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\n<\/div><\/li>\n<\/ul>\n<\/p>\n vernis\u00e1\u017e: 26. 10. 2022, 18:00 kur\u00e1tor v\u00fdstavy: Tom\u00e1\u0161 Kaj\u00e1nek<\/span><\/p>\n V\u00fdstava audiovizu\u00e1ln\u00edho um\u011blce a grafick\u00e9ho design\u00e9ra D\u00e1vida Koroncziho p\u0159edstav\u00ed multimedi\u00e1ln\u00ed d\u00edlo, kter\u00e9 na p\u0159\u00edb\u011bhu t\u0159\u00ed protagonist\u016f \u2013 matky, otce a dosp\u011bl\u00e9ho syna \u2013 pojedn\u00e1v\u00e1 o otcovstv\u00ed, vztahu k p\u016fd\u011b, ztr\u00e1t\u011b ko\u0159en\u016f a jejich op\u011btovn\u00e9mu zapou\u0161t\u011bn\u00ed. Na pozad\u00ed se pr\u00e1ce dot\u00fdk\u00e1 vnitrost\u00e1tn\u00ed migrace a gentrifikace p\u0159\u00edm\u011bstsk\u00fdch satelit\u016f velkom\u011bsta a okoln\u00ed zem\u011bd\u011blsk\u00e9 krajiny.<\/span><\/p>\n Film ve videoinstalaci vypr\u00e1v\u00ed p\u0159\u00edb\u011bh mlad\u00e9ho mu\u017ee, kter\u00fd se po ned\u00e1vn\u00e9 smrti sv\u00e9ho otce, se kter\u00fdm se ji\u017e dlouh\u00e1 l\u00e9ta nev\u00eddal, rozhodne uspo\u0159\u00e1dat smute\u010dn\u00ed hostinu. Toto rozhodnut\u00ed je v rozporu s postojem jeho matky, kter\u00e1 se otce po traumatick\u00e9m a toxick\u00e9m vztahu s n\u00edm sna\u017eila vymazat p\u0159edev\u0161\u00edm ze sv\u00e9ho vlastn\u00edho \u017eivota. Z\u00e1kladn\u00ed stavebn\u00ed jednotku cel\u00e9 instalace tvo\u0159\u00ed europ\u0159epravky, kter\u00e9 autor z\u00edskal od logistick\u00e9 firmy. Jejich cesta z korpor\u00e1tn\u00edho spedi\u010dn\u00edho centra do tich\u00e9 rodinn\u00e9 zahrady kop\u00edruje p\u0159\u00edb\u011bh hlavn\u00edho p\u0159edstavitele p\u0159\u00edb\u011bhu. \u201eKdy\u017e nedok\u00e1\u017ee\u0161 zako\u0159enit s\u00e1m, jak chce\u0161 sakra p\u011bstovat n\u011bkoho jin\u00e9ho?\u201c stoj\u00ed na objektu vyroben\u00e9m z materi\u00e1l\u016f, kter\u00e9 zbyly po rekonstrukci um\u011blcova domu nedaleko rodn\u00e9ho m\u011bsta na st\u0159edn\u00edm Slovensku, kde byl film nat\u00e1\u010den a kam se autor s rodinou ned\u00e1vno p\u0159est\u011bhoval. Koroncziho pr\u00e1ce ovlivn\u011bn\u00e1 vlastn\u00ed otcovskou zku\u0161enost\u00ed nen\u00ed jen o pot\u0159eb\u011b hled\u00e1n\u00ed pozitivn\u00edho maskulinn\u00edho vzoru, ale tak\u00e9 p\u0159ipom\u00edn\u00e1 touhu po vztahu k zemi, kterou se jako ot\u010dinu sna\u017e\u00ed p\u0159er\u00e1movat a zbavit ji vlasteneck\u00e9ho patosu, kter\u00fd sly\u0161\u00edme z nacisty obl\u00edben\u00e9ho <\/span>Vaterland<\/span><\/i>, \u010di patriotismu odvozen\u00e9ho