esej Nat\u00e1lie Drtinov\u00e9 Proti queer viditelnosti<\/a><\/span><\/p>\nP\u00e1smo Politika viditelnosti p\u0159edstav\u00ed esej a \u010dty\u0159i um\u011bleck\u00e1 videa, kter\u00e1 p\u0159ehodnocuj\u00ed aktivitu d\u00edv\u00e1n\u00ed se. Video Philippa Kolycheva ukazuje sv\u016fdnou povahu konspira\u010dn\u00edch obraz\u016f, esej Nat\u00e1lie Drtinov\u00e9 problematizuje queer politiku zviditel\u0148ov\u00e1n\u00ed, video z projektu The Atlas Group upozor\u0148uje na orientalistick\u00fd feti\u0161izuj\u00edc\u00ed pohled na Bl\u00edzk\u00fd v\u00fdchod a um\u011blci Chlo\u00e9 Galibert-La\u00een\u00e9 a Kevin B. Lee ve video dialogu dokazuj\u00ed, jak m\u016f\u017ee aktivita d\u00edv\u00e1n\u00ed se p\u0159edstavovat boj s teroristickou propagandou.<\/span><\/i><\/p>\nNa za\u010d\u00e1tku minul\u00e9ho roku na\u0161tvan\u00fd dav p\u0159ivr\u017eenc\u016f Donalda Trumpa obr\u00e1til sv\u016fj vztek k report\u00e9r\u016fm, kte\u0159\u00ed informovali o \u00fatoku na washingtonsk\u00fd Kapitol. Aktivist\u00e9 pron\u00e1sledovali zpravodajsk\u00e9 \u0161t\u00e1by a ob\u00edrali je o nat\u00e1\u010dec\u00ed techniku. Rozzloben\u00fd dav kopal do kamer, fotoapar\u00e1t\u016f a sv\u011btel. Po technice dupali, tloukli ji ty\u010demi a pol\u00e9vali vodou. N\u011bkte\u0159\u00ed z kabel\u016f ud\u011blali smy\u010dku a ob\u011bsili kameru na strom\u011b, jin\u00ed se techniku sna\u017eili zap\u00e1lit. \u00dato\u010dn\u00edci napadli i Trumpovu obl\u00edbenou zpravodajskou televizi Fox News. Toto nev\u0161edn\u00ed n\u00e1sil\u00ed v\u016f\u010di n\u00e1stroj\u016fm zaznamen\u00e1vaj\u00edc\u00edm obraz jako by p\u0159edstavovalo vzpouru proti z\u00e1vislosti na medi\u00e1ln\u00edm zprost\u0159edkov\u00e1n\u00ed ka\u017edodenn\u00ed zku\u0161enosti. \u010c\u00e1st demonstrant\u016f tvo\u0159ili tak\u00e9 lid\u00e9, kte\u0159\u00ed se otev\u0159en\u011b hl\u00e1s\u00ed k v\u00fdklad\u016fm sv\u011bta, kter\u00e9 se ozna\u010duj\u00ed jako konspira\u010dn\u00ed teorie. Ned\u016fv\u011bra v p\u0159ij\u00edm\u00e1n\u00ed fakt\u016f vede \u0159adu lid\u00ed k alternativn\u00edm zdroj\u016fm informac\u00ed, kter\u00e9 se nach\u00e1zej\u00ed na diskusn\u00edch f\u00f3rech, platform\u00e1ch pro sd\u00edlen\u00ed u\u017eivateli vytv\u00e1\u0159en\u00e9ho obsahu a v r\u016fzn\u00fdch podob\u00e1ch ob\u010dansk\u00e9ho \u017eurnalismu. Jejich d\u016fvodem m\u016f\u017ee b\u00fdt nespokojenost a doutnaj\u00edc\u00ed hn\u011bv, je\u0161t\u011b umocn\u011bn\u00fd opovrhov\u00e1n\u00edm \u010d\u00e1sti spole\u010dnosti tvo\u0159en\u00e9 liber\u00e1ln\u00ed vzd\u011blanou