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\n<\/div><\/li>\n<\/ul>\n<\/p>\nJi\u0159\u00ed \u017d\u00e1k: DeepReal Havel <\/b><\/p>\n
otev\u00edrac\u00ed doba: 10. 12. – 23. 12. 2020, denn\u011b 16 – 20 hodin, v\u00fdstavu lze zhl\u00e9dnout bez vstupu do prostoru galerie<\/strong><\/p>\n kur\u00e1torky: Mark\u00e9ta Jon\u00e1\u0161ov\u00e1, Anna Davidov\u00e1<\/p>\n V\u00fdstavn\u00ed projekt <\/span>DeepReal Havel<\/span><\/i> vych\u00e1z\u00ed z dlouhodob\u00e9ho z\u00e1jmu um\u011blce Ji\u0159\u00edho \u017d\u00e1ka o zachycen\u00ed m\u00edstn\u00ed \u2013 tedy p\u0159edev\u0161\u00edm \u010deskoslovensk\u00e9 \u010di \u010desk\u00e9 \u2013 identity ve vztahu k mimoevropsk\u00fdm zem\u00edm a kultur\u00e1m. V akademick\u00e9m prost\u0159ed\u00ed je tento vztah p\u0159edm\u011btem postkoloni\u00e1ln\u00edch studi\u00ed, v\u011bdn\u00edho oboru, kter\u00fd se zab\u00fdv\u00e1 kritickou anal\u00fdzou kolonialismu a imperialismu. Zat\u00edmco v zahrani\u010d\u00ed je vliv postkoloni\u00e1ln\u00edch studi\u00ed patrn\u00fd v \u0159ad\u011b oblast\u00ed, v \u010desk\u00e9m prost\u0159ed\u00ed st\u00e1le p\u0159evl\u00e1d\u00e1 p\u0159esv\u011bd\u010den\u00ed (s v\u00fdjimkou ojedin\u011bl\u00fdch po\u010din\u016f v akademick\u00e9 a um\u011bleck\u00e9 sf\u00e9\u0159e), \u017ee se tento zp\u016fsob b\u00e1d\u00e1n\u00ed m\u00edstn\u00edho kontextu net\u00fdk\u00e1, nebo\u0165 \u010ceskoslovensko nem\u011blo koloni\u00e1ln\u00ed dr\u017eavy. P\u0159edm\u011btem postkoloni\u00e1ln\u00edch studi\u00ed v\u0161ak nejsou pouze historick\u00e9 formy kolonizace africk\u00fdch, asijsk\u00fdch a latinskoamerick\u00fdch \u00fazem\u00ed. Jejich v\u00fdznam spo\u010d\u00edv\u00e1 v reflexi a prom\u011bn\u011b p\u0159etrv\u00e1vaj\u00edc\u00edch mocensk\u00fdch vztah\u016f mezi st\u00e1ty a politick\u00fdmi bloky, kter\u00e9 se prom\u00edtaj\u00ed do obchodn\u00edch transakc\u00ed, kulturn\u00edch interpretac\u00ed a zahrani\u010dn\u00ed politiky. A\u010dkoliv tedy \u010ceskoslovensko nekolonizovalo \u017e\u00e1dnou z mimoevropsk\u00fdch zem\u00ed, do kolonizovan\u00fdch st\u00e1t\u016f vyv\u00e1\u017eelo vojensk\u00e9 vybaven\u00ed \u010di se v t\u011bchto zem\u00edch anga\u017eovalo hospod\u00e1\u0159sky. Pr\u00e1v\u011b ekonomick\u00e9 a kulturn\u00ed rozp\u00edn\u00e1n\u00ed \u010ceskoslovenska bylo n\u00e1m\u011btem \u017d\u00e1kova filmu <\/span>Mate\u0159sk\u00e9 m\u011bsto<\/span><\/i> (2015), ve kter\u00e9m mapoval \u0161\u00ed\u0159en\u00ed podnikatelsk\u00fdch viz\u00ed Tom\u00e1\u0161e Bati v Kanad\u011b, Indii, na J\u00e1v\u011b a v Braz\u00edlii. \u017de se problematika kolonizace net\u00fdk\u00e1 pouze minul\u00fdch re\u017eim\u016f, reflektuje um\u011blcova videoinstalace <\/span>Pravd\u011bpodobn\u011b to byl n\u00e1\u0161 Karel, \u0159ekla<\/span><\/i> (2020), ve kter\u00e9 hraj\u00ed hlavn\u00ed roli porevolu\u010dn\u00ed kr\u00e1lov\u00e9 \u010desk\u00e9ho zbrojn\u00edho pr\u016fmyslu brat\u0159i Muselovi.