z latinsk\u00e9ho slova pro ot\u010dinu \u2013 <\/span>patria<\/span><\/i>. Prahnut\u00ed po zemi nen\u00ed d\u00e1no p\u0159\u00edslu\u0161nost\u00ed k n\u00e1rodn\u00ed identit\u011b, ale sp\u00ed\u0161 p\u0159ita\u017eliv\u00fdmi silami sv\u00e9 rodn\u00e9 zem\u011b. Pokud p\u00ed\u0161eme zemi \u2013 mysl\u00edme t\u00edm hl\u00ednu, shnil\u00e1 jablka, kvas\u00edc\u00ed \u0161vestky, ko\u0159eny rostlin a strom\u016f, mnohono\u017eky, \u017e\u00ed\u017ealy, larvy, spole\u010denstva mikroorganism\u016f, tlej\u00edc\u00ed t\u011bla na\u0161ich p\u0159edk\u016f, popel, rozkl\u00e1daj\u00edc\u00ed se v\u011btve.\u00a0<\/span><\/p>\n Film, kter\u00fd je bohat\u00fd na hmatov\u00e9 a sluchov\u00e9 vjemy, pln\u00fd hn\u011bten\u00ed a prask\u00e1n\u00ed, n\u00e1m ukazuje, jak se vlastn\u00ed t\u011blo i mysl v\u011bdom\u011b za\u0159azuj\u00ed do ekologie vztah\u016f, p\u0159ekra\u010duj\u00edc\u00ed binaritu rodina\u2013p\u0159\u00e1tel\u00e9, \u010dlov\u011bk\u2013ne-\u010dlov\u011bk, \u017eiv\u00e9\u2013ne\u017eiv\u00e9. Symbolem pro pochopen\u00ed mezidruhov\u00fdch vztah\u016f je pro Koroncziho chl\u00e9b, kter\u00e9mu se v\u011bnuje skrze celou svou tvorbu (vzpome\u0148me nap\u0159. na projekty <\/span>DP.OCH<\/span><\/i> v r\u00e1mci Ceny Osk\u00e1ra \u010cepana roku 2019 \u010di s\u00e9rii performativn\u00edch ve\u010de\u0159\u00ed <\/span>Bruchovravy<\/span><\/i>). Pokud si uv\u011bdom\u00edme, \u017ee spole\u010dn\u011b s tr\u00e1ven\u00edm j\u00eddla konzumujeme i ideologick\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 j\u00eddlo obep\u00ednaj\u00ed, m\u016f\u017ee chleba p\u0159edstavovat takovou touhu po sv\u011bt\u011b, v kter\u00e9m tvo\u0159\u00edme spojenectv\u00ed \u017eivo\u010di\u0161n\u00fdch druh\u016f s druhy rostlin a tak\u00e9 ne\u017eivou p\u0159\u00edrodou. Chleba je sou\u010d\u00e1st\u00ed rodiny.<\/span><\/p>\n <\/p>\n D\u00e1vid Koronczi (*1990)<\/b><\/p>\n Absolvoval bakal\u00e1\u0159sk\u00e9 studium na ITF v Opav\u011b a magistersk\u00e9 studium v Ateli\u00e9ru IN Ilony N\u00e9meth na Kated\u0159e interm\u00e9di\u00ed V\u0160VU v Bratislav\u011b. Letos zapo\u010dal doktorandsk\u00e9 studium na FaVU VUT v Brn\u011b pod veden\u00edm Katar\u00edny Hl\u00e1dekov\u00e9. Spoluzalo\u017eil multi\u017e\u00e1nrov\u00fd festival MEDZIHMLA v Lu\u010denci, kde se b\u011bhem let 2008\u20132019 dramaturgicky pod\u00edlel na programu. V roce 2017 spoluinicioval vznik kulturn\u011b-spole\u010densk\u00e9ho m\u011bs\u00ed\u010dn\u00edku <\/span>Kapit\u00e1l<\/span><\/i>, ve kter\u00e9m