t\u0159\u00eddou, kter\u00e1 si zakl\u00e1d\u00e1 na racionalit\u011b a pohl\u00ed\u017e\u00ed na nespokojenou skupinu lid\u00ed jako na hlup\u00e1ky. Video Philippa Kolycheva <\/span>Real Eyes Realize Real Lies<\/span><\/i> (2019) nech\u00e1v\u00e1 div\u00e1ka pohltit realitou zalo\u017eenou na alternativn\u00edch faktech, ani\u017e by jejich tv\u016frce a div\u00e1ky hodnotilo. Klade si ot\u00e1zku, nakolik je paranoia zap\u0159\u00ed\u010din\u011bna soci\u00e1ln\u00edmi podm\u00ednkami a jak jsou lid\u00e9 trp\u00edc\u00ed paranoiou soci\u00e1ln\u011b vylou\u010deni. Sv\u016fdn\u00fd obsah konspira\u010dn\u00edch obraz\u016f zabalen\u00fd do gamifikovan\u00e9 podoby d\u00e1v\u00e1 sv\u00fdm stoupenc\u016fm schopnost jednat a z\u00e1rove\u0148 vysv\u011btluje d\u016fvody nejistoty. Kolychev ukazuje, v \u010dem spo\u010d\u00edv\u00e1 jejich s\u00edla, kdy\u017e obrazy nech\u00e1v\u00e1 p\u016fsobit p\u0159\u00edmo bez pou\u017eit\u00ed zcizuj\u00edc\u00edch technik.<\/span><\/p>\nUp\u0159en\u00fd pohled vyb\u00edraj\u00edc\u00ed si z portfolia pravd s sebou z\u00e1rove\u0148 nese probl\u00e9m fixn\u00edch identit a objektivizace zalo\u017een\u00e9 na genderu. Text Nat\u00e1lie Drtinov\u00e9 <\/span>Proti queer viditelnosti<\/span><\/i> ukazuje, nakolik problematick\u00e1 je politika zviditel\u0148ov\u00e1n\u00ed, kter\u00e1 p\u0159evl\u00e1d\u00e1 v LGBTQ+ aktivismu posledn\u00edch dek\u00e1d. Sou\u010dasn\u00e9 um\u011bn\u00ed \u010dasto tvrd\u00ed, \u017ee na n\u011bco poukazuje, nastavuje zrcadlo, funguje jako lupa a zaost\u0159uje na probl\u00e9m. Um\u011bn\u00ed, kter\u00e9 necitliv\u011b zviditel\u0148uje, m\u016f\u017ee naopak p\u0159edstavitele marginalizovan\u00fdch skupin ohrozit. A\u0165 u\u017e se jedn\u00e1 o uprchl\u00edky bez platn\u00e9ho povolen\u00ed k pobytu, nebo LGBTQ+ osoby, jejich\u017e zviditel\u0148ov\u00e1n\u00ed vede k rostouc\u00edmu c\u00edlen\u00e9mu n\u00e1sil\u00ed.<\/span><\/p>\nPodobn\u011b jako Nat\u00e1lie Drtinov\u00e1 popisuje, \u017ee se osoby p\u0159ekra\u010duj\u00edc\u00ed gender st\u00e1vaj\u00ed pod\u00edvanou pro pot\u011b\u0161en\u00ed a z\u00e1bavu ostatn\u00edch lid\u00ed, je postava Souheila Bachara ve filmu <\/span>Hostage: The Bachar Tapes (#17 and #31)<\/span><\/i> v\u00fdsledkem feti\u0161izuj\u00edc\u00edho pohledu. \u201e<\/span>Byli znechuceni m\u00fdm t\u011blem, ale celou dobu se m\u011b dot\u00fdkali,<\/span><\/i>\u201c vypov\u00edd\u00e1 Bachar ve fiktivn\u00ed nahr\u00e1vce, kter\u00e1 je sou\u010d\u00e1st\u00ed projektu The Atlas Group <\/span>(1989\u20132004) libanonsko-americk\u00e9ho um\u011blce Walida Raada, v