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\n<\/div><\/li>\n<\/ul>\n<\/p>\n\u201eA budem spole\u010dn\u011b sv\u011bt a m\u00edr milovat a budem spole\u010dn\u011b pro ten sv\u011bt pracovat. Kdy\u017e v\u0161ichni v\u0161echn\u011bm v\u0161echno d\u00e1me, tak budem v\u0161ichni v\u0161echno m\u00edt dohromady.\u201c* Jan Bro\u017e a V\u00edt Svoboda jsou dva mlad\u00ed um\u011blci vyjad\u0159uj\u00edc\u00ed se mediem kresby. Jan Werich byl \u010desk\u00fd divadeln\u00ed a filmov\u00fd herec, obecn\u011b zn\u00e1m\u00fd nap\u0159\u00edklad sv\u00fdmi rolemi uv\u011bdom\u011bl\u00fdch nebo ponau\u010den\u00fdch kr\u00e1l\u016f. Werich je idolem a hlasatelem postoje, ke kter\u00e9mu tak n\u011bjak pat\u0159\u00ed, \u017ee kr\u00e1l zmoud\u0159\u00ed, \u017ee m\u00ed\u0159\u00edme k ur\u010dit\u00e9mu pokroku, \u017ee existuje duch doby, kter\u00fd v\u0161e \u0159\u00edd\u00ed, \u017ee lid\u00e9 sice maj\u00ed chyby, ale v\u017edycky se z nich pou\u010d\u00ed a \u017ee v\u0161e nakonec dob\u0159e dopadne. Werich byl pozitivistou, dalo by se snad \u0159\u00edci modernistou anebo snad jen p\u0159edstavitelem modern\u00ed doby? Jak Werich souvis\u00ed se sou\u010dasn\u00fdm um\u011bn\u00edm? B\u011b\u017en\u00fd div\u00e1k ka\u017edoro\u010dn\u00edch v\u00e1no\u010dn\u00edch televizn\u00edch po\u0159ad\u016f v\u00e1m z\u0159ejm\u011b \u0159ekne, \u017ee je nesmrteln\u00fd a pravdiv\u00fd herec. Co V\u00e1m k tomu m\u016f\u017eou \u0159\u00edct Jan Bro\u017e a V\u00edt Svoboda? VS: \u201eWerich je embryo Sv\u011br\u00e1ka.\u201c JB: \u201eKonstatn\u00ed zdroj pozitivismu, osv\u011bd\u010den\u00e9 heslo filmov\u00fdch archiv\u016f.\u201c Jan Bro\u017e se v\u011bnuje p\u0159ehodnocov\u00e1n\u00ed modernistick\u00fdch paradigmat. Je modernismem a jeho \u00e9tosem fascinov\u00e1n a mohlo by se po\u017ckrat\u0161\u00edm rozhovoru snad i zd\u00e1t, \u017ee by jej ur\u010dit\u00fdm zp\u016fsobem r\u00e1d o\u017eivil. V sou\u010dasn\u00e9m rozdroben\u00e9m postmodern\u00edm sv\u011bt\u011b, ve kter\u00e9m chyb\u00ed ucelen\u00e9 vize, by\u017ctakov\u00e9 po\u010d\u00edn\u00e1n\u00ed bylo celkem logick\u00e9, nicm\u00e9n\u011b p\u0159iznejme si, \u017ee zhola nemo\u017en\u00e9. Jan si je tohoto faktu v\u011bdom, proto ve sv\u00fdch kresb\u00e1ch \u0159e\u0161\u00ed sou\u010dasn\u00e9 pal\u010div\u00e9 sociopolitick\u00e9 i ryze etick\u00e9 probl\u00e9my, jejich\u017e neomodernistick\u00e1 forma je napln\u011bna kritikou sou\u010dasnosti. Sou\u010dasnosti, k\u017cjej\u00ed\u017e podob\u011b avantgardn\u00ed pohled na r\u016fzn\u00e1 odv\u011btv\u00ed lidsk\u00e9ho \u017eivota velmi p\u0159isp\u011bl. V\u00edt Svoboda je architekt. Krom\u011b toho se v\u011bnuje kresb\u011b a graffiti. Jeho kresby vych\u00e1zej\u00ed z \u0159ady vliv\u016f, zejm\u00e9na z ran\u00e9ho graffiti 70. a 80. let 20. stolet\u00ed. V\u00edt nad pap\u00edrem uva\u017euje jako nad neomezen\u00fdm polem p\u016fsobnosti, na kter\u00e9m se jednotliv\u00e9 symboly, motivy, gesta a fragmenty k\u0159\u00ed\u017e\u00ed a prol\u00ednaj\u00ed ve zd\u00e1nliv\u011b nahodil\u00fdch formac\u00edch a vznik\u00e1 nov\u00fd v\u00fdznam. Jeho zp\u016fsob tvorby je intuitivn\u00ed, v lec\u010dems jej m\u016f\u017eeme p\u0159irovnat k Brownovu pohybu ve fyzice nebo k fenom\u00e9nu N\u00e1hodn\u00e9 proch\u00e1zky v matematice. Svoboda formalizuje intuitivn\u00ed my\u0161lenky pomoc\u00ed n\u00e1hodn\u00fdch krok\u016f. Z graffiti na V\u00edtov\u00fdch kresb\u00e1ch jakoby zbyl pouze tzv. Charakter (postava). Postavi\u010dka, kter\u00e1 by jm\u00e9no m\u011bla vlastn\u011b doprov\u00e1zet, se tu najednou ocit\u00e1 sama o sob\u011b. Charaktery se tak osvobodily od\u017cp\u00edsmene a vytv\u00e1\u0159\u00ed svoje vlastn\u00ed p\u0159\u00edb\u011bhy. V\u00edtovy kresby komentuj\u00ed i graffiti samotn\u00e9, kter\u00e9 se vypr\u00e1zdnilo