aktu\u00e1ln\u011b p\u016fsob\u00ed jako \u010dlen redak\u010dn\u00ed rady a grafick\u00fd design\u00e9r. Od roku 2020 je \u010dlenem kolektivu organiz\u00e1tor\u016f Bratislava BAK Summer School. V sou\u010dasn\u00e9 chv\u00edli p\u016fsob\u00ed jako asistent Martina Pia\u010dka v Ateli\u00e9ru vvv na Kated\u0159e interm\u00e9di\u00ed V\u0160VU v Bratislav\u011b, kde mimo jin\u00e9 asistoval p\u0159i veden\u00ed kurzu pod n\u00e1zvem <\/span>World In Relation \/ Sv\u011bt ve vztahu<\/span><\/i>, ve spolupr\u00e1ci s kur\u00e1torkou, spisovatelkou a \u0159editelkou BAK (Basis voor aktuele kunst v Utrechtu) Mariou Hlavajovou a v\u00fdzkumnic\u00ed Krist\u00ednou Orsz\u00e1ghovou.<\/span><\/p>\n Ve sv\u00e9 autorsk\u00e9 pr\u00e1ci se v\u011bnuje pr\u016fniku politiky j\u00eddla a um\u011bleck\u00e9 praxe. V uplynul\u00fdch letech na toto t\u00e9ma realizoval n\u011bkolik multidisciplin\u00e1rn\u00edch v\u00fdstup\u016f na skupinov\u00fdch i samostatn\u00fdch v\u00fdstav\u00e1ch na Slovensku i v zahrani\u010d\u00ed: nap\u0159\u00edklad v\u00fdstavu v Galerii M\u00e9dium v Bratislav\u011b (<\/span>Hlb\u0161ie ne\u017e dovn\u00fatra<\/span><\/i>; kur\u00e1torka: Miroslava Urbanov\u00e1, 2017) a v AM 180 v Praze (<\/span>Humid Intimacy<\/span><\/i>; kur\u00e1torka: Zlatka Bor\u016fvkov\u00e1, 2018); kur\u00e1torsk\u00e9 za\u0161t\u00edt\u011bn\u00ed dvou vyd\u00e1n\u00ed m\u011bs\u00ed\u010dn\u00edku <\/span>Kapit\u00e1l<\/span><\/i> (<\/span>Kult\u00fara jedla<\/span><\/i> 02\/2019 a <\/span>P\u00f4da<\/span><\/i> 09\/2021 <\/span>\u2013<\/span> ve spolupr\u00e1ci s Tom\u00e1\u0161em Uhn\u00e1kem); v\u00fdstavu a dramaturgii ve\u0159ejn\u00e9ho programu ve V\u00fdchodoslovensk\u00e9 galerii v Ko\u0161ic\u00edch v r\u00e1mci prezentace finalist\u016f Ceny Osk\u00e1ra \u010cepana (listopad 2019 \u2013 \u00fanor 2020) pod n\u00e1zvem <\/span>DP.OCH, Do\u010dasn\u00e1 platforma o chlebe<\/span><\/i>; produkci a vyd\u00e1n\u00ed audio pov\u00eddky <\/span>Bistro u slepa\u010dej n\u00f4\u017eky<\/span><\/i> v r\u00e1mci festivalu DAAVS pod zna\u010dkou VUNU podcast v Ko\u0161ic\u00edch; vytvo\u0159en\u00ed performativn\u00edho form\u00e1tu poetick\u00fdch hostin <\/span>BRUCHOVRAVY<\/span><\/i> b\u011bhem rezidence v Schaubmarov\u00fdm mlyne v Pezinku v \u010dervnu 2021 ve spolupr\u00e1ci s Davidem P\u0159\u00edlu\u010d\u00edkem a Ras\u0165ou Kravianskym, kter\u00e9 d\u00e1le repr\u00edzoval v brn\u011bnsk\u00e9m HaDivadle b\u011bhem festivalu D\u016fm kultury a \u00fanavy \u010di na posledn\u00edm ro\u010dn\u00edku festivalu KIOSK v \u017eilinsk\u00e9 Nov\u00e9 synagoze. Vystavoval mimo jin\u00e9 ve \u0161v\u00fdcarsk\u00e9m Shedhalle \u010di berl\u00ednsk\u00e9m Kunstpunktu.