<\/span><\/p>\n Z\u00e1jem Ji\u0159\u00edho \u017d\u00e1ka o teoretick\u00fd v\u00fdzkum a postkoloni\u00e1ln\u00ed studia byl v\u00fdchodiskem tak\u00e9 pro v\u00fdstavn\u00ed projekt <\/span>DeepReal Havel<\/span><\/i>. V \u00favodu publikace <\/span>Mimo Sever a Jih: Rozum\u011bt glob\u00e1ln\u00edm nerovnostem a rozmanitosti<\/span><\/i> cituj\u00ed badatel\u00e9 Ond\u0159ej Hork\u00fd-Hluch\u00e1\u0148 a Tom\u00e1\u0161 Profant projev V\u00e1clava Havla, ve kter\u00e9m b\u00fdval\u00fd prezident ozna\u010duje dekolonizaci a p\u00e1d komunismu za nejd\u016fle\u017eit\u011bj\u0161\u00ed ud\u00e1losti druh\u00e9 poloviny 20. stolet\u00ed. Tento projev, p\u0159ednesen\u00fd V\u00e1clavem Havlem u p\u0159\u00edle\u017eitosti p\u0159evzet\u00ed Ceny <\/span>Indiry G\u00e1ndh\u00edov\u00e9 <\/span>v Indii v roce 1994, se stal p\u0159edm\u011btem spolupr\u00e1ce zm\u00edn\u011bn\u00fdch badatel\u016f, etc. galerie a Ji\u0159\u00edho \u017d\u00e1ka. Tato spolupr\u00e1ce spo\u010d\u00edvala v kolaborativn\u00edm p\u0159episu p\u016fvodn\u00edho textu<\/a><\/strong> <\/span>Havlova projevu na z\u00e1klad\u011b perspektiv postkoloni\u00e1ln\u00edch studi\u00ed a historick\u00e9ho odstupu uplynul\u00e9ho \u010dtvrtstolet\u00ed. V\u00fdsledn\u00fd text nen\u00ed pouze p\u0159episem, ale p\u0159edev\u0161\u00edm p\u0159ehodnocen\u00edm my\u0161lenek politika, kter\u00fd se stal mezin\u00e1rodn\u00edm symbolem nen\u00e1siln\u00e9ho p\u00e1du totalitn\u00edch komunistick\u00fdch re\u017eim\u016f a p\u0159echodu t\u011bchto re\u017eim\u016f ke kapitalistick\u00e9 demokracii. Pr\u00e1v\u011b kritick\u00e1 reflexe vztahu postsocialistick\u00e9 Evropy a z\u00e1padn\u00edho neoliber\u00e1ln\u00edho kapitalismu je podle Ond\u0159eje Hork\u00e9ho-Hluch\u00e1n\u011b a Tom\u00e1\u0161e Profanta prvn\u00edm krokem k dekolonizaci \u010desk\u00e9 kultury, politiky a hospod\u00e1\u0159stv\u00ed, kter\u00e1 umo\u017en\u00ed zpochybnit zako\u0159en\u011bn\u00e9 pocity nad\u0159azenosti a odhalit negativn\u00ed d\u016fsledky sou\u010dasn\u00e9ho politick\u00e9ho z\u0159\u00edzen\u00ed, jako je neudr\u017eiteln\u00e1 ekologick\u00e1 z\u00e1t\u011b\u017e \u010di stup\u0148uj\u00edc\u00ed se soci\u00e1ln\u00ed rozd\u00edly.<\/span><\/p>\n Podobn\u011b jako v p\u0159edchoz\u00edch filmech Ji\u0159\u00edho \u017d\u00e1ka, i v d\u00edle <\/span>DeepReal Havel<\/span><\/i> sledujeme v z\u00e1b\u011bru kamery vystoupen\u00ed \u00fast\u0159edn\u00ed postavy, kter\u00e1 div\u00e1k\u016fm zprost\u0159edkov\u00e1v\u00e1 sv\u00e9 sd\u011blen\u00ed. V pr\u00e1ci <\/span>DeepReal Havel<\/span><\/i> se ov\u0161em podoba \u00fast\u0159edn\u00edho protagonisty prom\u011b\u0148uje \u2013 \u0159e\u010dn\u00edc\u00ed obli\u010dej V\u00e1clava Havla p\u0159ech\u00e1z\u00ed do obrazu mlad\u00e9 here\u010dky a herce, zat\u00edmco tok projevu souvisle plyne. K realizaci t\u00e9to prom\u011bny um\u011blec vyu\u017e\u00edv\u00e1 technologii Deepfake, sou\u010dasn\u00fd vir\u00e1ln\u00ed virtu\u00e1ln\u00ed n\u00e1stroj pro audiovizu\u00e1ln\u00ed z\u00e1m\u011bnu portr\u00e9t\u016f osob. Prol\u00ednaj\u00edc\u00ed se podoby odkazuj\u00ed na polemickou povahu procesu p\u0159ehodnocen\u00ed Havlov\u00fdch my\u0161lenek, kter\u00e9 nejsou t\u00edmto zp\u016fsobem jednodu\u0161e