ji\u017e kr\u00e1tce po sv\u00e9m vzniku. Graffiti, kter\u00e9 se u\u017e stalo formalismem. Graffiti jako takov\u00e9 bylo tak\u00e9 podle mne jedn\u00edm z bod\u016f, kter\u00e9 definitivn\u011b potvrdily konec modernismu. Sv\u00fdm pokryt\u00edm m\u011bstsk\u00fdch s\u00edt\u00ed vlastn\u011b z\u010d\u00e1sti parazitovalo na kvazi-dokonal\u00e9m syst\u00e9mu pokroku, kter\u00fdm se modernismus zab\u00fdval. Lid\u00e9, kte\u0159\u00ed byli syst\u00e9mem odklon\u011bni na okraj, jej nahlodali zevnit\u0159 s velkou pomoc\u00ed jeho vlastn\u00edch prost\u0159edk\u016f a v\u00fddobytk\u016f. Janovy kresby narozd\u00edl od V\u00edtov\u00fdch nevznikaj\u00ed tak zcela intuitivn\u011b. Jsou to vlastn\u011b konceptu\u00e1ln\u00ed d\u00edla, kter\u00e1 pracuj\u00ed se snadno rozpoznateln\u00fdmi motivy. Jestli\u017ee ve V\u00edtov\u00fdch v\u00fdtvarn\u00fdch po\u010dinech m\u016f\u017eeme vysledovat stopy nap\u0159\u00edklad k punk-guerilla kritice, kter\u00e1 je lehk\u00e1 a rychl\u00e1, Jan kritizuje a relativizuje pokrok i sou\u010dasn\u00fd sv\u011bt prost\u0159ednictv\u00edm pokrokov\u00e9 vizuality avantgardy, ji\u017e kombinuje s tvaroslov\u00edm digit\u00e1ln\u00edho v\u011bku. Spojen\u00ed autor\u016f na t\u00e9to v\u00fdstav\u011b je dialogem dvou tv\u016frc\u016f, kte\u0159\u00ed se sna\u017e\u00ed orientovat v probl\u00e9mech dne\u0161n\u00edho sv\u011bta. Tento diskurz reflektuj\u00ed dv\u011bma cestami, kter\u00e9 m\u016f\u017eeme sledovat i mimo um\u011bn\u00ed. Punkov\u00e1 anti-establishmentov\u00e1, n\u011bkdy\u017ci tup\u00e1 pouli\u010dn\u00ed kritika se zde vz\u00e1cn\u011b\u017csetk\u00e1v\u00e1 s v\u011bcnou intelektu\u00e1ln\u00ed reviz\u00ed. Za pou\u017eit\u00ed podobn\u00fdch symbol\u016f oba auto\u0159i mluv\u00ed o pom\u00edjivosti ikon, rozpadu hodnot, o\u017cvytv\u00e1\u0159en\u00ed kr\u00e1tkodob\u00fdch nov\u00fdch viz\u00ed. Uv\u011bdomuj\u00ed si velkohubost a nestabiln\u00ed v\u00fdznam v\u0161ech fr\u00e1z\u00ed, log a symbol\u016f. \u017d\u00e1dn\u00fd z nich si neklade za c\u00edl div\u00e1ka pou\u010dovat a nab\u00edzet \u0159e\u0161en\u00ed. Oba si jsou pln\u011b v\u011bdomi p\u00e1du a krachu vizu\u00e1ln\u00edch jazyk\u016f, kter\u00fdmi jsou inspirov\u00e1ni.Oba v\u011bd\u00ed, \u017ee nelze milovat sv\u011bt, ale jak \u0159\u00edk\u00e1 Slavoj \u017di\u017eek, lze ho bu\u010f nen\u00e1vid\u011bt, nebo k n\u011bmu b\u00fdt indiferentn\u00ed. Naopak jm\u00e9no Werich zde funguje jako z\u00e1stupce \u010dastokr\u00e1t p\u0159ekab\u00e1t\u011bn\u00e9ho, pozitivn\u00edho a milou\u010dk\u00e9ho pohledu na budouc\u00ed sv\u011bt bez probl\u00e9m\u016f, kde si v\u0161ichni pom\u00e1haj\u00ed a kde ka\u017ed\u00fd je t\u00edm, \u010d\u00edm je, aby nebyl t\u00edm, \u010d\u00edm nen\u00ed.<\/p>\n
Martin Hrub\u00fd<\/p>\n
* Jan Werich, C\u00edsa\u0159\u016fv peka\u0159 – Peka\u0159\u016fv c\u00edsa\u0159; 1951<\/p>\n
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\u201eA budem spole\u010dn\u011b sv\u011bt a m\u00edr milovat a budem spole\u010dn\u011b pro ten sv\u011bt pracovat. Kdy\u017e v\u0161ichni v\u0161echn\u011bm v\u0161echno d\u00e1me, tak budem v\u0161ichni v\u0161echno m\u00edt dohromady.\u201c* Jan Bro\u017e a V\u00edt Svoboda jsou dva mlad\u00ed um\u011blci vyjad\u0159uj\u00edc\u00ed se mediem kresby. Jan Werich byl \u010desk\u00fd divadeln\u00ed a filmov\u00fd herec, obecn\u011b zn\u00e1m\u00fd nap\u0159\u00edklad sv\u00fdmi rolemi uv\u011bdom\u011bl\u00fdch nebo ponau\u010den\u00fdch kr\u00e1l\u016f. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-356","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=356"}],"version-history":[{"count":4,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/356\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/356\/revisions\/1339"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}