{"id":3262,"date":"2019-11-20T20:27:11","date_gmt":"2019-11-20T20:27:11","guid":{"rendered":"https:\/\/etcgalerie.cz\/?p=3262"},"modified":"2019-11-25T18:49:05","modified_gmt":"2019-11-25T18:49:05","slug":"neklid-obrazu-iii-potreba-sdileni-2","status":"publish","type":"post","link":"https:\/\/etcgalerie.cz\/cs\/neklid-obrazu-iii-potreba-sdileni-2\/","title":{"rendered":"Neklid obrazu III: Pot\u0159eba sd\u00edlen\u00ed"},"content":{"rendered":"<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">P\u00e1smo <\/span><i><span style=\"font-weight: 400;\">Pot\u0159eba sd\u00edlen\u00ed<\/span><\/i><span style=\"font-weight: 400;\"> p\u0159edstavuje um\u011bleck\u00e1 videa, jejich\u017e autorky a auto\u0159i pracuj\u00ed s audiovizu\u00e1ln\u00edm obsahem sd\u00edlen\u00fdm u\u017eivateli prost\u0159ednictv\u00edm soci\u00e1ln\u00edch m\u00e9di\u00ed, a to p\u0159edev\u0161\u00edm prost\u0159ednictv\u00edm platformy YouTube. Um\u011blkyn\u011b a um\u011blci pracuj\u00ed s obsahem vytv\u00e1\u0159en\u00fdm u\u017eivateli jako se symptomatick\u00fdm materi\u00e1lem, kter\u00fd podrobuj\u00ed srovn\u00e1vac\u00ed anal\u00fdze, aby odhalili ust\u00e1len\u00e9 vzorce chov\u00e1n\u00ed na internetu. V mno\u017estv\u00ed dat, kter\u00e1 po sob\u011b u\u017eivatel\u00e9 internetu zanech\u00e1vaj\u00ed, dominuje z velk\u00e9 \u010d\u00e1sti profesion\u00e1ln\u00ed komer\u010dn\u00ed produkce, ale najdeme v nich i obsah, kter\u00fd sv\u00fdmi dokument\u00e1rn\u00edmi atributy zaznamen\u00e1v\u00e1 zp\u016fsob \u017eivota r\u016fzn\u00fdch spole\u010denstv\u00ed. P\u0159edstava, \u017ee tyto audiovizu\u00e1ln\u00ed materi\u00e1ly zaznamen\u00e1vaj\u00ed pravdivou v\u00fdpov\u011b\u010f o sv\u00fdch tv\u016frc\u00edch, je v\u0161ak n\u011bkter\u00fdmi um\u011blci zpochyb\u0148ov\u00e1na. Um\u011blci ve sv\u00fdch vide\u00edch poukazuj\u00ed na strukturu vyko\u0159is\u0165uj\u00edc\u00edch vztah\u016f, kter\u00e9 se na zd\u00e1nliv\u011b demokratick\u00fdch platform\u00e1ch odehr\u00e1vaj\u00ed, nebo\u0165 obrazy vytvo\u0159en\u00e9 u\u017eivateli mohou b\u00fdt snadno p\u0159ivlastn\u011bny a zneu\u017eity ke stereotypn\u00edmu zobrazen\u00ed ur\u010dit\u00e9ho spole\u010denstv\u00ed. <\/span><span style=\"font-weight: 400;\">Anal\u00fdza obsahu vytv\u00e1\u0159en\u00e9ho u\u017eivateli nemus\u00ed nutn\u011b spo\u010d\u00edvat v privilegovan\u00e9m typu distancovan\u00e9ho voyeurismu, ale slou\u017e\u00ed i jako n\u00e1stroj empatie. Sd\u00edlen\u00edm osobn\u00ed zku\u0161enosti tak m\u016f\u017ee doch\u00e1zet k aktivizaci soucitu a solidarity.