revidov\u00e1ny, ale sp\u00ed\u0161e aktualizov\u00e1ny s ohledem na jejich p\u0159etrv\u00e1vaj\u00edc\u00ed platnost i dobovou podm\u00edn\u011bnost. Toto teoreticky i vizu\u00e1ln\u011b aktualizovan\u00e9 \u010dten\u00ed projevu V\u00e1clava Havla ponouk\u00e1 div\u00e1ky k odstupu od symbolick\u00e9 aury jeho osobnosti a nov\u00e9mu pohledu na vztah polistopadov\u00e9 \u010desk\u00e9 spole\u010dnosti, z\u00e1padn\u00edch zem\u00ed a mimoevropsk\u00fdch druh\u00fdch.<\/span><\/p>\n Ji\u0159\u00ed \u017d\u00e1k<\/b> (*1989) je um\u011blec p\u016fsob\u00edc\u00ed v Praze. Ve sv\u00fdch audiovizu\u00e1ln\u00edch d\u00edlech obvykle kombinuje dokument\u00e1rn\u00ed, inscenovan\u00e9 a performativn\u00ed strategie, skrze kter\u00e9 se vztahuje k t\u00e9mat\u016fm spojen\u00fdm se sou\u010dasnou vizu\u00e1ln\u00ed kulturou, lok\u00e1ln\u00ed histori\u00ed a postkoloni\u00e1ln\u00edm uspo\u0159\u00e1d\u00e1n\u00edm sv\u011bta. Absolvoval studium na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze v ateli\u00e9ru Tom\u00e1\u0161e Va\u0148ka, v\u010detn\u011b st\u00e1\u017e\u00ed na Univerzit\u011b um\u011bn\u00ed a designu v Karlsruhe a na pra\u017esk\u00e9 UMPRUM. V roce 2015 se stal laure\u00e1tem ceny EXIT, v roce 2017 byl finalistou sout\u011b\u017ee Jin\u00e9 vize PAF a v leto\u0161n\u00edm roce je jedn\u00edm z finalist\u016f Ceny Jind\u0159icha Chalupeck\u00e9ho.<\/span><\/p>\n HERCI: S\u00c1RA M\u00c4RCOV\u00c1 A DAN KRANICH<\/span><\/p>\n IT: KRY\u0160TOF PE\u0160EK, OND\u0158EJ ROZTO\u010cIL, TOM\u00c1\u0160 KAJ\u00c1NEK<\/span><\/p>\n DESIGN: NELA KLI\u0301MOVA\u0301\u00a0<\/span><\/p>\n PARTNE\u0158I: BIOFILMS, ICONIC DESIGN<\/span><\/p>\n PODE\u030cKOVA\u0301NI\u0301: TOM\u00c1\u0160 KAJ\u00c1NEK, MICHAL JURZA, MAX M\u00c1SLO, JAMES MANSFIELD, MICHAL BLECHA<\/span><\/p>\n PROJEKT JE FINANC\u030cNE\u030c PODPOR\u030cEN GRANTY OD MINISTERSTVA KULTURY C\u030cR, MAGISTRA\u0301TU HL. M. PRAHY A ST\u00c1TN\u00cdHO FONDU KULTURY.<\/span><\/p>","protected":false},"excerpt":{"rendered":" Ji\u0159\u00ed \u017d\u00e1k: DeepReal Havel otev\u00edrac\u00ed doba: 10. 12. – 23. 12. 2020, denn\u011b 16 – 20 hodin, v\u00fdstavu lze zhl\u00e9dnout bez vstupu do prostoru galerie kur\u00e1torky: Mark\u00e9ta Jon\u00e1\u0161ov\u00e1, Anna Davidov\u00e1 V\u00fdstavn\u00ed projekt DeepReal Havel vych\u00e1z\u00ed z dlouhodob\u00e9ho z\u00e1jmu um\u011blce Ji\u0159\u00edho \u017d\u00e1ka o zachycen\u00ed m\u00edstn\u00ed \u2013 tedy p\u0159edev\u0161\u00edm \u010deskoslovensk\u00e9 \u010di \u010desk\u00e9 \u2013 identity ve vztahu k […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3447","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=3447"}],"version-history":[{"count":93,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3447\/revisions"}],"predecessor-version":[{"id":4267,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3447\/revisions\/4267"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=3447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=3447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=3447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}