n\u011bm\u017e shrom\u00e1\u017edil dokumenty fiktivn\u00edch autor\u016f vztahuj\u00edc\u00ed se k sou\u010dasn\u00fdm d\u011bjin\u00e1m Libanonu. Ve videu <\/span>Hostage: The Bachar Tapes (#17 and #31)<\/span><\/i> sledujeme v\u00fdpov\u011b\u010f libanonsk\u00e9ho zajatce, kter\u00fd byl spole\u010dn\u011b s p\u011bti Ameri\u010dany uv\u011bzn\u011bn islamistick\u00fdmi milicemi b\u011bhem libanonsk\u00e9 ob\u010dansk\u00e9 v\u00e1lky. Jeho zpov\u011b\u010f p\u0159edstavuje orientalistickou fantazii, ve kter\u00e9 se feti\u0161izace ne-b\u00edl\u00fdch lid\u00ed prom\u011b\u0148uje v mix odpudivosti a sexualizace. Unikl\u00e9 fotografie sexu\u00e1ln\u011b i jinak t\u00fdran\u00fdch ir\u00e1ck\u00fdch zajatc\u016f americk\u00fdmi voj\u00e1ky ve v\u011bznici Ab\u00fa Ghraib (v roce 2004) jsou jej\u00edm nevyhnuteln\u00fdm pokra\u010dov\u00e1n\u00edm.<\/span><\/p>\nObraz Bl\u00edzk\u00e9ho v\u00fdchodu se st\u00e1v\u00e1 boji\u0161t\u011bm mezi medi\u00e1ln\u00edm zprost\u0159edkov\u00e1n\u00edm, konspira\u010dn\u00edmi teoriemi a propagandou teroristick\u00fdch organizac\u00ed. V s\u00e9rii <\/span>Bottled Songs (2020)<\/span><\/i> si mezi sebou Chlo\u00e9 Galibert-La\u00een\u00e9 a Kevin B. Lee vym\u011b\u0148uj\u00ed video dopisy, kde analyzuj\u00ed audiovizu\u00e1ln\u00ed propagandu teroristick\u00e9 organizace Dae\u0161 a p\u016fsoben\u00ed jejich obraz\u016f. Zkoumaj\u00ed zp\u016fsoby, jak\u00fdmi jsou videa \u0161\u00ed\u0159ena v online prost\u0159ed\u00ed, jak jsou sd\u00edlena, p\u0159ed\u011bl\u00e1v\u00e1na, komentov\u00e1na a jak se m\u011bn\u00ed jejich v\u00fdznam. Zd\u00e1nliv\u011b obrazoboreck\u00e9 teroristick\u00e9 organizace, kter\u00e9 likviduj\u00ed kulturn\u00ed pam\u00e1tky, lze naopak ch\u00e1pat jako ikonofiln\u00ed spole\u010denstv\u00ed, kter\u00e1 bojuj\u00ed i na kulturn\u00ed front\u011b. Vytv\u00e1\u0159ej\u00ed obrazy, jejich\u017e c\u00edlem je manipulovat div\u00e1ky a vytv\u00e1\u0159et strach; kamera se st\u00e1v\u00e1 jejich mu\u010dic\u00edm n\u00e1strojem. Dosahuj\u00ed toho zneu\u017e\u00edv\u00e1n\u00edm platforem pro ob\u010dansk\u00fd \u017eurnalismus, promy\u0161lenou produkc\u00ed, inspirac\u00ed hollywoodskou a ran\u011b revolu\u010dn\u00ed kinematografi\u00ed a vytv\u00e1\u0159en\u00edm dramatick\u00fdch oblouk\u016f. Galibert-La\u00een\u00e9 a B. Lee, i za cenu dal\u0161\u00edho \u0161\u00ed\u0159en\u00ed jako nevyhnuteln\u00e9ho vedlej\u0161\u00edho efektu, p\u0159edstavuj\u00ed n\u00e1vrh, jak s t\u011bmito obrazy bojovat \u2013 a sice t\u00edm, \u017ee se sna\u017e\u00ed postavit jejich emocion\u00e1ln\u00edmu \u00fatoku. Detailn\u00ed anal\u00fdza takov\u00fdch film\u016f pom\u00e1h\u00e1 vytv\u00e1\u0159et odstup, se kter\u00fdm je mo\u017en\u00e9 zamezit jejich strhuj\u00edc\u00edmu \u00fazkostn\u00e9mu p\u016fsoben\u00ed. Ostatn\u011b jak sami um\u011blci popisuj\u00ed, aktivita d\u00edv\u00e1n\u00ed se p\u0159in\u00e1\u0161\u00ed emocion\u00e1ln\u00ed, intelektu\u00e1ln\u00ed, estetick\u00e9 a nakonec i etick\u00e9 d\u016fsledky.<\/span><\/p>\nkur\u00e1tor: Tom\u00e1\u0161 Kaj\u00e1nek
\nesej: Nat\u00e1lie Drtinov\u00e1
\nprodukce: Anna Davidov\u00e1, Nela Klajbanov\u00e1
\np\u0159eklad: Jan Ciosk, Nat\u00e1lie Drtinov\u00e1, Drahom\u00edra Rezkov\u00e1, Barbora \u0158epkov\u00e1
\nkorektury: Michal Jurza
\ngrafika: Nela Kl\u00edmov\u00e1
\nIT support: Ond\u0159ej Rozto\u010dil<\/div>\n
<\/div>\n
\n
Nat\u00e1lie Drtinov\u00e1<\/strong> absolvovala program Liberal Arts and Sciences na University College Utrecht, b\u011bhem kter\u00e9ho str\u00e1vila semestr na st\u00e1\u017ei na Universidad Iberoamericana v Mexico City a pot\u00e9 pokra\u010dovala ve studiu teorie um\u011bn\u00ed na pra\u017esk\u00e9 UMPRUM a genderov\u00fdch studi\u00ed na FHS UK. Zaj\u00edm\u00e1 se o pr\u016fse\u010d\u00edk um\u011bn\u00ed se spole\u010densk\u00fdmi problematikami, utopistick\u00fdmi imaginacemi a novomaterialistick\u00fdm b\u00e1d\u00e1n\u00edm. V\u011bnuje se galerijn\u00ed produkci a v\u00fdtvarn\u00e9 kritice, p\u0159isp\u00edv\u00e1 do m\u00e9di\u00ed jako Artalk, Flash Art, Fotograf Magazine \u010di Arty\u010dok.TV a p\u0159\u00edle\u017eitostn\u011b se v\u011bnuje kur\u00e1torstv\u00ed. Mezi lety 2019 a 2021 p\u016fsobila jako redaktorka v\u00fdtvarn\u00e9ho um\u011bn\u00ed v kulturn\u00edm \u010dtrn\u00e1ctiden\u00edku A2. Je \u010dlenkou \u010desk\u00e9ho spolku ABCD v\u011bnovan\u00e9mu art brut a spravuje archiv Anny Zem\u00e1nkov\u00e9.<\/span><\/p>\nPhilipp Kolychev<\/strong> je multimedi\u00e1ln\u00ed um\u011blec p\u016fsob\u00edc\u00ed v Praze. Je absolventem nov\u00fdch m\u00e9di\u00ed na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed. Ve sv\u00e9 pr\u00e1ci se zab\u00fdv\u00e1 spole\u010denskou odpov\u011bdnost\u00ed um\u011blce v dob\u011b humanitarn\u00ed krize a ekologick\u00e9ho kolapsu.<\/span><\/p>\nThe Atlas Group<\/strong> je projekt um\u011blce Walida Raada z let 1989 a\u017e 2004 s c\u00edlem zkoumat a zdokumentovat ned\u00e1vnou historii Libanonu, se zvl\u00e1\u0161tn\u00edm d\u016frazem na v\u00e1lky v Libanonu v letech 1975 a\u017e 1990. Raad na\u0161el a vytvo\u0159il zvukov\u00e9, vizu\u00e1ln\u00ed a liter\u00e1rn\u00ed dokumenty, kter\u00e9 vrhaj\u00ed sv\u011btlo na tuto historii.