<\/span><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400; color: #000000;\">Tom\u00e1\u0161 Kaj\u00e1nek<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"\u041e\u0445\u043e\u0440\u043e\u043d\u0430 \u043f\u0440\u0430\u0446\u0456 \u043d\u0430 \u0414\u043d\u0456\u043f\u0440\u043e\u043f\u0435\u0442\u0440\u043e\u0432\u0449\u0438\u043d\u0456.\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nqibckoKVmk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Daniil Revkovskiy &amp; Andrey Rachinskiy &#8211; Labor Safety in Dnipropetrovsk Region (2018)<\/p>\n<p><iframe loading=\"lazy\" title=\"CALL OF THE WILD\" src=\"https:\/\/player.vimeo.com\/video\/234305544?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>Neozoon &#8211; Call of the wild (2016)<\/p>\n<p><span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/vimeo.com\/68492245\" target=\"_blank\" rel=\"noopener noreferrer\">Neozoon &#8211; Big Game (2013)<\/a><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"MY  BBY  8L3W\" src=\"https:\/\/player.vimeo.com\/video\/61511109?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>Neozoon &#8211; MY BBY 8L3W (2014)<\/p>\n<p><a href=\"https:\/\/dis.art\/eulogy-for-a-black-mass\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #ff0000;\">Aria Dean &#8211; Eulogy for a Black Mass (2019)<\/span><\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/249676816?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>Penny Lane &#8211; The Pain of Others (2018)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><strong>Du\u0161evn\u00ed vlastnictv\u00ed a tv\u016fr\u010d\u00ed pr\u00e1ce ve vzdouvaj\u00edc\u00ed se vln\u011b v\u0161eho<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Alexandra Juhasz<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><em>Jak popsat n\u011bco, co je z\u00e1rove\u0148 jenom samo sebou i v\u0161\u00edm?<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><em>Jak popsat, jak\u00e1 takov\u00e1 v\u011bc je? <\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><em>\u2013 <\/em>Aria Dean, <em>Eulogy for a Black <\/em><em>Mass<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">Kdekdo, l\u00e9pe \u0159e\u010deno t\u00e9m\u011b\u0159 ka\u017ed\u00fd, dnes bere do rukou kameru, aby s jej\u00ed pomoc\u00ed popsal svou v\u011bc. Lid\u00e9 dnes dr\u017e\u00ed telefon s kamerou t\u00e9m\u011b\u0159 neust\u00e1le. Zapnou ji, nam\u00ed\u0159\u00ed ji na sv\u011bt a nahr\u00e1vaj\u00ed podm\u00ednky v DOLU BA\u0164KIV\u0160\u010cYNA ve m\u011bst\u011b KRYVYJ RIH na Ukrajin\u011b (pou\u017eito ve filmu<em> Labor