<\/span><\/p>\n <\/p>\n p<\/span>rodukce v\u00fdstavy: Anna Davidov\u00e1, Nela Klajbanov\u00e1 Na filmu spolupracovali:<\/strong><\/p>\n V hlavn\u00ed roli: Peter Oszl\u00edk Projekt byl finan\u010dn\u011b podpo\u0159en granty od St\u00e1tn\u00edho fondu kultury \u010cR, Ministerstva kultury \u010cR a Magistr\u00e1tu hl. m\u011bsta Prahy.<\/span><\/p>","protected":false},"excerpt":{"rendered":" vernis\u00e1\u017e: 26. 10. 2022, 18:00 otev\u00edrac\u00ed doba: 27. 10. \u2013 27. 10. 2022, st\u0159eda \u2013 ned\u011ble, 13 \u2013 19 h kur\u00e1tor v\u00fdstavy: Tom\u00e1\u0161 Kaj\u00e1nek V\u00fdstava audiovizu\u00e1ln\u00edho um\u011blce a grafick\u00e9ho design\u00e9ra D\u00e1vida Koroncziho p\u0159edstav\u00ed multimedi\u00e1ln\u00ed d\u00edlo, kter\u00e9 na p\u0159\u00edb\u011bhu t\u0159\u00ed protagonist\u016f \u2013 matky, otce a dosp\u011bl\u00e9ho syna \u2013 pojedn\u00e1v\u00e1 o otcovstv\u00ed, vztahu k p\u016fd\u011b, ztr\u00e1t\u011b ko\u0159en\u016f […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5224","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=5224"}],"version-history":[{"count":17,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5224\/revisions"}],"predecessor-version":[{"id":5328,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5224\/revisions\/5328"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=5224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=5224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=5224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![](\"https:\/\/etcgalerie.cz\/wp-content\/uploads\/2022\/10\/ETC_DK_FB_UVODKA_01-750x285.jpg\")
<\/em><\/p>\n
\n<\/strong><\/em>otev\u00edrac\u00ed doba: 27. 10. \u2013 27. 10. 2022, st\u0159eda \u2013 ned\u011ble, 13 \u2013 19 h<\/span><\/p>\n
\n<\/span>instalace: Max M\u00e1slo
\n<\/span>grafick\u00fd design: Nela Kl\u00edmov\u00e1
\n<\/span>p\u0159eklad: Martin Makara<\/span><\/p>\n
\nSc\u00e9n\u00e1\u0159 a re\u017eie: D\u00e1vid Koronczi
\nAsistentka re\u017eie: L\u00fddia Ondru\u0161ov\u00e1
\nKonzultant sc\u00e9n\u00e1\u0159e: Peter Balko
\nAsistent v\u00fdroby: Jaroslav Bal\u00e1\u017e
\nKamera a st\u0159ih: Denis Kozerawski
\nZvuk : Erik P\u00e1n\u010di
\nHudba: Erik P\u00e1n\u010di a Jaroslav Bal\u00e1\u017e
\nZp\u011bv: Barbora Benkov\u00e1
\nCatering : Viki Jakabov\u00e1
\nAdministrativa: Martina Szab\u00f3ov\u00e1<\/p>\n