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\n<\/div><\/li>\n<\/ul>\n\nMal\u00ed\u0159i maluj\u00ed z\u00e1ti\u0161\u00ed a jezd\u00ed na plen\u00e9ry. Vasil Artamonov s Alexeyem Klyuykovem se rozhodli znovu prozkoumat tuto p\u0159edstavu um\u011blce z d\u011btsk\u00e9 encyklopedie, poctiv\u011b vy\u017ed\u00edmanou tradic\u00ed i modernou, n\u00e1bo\u017eenstv\u00edm, revoluc\u00ed, filozofi\u00ed, karikaturou, popul\u00e1rn\u00ed kulturou, tragedi\u00ed i komikou. Sv\u00e1 z\u00e1ti\u0161\u00ed maluj\u00ed v obl\u00edben\u00fdch mdl\u00fdch barv\u00e1ch a typick\u00e9m retro-stylu, za plen\u00e9ry se vyd\u00e1vaj\u00ed na pra\u017esk\u00e1 n\u00e1dra\u017e\u00ed – v duchu intenzivn\u00ed spolupr\u00e1ce se na ka\u017ed\u00e9m \u201en\u00e1dra\u017en\u00edm\u201c v\u00fdjevu pod\u00edlej\u00ed stejnou m\u011brou. Ve scen\u00e9ri\u00edch zahr\u00e1dk\u00e1\u0159sk\u00e9 kolonie v okol\u00ed Prahy instaluj\u00ed improvizovanou v\u00fdstavu sv\u00fdch obraz\u016f. V\u00fdznam ka\u017ed\u00e9ho gesta byl jaksi vypr\u00e1zdn\u011bn mno\u017estv\u00edm romantick\u00fdch a modernistick\u00fdch odkaz\u016f – ostentativn\u011b ne\u00fanosnou t\u00ed\u017e\u00ed historie – a odleh\u010den sebe-ironi\u00ed s masochistick\u00fdm ost\u0159\u00edm. Romantick\u00fd \u00e9tos um\u00ed dvojice zopakovat jen skrze z\u00e1m\u011brn\u00e9 diletantstv\u00ed. V\u00fdjev g\u00e9nia s paletou uprost\u0159ed p\u0159\u00edrody rozost\u0159en\u00fd avantgardn\u00ed kolaborac\u00ed, stromy, kter\u00e9 se prom\u011bnily v tov\u00e1rny – cel\u00e1 heroick\u00e1 (kunst)historie kon\u010d\u00ed \u0161ediv\u00fdmi obrazy z \u201ehlav\u00e1ku\u201c. K chleb\u016fm a klas\u016fm, je\u017e mohou odkazovat od obrozeneck\u00e9ho veleben\u00ed slovansk\u00e9ho folkloru po socialistick\u00fd realismus, vede cesta p\u0159es dort\u00edky a kobl\u00ed\u017eky obklopuj\u00edc\u00ed posmutn\u011bl\u00e9ho Marxe.<\/p>\n
Tereza Stejskalov\u00e1<\/p>\n