Safety in Dnipropetrovsk Region<\/em>) nebo nato\u010d\u00ed svou kamar\u00e1dku, jak si nacvi\u010duje tane\u010dn\u00ed kroky odkoukan\u00e9 z nekone\u010dn\u00fdch vide\u00ed s \u010dernou hudbou a kulturou (pou\u017eito ve filmu <em>Eulogy for a Black Mass<\/em>) nebo nato\u010d\u00ed p\u00f3ry sv\u00e9 poko\u017eky, kter\u00e9 z\u00e1hadn\u00fdm zp\u016fsobem vypou\u0161t\u011bj\u00ed zvl\u00e1\u0161tn\u00ed vl\u00e1kna nezn\u00e1m\u00e9ho p\u016fvodu (pou\u017eito ve filmu <em>The Pain of Others<\/em>), nebo zachyt\u00ed \u017eirafu, jak se ti\u0161e pase v savan\u011b (pou\u017eito ve filmu <em>Big Game<\/em>). Pak ka\u017ed\u00fd z\u00a0t\u011bchto kdejak\u00fdch lid\u00ed vyv\u011bs\u00ed sv\u00e9 video o t\u00e9 sv\u00e9 v\u011bci na internet: jedno video a jeho vybrou\u0161en\u00e9 zachycen\u00ed konkr\u00e9tn\u00edho m\u00edsta\/\u010dasu, nic v\u00edc nebo m\u00ed\u0148 ne\u017e v\u0161edn\u00ed, v\u00fdjime\u010dn\u00e9 zobrazen\u00ed t\u00e9 v\u011bci sam\u00e9. Ka\u017ed\u00e1 z t\u011bch v\u011bc\u00ed je dokonal\u00e1 d\u00edky sv\u00e9 konkr\u00e9tnosti. V\u0161udyp\u0159\u00edtomnost a lehkost, s jakou se vytv\u00e1\u0159\u00ed a sd\u00edl\u00ed ka\u017ed\u00e9 video, rychle m\u011bn\u00ed ka\u017edou v\u00fdjime\u010dnou v\u011bc v kdeco, a tud\u00ed\u017e v tak\u0159ka nic. A tak hodnotu tv\u016fr\u010d\u00ed pr\u00e1ce pot\u0159ebn\u00e9 k vytvo\u0159en\u00ed videa, ale i onu origin\u00e1ln\u00ed v\u011bc samu o sob\u011b, rychle spl\u00e1chne mo\u0159e v\u0161eho.<\/span><\/p>\n<p><span style=\"color: #000000;\"><em>Jak tu v\u011bc popsat, kdy\u017e j\u00ed neust\u00e1le hroz\u00ed, \u017ee se ka\u017edou chv\u00edli stane ni\u010d\u00edm?<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">N\u011bkdo chce svou v\u011bc nejen popsat \u2013 zaznamenat a sd\u00edlet ji tak, jak je \u2013 ale tak\u00e9 vysv\u011btlit a rozv\u00e9st t\u00edm, \u017ee k popisu p\u0159id\u00e1 anal\u00fdzu nebo pocit. Tak se vr\u00e1t\u00ed ke sv\u00e9mu telefonu nebo po\u010d\u00edta\u010di a pod\u00e1 sv\u011bdectv\u00ed o sv\u00fdch siln\u00fdch citech ke sv\u00e9 \u010distokrevn\u00e9 ko\u010dce \u010di psovi (pou\u017eito ve filmu <em>MY BBY 8L3W<\/em>) nebo o p\u0159\u00ed\u0161ernostech, kter\u00e9 j\u00ed lid\u00e9 na internetu p\u00ed\u0161ou ohledn\u011b obav, \u017ee j\u00ed z obli\u010deje lezou \u010dervi (ve filmu <em>The Pain of Others<\/em>). Mu\u017e na Ukrajin\u011b nam\u00ed\u0159\u00ed kameru na sv\u00e9 kolegy, kdy\u017e slou\u017e\u00ed requiem za mrtvou my\u0161 (ve filmu <em>Labor Safety in Dnipropetrovsk Region<\/em>): je