00e1ch, a za kter\u00fd z\u00edskal cenu za nejlep\u0161\u00ed kameru na festivalu kr\u00e1tk\u00fdch film\u016f FILMAY Short Film Festival Kumanovo v Severn\u00ed Makedonii. Krom\u011b kameramansk\u00e9 tvorby se Zaher v\u011bnuje kur\u00e1torsk\u00e9 pr\u00e1ci, filmov\u00e9 teorii a v\u00fdzkumu.<\/p>\n<p><strong>J\u00c1CHYM \u0160IDL\u00c1K: EREMOS: FILM A POMAL\u00c1 ZTR\u00c1TA LIDSTV\u00cd<\/strong><\/p>\n<p>Eremos: Film a pomal\u00e1 ztr\u00e1ta lidstv\u00ed je audiovizu\u00e1ln\u00ed esej, kter\u00e1 se afirmativn\u011b no\u0159\u00ed do temnoty vysti\u017een\u00e9 \u0159eck\u00fdm slovem \u201eeremos\u201c \u2013 pustina neur\u010den\u00e1 \u010dlov\u011bku, opu\u0161t\u011bn\u00e1 divo\u010dina. Esej apropriuje, oh\u00fdb\u00e1 a syntetizuje z\u00e1b\u011bry z film\u016f Pozn\u00e1mky z Eremoc\u00e9nu (2023, r. Viera \u010c\u00e1kanyov\u00e1) a Sp\u00edc\u00ed l\u016fno (2017, r. Scott Barley) s c\u00edlem nejen popsat, ale p\u0159\u00edmo n\u00e1sledovat jejich afektivn\u00ed rozm\u011br, spo\u010d\u00edvaj\u00edc\u00ed v melancholii ze ztr\u00e1ty lidsk\u00e9 perspektivy. Z\u00e1znam osobn\u00ed zku\u0161enosti s t\u011bmito filmy se v eseji st\u00e1v\u00e1 hnac\u00ed silou vytv\u00e1\u0159ej\u00edc\u00ed paralely mezi ob\u011bma d\u00edly a z\u00e1rove\u0148 podn\u011btem k \u00favaze o v\u00fdznamu situovan\u00e9 zku\u0161enosti pro filmovou kritiku.<\/p>\n<p>J\u00e1chym \u0160idl\u00e1k dokon\u010duje studium na Kated\u0159e filmov\u00fdch studi\u00ed na Univerzit\u011b Karlov\u011b v Praze, kter\u00e9 ho p\u0159ivedlo k z\u00e1jmu o pohybliv\u00e9 obrazy expanduj\u00edc\u00ed do nejist\u00fdch budoucnost\u00ed, planet\u00e1rn\u00edch nebo mikroskopick\u00fdch m\u011b\u0159\u00edtek, a taky ke sf\u00e9r\u00e1m posthumanismu, post-cinema a v\u016fbec v\u0161ech post-v\u011bc\u00ed. Mezit\u00edm post-ironicky tr\u00e1v\u00ed dny (n\u011bkdy i noci) prac\u00ed v kin\u011b, ob\u010dasn\u00fdm kritick\u00fdm psan\u00edm, st\u0159\u00edh\u00e1n\u00edm audiovizu\u00e1ln\u00edch esej\u00ed nebo po\u0159\u00e1d\u00e1n\u00edm otev\u0159en\u00fdch ekologick\u00fdch semin\u00e1\u0159\u016f s n\u00e1zvem Kl\u00ed\u010den\u00ed.<\/p>\n<figure><img decoding=\"async\" class=\"alignnone\" src=\"https:\/\/etcgalerie.cz\/wp-content\/uploads\/2024\/07\/ETC_OPENCALL_FB_01.jpg\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>V roce 2024 etc. galerie vyhl\u00e1sila open call na REZIDENCE pro um\u011blkyn\u011b, kur\u00e1tory, teoreti\u010dky \u010di akademick\u00e9 pracovn\u00edky, kte\u0159\u00ed se zab\u00fdvaj\u00ed v\u00fdzkumem \u010di tvorbou pohybliv\u00e9ho obrazu. Z v\u00edce ne\u017e 50 p\u0159ihl\u00e1\u0161ek komise slo\u017een\u00e1 z kur\u00e1torek galerie Nely Klajbanov\u00e9 a S\u00e1ry M\u00e4rc a um\u011blkyn\u011b a pedago\u017eky B\u00e1ry Mr\u00e1zkov\u00e9 vybrala dva v\u00edt\u011bzn\u00e9 projekty: ZAHER JUREIDINI: RESISTING ERASURE: VISUAL [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5934","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=5934"}],"version-history":[{"count":5,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5934\/revisions"}],"predecessor-version":[{"id":6412,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5934\/revisions\/6412"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=5934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=5934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=5934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}