<\/span><\/p>\nChlo\u00e9 Galibert-La\u00een\u00e9<\/strong> je francouzsk\u00e1 teoreti\u010dka, v\u00fdzkumnice a filma\u0159ka, kter\u00e1 v sou\u010dasnosti p\u016fsob\u00ed na \u0161kole um\u011bn\u00ed a deisgnu ve \u0161v\u00fdcarsk\u00e9m Lucerne a vyu\u010duje teorii filmu a m\u00e9di\u00ed na mnoh\u00fdch evropsk\u00fdch univerzit\u00e1ch. Ve sv\u00e9 pr\u00e1ci se v\u011bnuje p\u0159ev\u00e1\u017en\u011b t\u00e9matu pr\u016fse\u010d\u00edk\u016f mezi filmem a online m\u00e9dii, video esej\u016fm a dokument\u016fm vytv\u00e1\u0159en\u00fdm skrze plochu na po\u010d\u00edta\u010di.<\/span><\/p>\nKevin B. Lee<\/strong> je americk\u00fd filma\u0159, medi\u00e1ln\u00ed um\u011blec a filmov\u00fd kritik. Vystudoval School of the Art Institute v Chicagu a ve sv\u00e9 praxi se v\u011bnuje p\u0159ev\u00e1\u017en\u011b dokument\u00e1rn\u00edmu filmu. Jeho d\u00edla \u010dasto kritizuj\u00ed filmov\u00fd pr\u016fmysl a m\u00e9dium filmu jako takov\u00e9. Lee dlouhodob\u011b spolupracuje s Chlo\u00e9 Galibert-La\u00een\u00e9 a v\u00fdsledky jejich spolupr\u00e1ce lze vid\u011bt na filmov\u00fdch festivalech po cel\u00e9m sv\u011bt\u011b.<\/span><\/p>\n<\/div>\nTento projekt vznikl d\u00edky sponzorsk\u00e9mu daru Video Data Bank a byl finan\u010dn\u011b podpo\u0159en granty Ministerstva kultury \u010cR a Magistr\u00e1tu hl. m\u011bsta Prahy.<\/p>","protected":false},"excerpt":{"rendered":"
hlavn\u00ed prom\u00edt\u00e1n\u00ed: 30. srpna od 19 hodin\u00a0v etc. galerii, Srajevsk\u00e1 16, Praha 2 online prom\u00edt\u00e1n\u00ed: 30. 8. \u2013 6. 9. 2022 esej Nat\u00e1lie Drtinov\u00e9 Proti queer viditelnosti P\u00e1smo Politika viditelnosti p\u0159edstav\u00ed esej a \u010dty\u0159i um\u011bleck\u00e1 videa, kter\u00e1 p\u0159ehodnocuj\u00ed aktivitu d\u00edv\u00e1n\u00ed se. Video Philippa Kolycheva ukazuje sv\u016fdnou povahu konspira\u010dn\u00edch obraz\u016f, esej Nat\u00e1lie Drtinov\u00e9 problematizuje queer politiku […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5058","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=5058"}],"version-history":[{"count":10,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5058\/revisions"}],"predecessor-version":[{"id":5107,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/5058\/revisions\/5107"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=5058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=5058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=5058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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