to z\u00e1rove\u0148 svatokr\u00e1de\u017e i odkaz na obvykle nik\u00fdm nezaznamenan\u00e9, nedostate\u010dn\u011b p\u0159ipom\u00ednan\u00e9 kac\u00ed\u0159sk\u00e9 hr\u016fzy v\u0161ech d\u011bln\u00edk\u016f. Proto\u017ee je ka\u017ed\u00e1 takov\u00e1 v\u011bc definitivn\u011b m\u00edstn\u011b i osobn\u011b konkr\u00e9tn\u00ed, stejn\u011b jako ka\u017ed\u00e9 dal\u0161\u00ed lidmi vytvo\u0159en\u00e9 video, kter\u00e9 u\u017e je nato\u010den\u00e9 a \u010dek\u00e1 na sv\u00e9 div\u00e1ky online, stane se i z n\u00ed naprosto postradateln\u00e9 plovouc\u00ed smet\u00ed.<\/span><\/p>\n<p><span style=\"color: #000000;\">P\u0159esto\u017ee i na v\u0161echna p\u016fvodn\u00ed videa vynakl\u00e1daj\u00ed jejich auto\u0159i tv\u016fr\u010d\u00ed pr\u00e1ci, sami z\u016fstanou bezejmenn\u00ed (a\u017e na jejich anonymizuj\u00edc\u00ed p\u0159ezd\u00edvky na YouTube); p\u0159esto, nebo sp\u00ed\u0161e pr\u00e1v\u011b proto, \u017ee maj\u00ed sv\u00e9 unik\u00e1tn\u00ed tv\u00e1\u0159e, p\u0159esn\u00e9 m\u00edsto pobytu a sv\u00e9 osobn\u00ed interpretace. Jejich pr\u00e1ce je v\u00fdjime\u010dn\u00e1, jej\u00ed hodnota spo\u010d\u00edv\u00e1 v jej\u00edm kon\u00e1n\u00ed: v nat\u00e1\u010den\u00ed a nahr\u00e1v\u00e1n\u00ed, v o\u010dek\u00e1v\u00e1n\u00ed lajk\u016f a sd\u00edlen\u00ed, v pot\u011b\u0161en\u00ed z jej\u00edho (potenci\u00e1ln\u00edho) pohybu. \u201eJestli se v\u00e1m to l\u00edb\u00ed, palec nahoru, sd\u00edlejte,\u201c \u0159\u00edk\u00e1 @4eyes2sea o jednom ze sv\u00fdch mnoha morgellonov\u00fdch vide\u00ed (ve filmu <em>The Pain of Others<\/em>), kter\u00e9 je samo jen kapkou v mo\u0159i jej\u00edch vlastn\u00edch produkc\u00ed na toto t\u00e9ma zaplavuj\u00edc\u00edch YouTube; nemluv\u011b o tom, jak malou, le\u010d hmatatelnou roli hraje v nekone\u010dn\u00e9m proudu v\u00fdtvor\u016f dal\u0161\u00edch spolutrp\u00edc\u00edch, kte\u0159\u00ed podobn\u00fdm zp\u016fsobem sv\u011bd\u010d\u00ed o sv\u00e9 bolesti plynouc\u00ed ze stejn\u00e9ho \u010di obdobn\u00e9ho tr\u00e1pen\u00ed.<\/span><\/p>\n<p><span style=\"color: #000000;\">N\u011bkte\u0159\u00ed z t\u011bchto v\u0161edn\u00edch um\u011blc\u016f maj\u00ed politick\u00e9 \u010di tv\u016fr\u010d\u00ed z\u00e1m\u011bry, jin\u00ed hledaj\u00ed soun\u00e1le\u017eitost, ale jakmile oni sami \u010di jejich konkr\u00e9tn\u00ed v\u011bci spadnou do oce\u00e1nu v\u0161eho, kter\u00e9 je z\u00e1rove\u0148 ni\u010d\u00edm, jak m\u016f\u017ee kdokoli uv\u011b\u0159it, \u017ee jeho \u010di jej\u00ed pr\u00e1ce n\u011bco znamen\u00e1 \u010di n\u011bjak p\u016fsob\u00ed? \u201eV\u0161ichni pot\u0159ebujeme lidi, v\u0161ichni pot\u0159ebujeme lidskou l\u00e1sku. V\u0161ichni pot\u0159ebujeme lidi, kte\u0159\u00ed n\u00e1s ch\u00e1pou, miluj\u00ed n\u00e1s, p\u0159ij\u00edmaj\u00ed n\u00e1s,\u201c vysv\u011btluje Tasha, @TashaLee, dal\u0161\u00ed youtuberka, kterou tr\u00e1p\u00ed morgellony (ve filmu <em>The Pain of Others<\/em>), onemocn\u011bn\u00ed, v jeho\u017e existenci v\u011bt\u0161ina lid\u00ed nev\u011b\u0159\u00ed a nikdy neuv\u011b\u0159\u00ed.<\/span><\/p>\n<p><span style=\"color: #000000;\"><em>Jak popsat n\u011bco, co je jen samo sebou a z\u00e1rove\u0148 i v\u0161\u00edm, a tud\u00ed\u017e vlastn\u011b ni\u010d\u00edm? Jak popsat, jak\u00e1 takov\u00e1 v\u011bc je?<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">T\u011b\u017eko! A proto se do toho vkl\u00e1daj\u00ed um\u011blci. Zapnou sv\u00e9 po\u010d\u00edta\u010de, pod\u00edvaj\u00ed se na YouTube a pust\u00ed se do pr\u00e1ce. Duo Revkovskiy a Andrey Rachinskiy, skupina Neozoon, kriti\u010dka a tv\u016frkyn\u011b vide\u00ed Aria Dean, filma\u0159ka Penny Lane, ti v\u0161ichni d\u011blaj\u00ed podstatnou pr\u00e1ci, kdy\u017e sd\u00edlej\u00ed \u201eu\u017eivateli vytv\u00e1\u0159en\u00fd obsah nalezen\u00fd online, zejm\u00e9na na YouTube\u201c a vyjad\u0159uj\u00ed se k n\u011bmu. Tam maj\u00ed p\u0159\u00edstup ke ka\u017ed\u00e9 v\u011bci sam\u00e9, vytvo\u0159en\u00e9 nekone\u010dn\u00fdm z\u00e1stupem r\u016fzn\u00fdch \u201ekdekdo\u201c a nask\u00fdtaj\u00edc\u00ed se nyn\u00ed profesion\u00e1ln\u00edmu um\u011bn\u00ed. Spl\u00e9taj\u00ed dohromady videa o v\u011bcech sam\u00fdch od jin\u00fdch lid\u00ed. Mo\u017en\u00e1 p\u0159idaj\u00ed p\u00e1r titulk\u016f, hlasov\u00fd koment\u00e1\u0159, n\u011bjakou hudbu. A mo\u017en\u00e1 ne. Ale jejich nov\u00e1 videa, tyto nov\u00e9 v\u011bci, kter\u00e9 v\u0161echny popisuj\u00ed cosi v\u00fdjime\u010dn\u00e9ho t\u00edm, \u017ee je to zrovna takov\u00e9 jako v\u0161echna ta p\u0159edchoz\u00ed videa, by\u0165 rozsahem men\u0161\u00ed a u\u017e te\u010f nev\u00fdznamn\u00e9, vznikaj\u00ed z nov\u00e9ho druhu pr\u00e1ce, z obru\u0161ov\u00e1n\u00ed nov\u00e9ho druhu v\u011bc\u00ed sam\u00fdch o sob\u011b. A nemus\u00ed u\u017e zap\u00ednat kameru, aby popsali tuto (svou) v\u011bc.<\/span><\/p>\n<p><span style=\"color: #000000;\">Tv\u016fr\u010d\u00ed pr\u00e1ce um\u011blce, kter\u00fd tvo\u0159\u00ed videa \u2013 o\u010di\u0161\u0165ov\u00e1n\u00ed, prost\u0159\u00edh\u00e1v\u00e1n\u00ed a zost\u0159ov\u00e1n\u00ed prost\u0159ednictv\u00edm mont\u00e1\u017ee \u2013 prom\u011b\u0148uje v\u0161echna ta v\u0161e (kter\u00e1 byla kdysi na okam\u017eik n\u011b\u010d\u00ed skute\u010dnou v\u011bc\u00ed samotnou) v nov\u00e9 cosi, stvo\u0159en\u00e9 ze v\u0161eho, ni\u010deho, a tak\u00e9 z mnoha nen\u00e1padn\u00fdch v\u011bc\u00ed. Proto\u017ee se tato pr\u00e1ce st\u00e1v\u00e1 novou v\u011bc\u00ed v sob\u011b a o sob\u011b, (znovu)nab\u00fdv\u00e1 hodnoty t\u00edm, \u017ee unik\u00e1 nevyhnuteln\u00e9 nicot\u011b nerozli\u0161en\u00e9ho mo\u0159e nebo v\u016f\u010di n\u00ed vytv\u00e1\u0159\u00ed protitlak t\u00edm, \u017ee z trosek vytahuje \u00falomky a upravuje je pomoc\u00ed jemn\u00fdch dovednost\u00ed, postup\u016f, anal\u00fdz a rukopis\u016f. Stejn\u011b jako ti, kter\u00e9 vyu\u017e\u00edvaj\u00ed, i tito tv\u016frci sami maj\u00ed vz\u00e1cn\u00e9 um\u011bleck\u00e9 kvality: st\u0159ih a nahr\u00e1v\u00e1n\u00ed na internet, o\u010dek\u00e1v\u00e1n\u00ed lajk\u016f a sd\u00edlen\u00ed, radost z pohybu. A podobnost\u00ed je v\u00edce. Jejich tvorba je tak\u00e9 ulo\u017eena online a o\u010dek\u00e1v\u00e1 se, \u017ee bude stejn\u011b postradateln\u00e1 jako videa, kter\u00e1 pou\u017e\u00edvaj\u00ed. (I kdy\u017e ne tak zcela, jeliko\u017e jejich d\u00edlo se tak\u00e9 m\u016f\u017ee p\u0159esunout do muze\u00ed, galeri\u00ed, grantov\u00fdch agentur a v\u00fdstav um\u011bn\u00ed.) Tito d\u011bln\u00edci \u2013 stejn\u011b jako ti, kter\u00e9 vyu\u017e\u00edvaj\u00ed a o kter\u00fdch p\u0159em\u00fd\u0161l\u00ed \u2013 maj\u00ed sv\u00e9 politick\u00e9 \u010di tv\u016fr\u010d\u00ed z\u00e1m\u011bry, ale jakmile jejich konkr\u00e9tn\u00ed v\u011bc sama spadne do oce\u00e1nu v\u0161eho, a stane se tak ni\u010d\u00edm, jak m\u016f\u017ee kdokoli uv\u011b\u0159it, \u017ee tato v\u011bc sama o sob\u011b m\u016f\u017ee n\u011bco znamenat \u010di n\u011bjak p\u016fsobit?<\/span><\/p>\n<p><span style=\"color: #000000;\">A tak kur\u00e1tor zap\u00edn\u00e1 po\u010d\u00edta\u010d a pust\u00ed se do pr\u00e1ce: Tom\u00e1\u0161 Kaj\u00e1nek. V\u00a0tu chv\u00edli m\u00e1 p\u0159\u00edstup k v\u011bcem, kter\u00e9 byly n\u011bkter\u00fdmi um\u011blci vytvo\u0159eny ze v\u0161eho. Jist\u011b, vyb\u00edrat lze z mnoha takov\u00fdch v\u011bc\u00ed. Um\u011blci a b\u011b\u017en\u00ed u\u017eivatel\u00e9 vyr\u00e1b\u00ed a cizeluj\u00ed kompila\u010dn\u00ed videa, mashupy, kol\u00e1\u017ee, videoeseje, sest\u0159ihy, remixy z vide\u00ed z YouTube od chv\u00edle, kdy se na t\u00e9to platform\u011b za\u010dala videa shroma\u017e\u010fovat.<a style=\"color: #000000;\" href=\"#_ftn1\" name=\"_ftnref1\"><sup>[1]<\/sup><\/a> Tom\u00e1\u0161 Kaj\u00e1nek z\u00a0nespo\u010dtu t\u011bchto v\u011bc\u00ed spl\u00e9t\u00e1 dohromady \u0161est, o nich\u017e v\u011b\u0159\u00ed, \u017ee jsou ty nejlep\u0161\u00ed \u2013 prost\u0159\u00edh\u00e1v\u00e1, pro\u010di\u0161\u0165uje a p\u0159iost\u0159uje prost\u0159ednictv\u00edm v\u00fdb\u011bru \u2013 a ukazuje je ve v\u00fdstavn\u00edm prostoru etc. galerie v\u00a0Praze.<\/span><\/p>\n<p><span style=\"color: #000000;\">Kur\u00e1tor m\u016f\u017ee p\u0159idat titulky \u010di popisky, aby na sv\u00e9 v\u011bci zanechal sv\u016fj rukopis, a\u0165 je tou v\u011bc\u00ed v\u00fdstava, nebo internetov\u00e9 video. Mnoho podobn\u00fdch u\u017e tu tak\u00e9 bylo.<a style=\"color: #000000;\" href=\"#_ftn2\" name=\"_ftnref2\"><sup>[2]<\/sup><\/a> Kaj\u00e1nk\u016fv projekt je tak\u00e9 takov\u00fd \u2013 jakkoli nese jeho osobit\u00fd rukopis a d\u016fraz \u2013 t\u00edm, \u017ee se v\u00fdstava skl\u00e1d\u00e1 z\u00a0um\u011bleck\u00fdch vide\u00ed vytvo\u0159en\u00fdch z vide\u00ed vytvo\u0159en\u00fdch lidmi, se sice sama skl\u00e1d\u00e1 z prvotn\u00edch v\u011bc\u00ed, ale nen\u00ed p\u0159itom tak docela jako ony. V dob\u011b, kdy budou prezentov\u00e1na v Praze, u\u017e v\u0161echna p\u016fvodn\u00ed d\u00edla kv\u016fli mnoha p\u0159ed\u00e1n\u00edm ztrat\u00ed svou beztak malou hodnotu. Kaj\u00e1nkova tv\u016fr\u010d\u00ed pr\u00e1ce v\u0161ak pom\u00e1h\u00e1 p\u0159ipsat t\u011bmto v\u011bcem jakousi hodnotu novou, asi jako kdy\u017e m\u011bkk\u00fd\u0161 zvolna vytv\u00e1\u0159\u00ed perlu z mal\u00e9ho zrnka p\u00edsku. Jeho pr\u00e1ce umo\u017e\u0148uje, aby v\u0161echna tato zapomenuteln\u00e1, by\u0165 nepopirateln\u011b p\u016fsobiv\u00e1 m\u00e9dia mohla vyu\u017e\u00edt r\u00e1mce v\u00fdstavn\u00edho prostoru a v\u0161ech v\u00fdhod, kter\u00e9 nab\u00edz\u00ed. Po tuto kr\u00e1tkou dobu jsou tato videa spolu s t\u011bmi, ze kter\u00fdch vze\u0161la, u\u0161et\u0159ena osudu prchavosti, kter\u00e1 je v\u00fdsledkem nep\u0159ebern\u00e9 mnohosti p\u0159ich\u00e1zej\u00edc\u00edch a odch\u00e1zej\u00edc\u00edch vln.<\/span><\/p>\n<p><span style=\"color: #000000;\">Je\u0161t\u011b pozd\u011bji zap\u00edn\u00e1 americk\u00e1 feministick\u00e1 akademi\u010dka (j\u00e1) sv\u016fj po\u010d\u00edta\u010d a d\u00e1v\u00e1 se do pr\u00e1ce: Alexandra Juhasz. Byla jsem k tomu vyzv\u00e1na e-mailem od galerijn\u00ed kur\u00e1torky z \u010cesk\u00e9 republiky, Mark\u00e9ty Jon\u00e1\u0161ov\u00e9. Ze sv\u00e9ho po\u010d\u00edta\u010de m\u00e1m p\u0159\u00edstup k \u0161esti v\u011bcem, kter\u00e9 kur\u00e1tor vybral a ud\u011blal z nich v\u011bc jednu: <a style=\"color: #000000;\" href=\"https:\/\/etcgalerie.cz\/cs\/neklid-obrazu-iii-potreba-sdileni\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Neklid obrazu III: Pot\u0159eba sd\u00edlen\u00ed<\/em>.<\/a> Vyhov\u00edm tedy p\u0159\u00e1n\u00ed z Prahy a pop\u00ed\u0161u toto cosi, kter\u00e9 vze\u0161lo ze \u0161esti v\u011bc\u00ed, kter\u00e9 vze\u0161ly ze v\u0161eho a z ni\u010deho.<\/span><\/p>\n<p><span style=\"color: #000000;\">V\u011bc, kterou vid\u00edm na sv\u00e9m po\u010d\u00edta\u010di v Brooklynu, sest\u00e1v\u00e1 z v\u011bc\u00ed, kter\u00e9 maj\u00ed navz\u00e1jem spole\u010dn\u00e9ho m\u00e1lo i v\u0161echno. Je to dost nen\u00e1padn\u00e9. Mohu tu v\u011bc popsat? Jist\u011b. Je to m\u00e1 pr\u00e1ce. Jsem k tomu \u0161kolen\u00e1, byla jsem k tomu vybran\u00e1. Navzdory internetov\u00fdm tvrzen\u00edm o internetov\u00e9 kultu\u0159e m\u00e1 v internetov\u00e9 kultu\u0159e odbornost st\u00e1le svou jistou (malou) hodnotu a sv\u00e9 m\u00edsto. Byla jsem vyzv\u00e1na ke spolupr\u00e1ci, proto\u017ee se des\u00edtky let u\u010d\u00edm na videa d\u00edvat, analyzovat je a ps\u00e1t o nich. Mou prac\u00ed je za pomoci slov popsat, jak\u00e1 tato v\u011bc je.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sleduji \u0161est um\u011bleck\u00fdch vide\u00ed, ve v\u0161ech p\u0159\u00edpadech kompilace vytvo\u0159en\u00e9 z pe\u010dliv\u011b vybran\u00fdch, lidmi vytvo\u0159en\u00fdch vide\u00ed nalezen\u00fdch na internetu a sest\u0159\u00edhan\u00fdch dohromady d\u016fvtipn\u011b, promy\u0161len\u011b a srozumiteln\u011b. \u0160est um\u011bleck\u00fdch vide\u00ed o v\u0161edn\u00edch pohledech prost\u0159ednictv\u00edm videa, kter\u00e1 \u0159e\u0161\u00ed: pracovn\u00ed podm\u00ednky v ukrajinsk\u00fdch industri\u00e1ln\u00edch podnic\u00edch, zbo\u017e\u0148ovan\u00e9 dom\u00e1c\u00ed mazl\u00ed\u010dky \u010di utrpen\u00ed divoce \u017eij\u00edc\u00edch zv\u00ed\u0159at po cel\u00e9m sv\u011bt\u011b, \u010derno\u0161skou kulturn\u00ed produkci, internetovou kulturu, identitu a potenci\u00e1ln\u00ed psychosomatick\u00e9 onemocn\u011bn\u00ed k\u016f\u017ee. To v\u0161e jsou v\u00e1\u017en\u011b a pe\u010dliv\u011b zpracovan\u00e1 um\u011bleck\u00e1 d\u00edla o z\u00e1va\u017en\u00fdch ot\u00e1zk\u00e1ch na\u0161eho sou\u010dasn\u00e9ho sv\u011bta, jejich\u017e tv\u016frci jsou talentovan\u00ed a p\u0159em\u00fd\u0161liv\u00ed um\u011blci. Jsou to d\u00edla dob\u0159e vybran\u00e1, p\u0159esv\u011bd\u010div\u00e1 a chytr\u00e1, a nav\u00edc implicitn\u011b odkazuj\u00ed na nespo\u010detn\u00e9 dal\u0161\u00ed pokusy jin\u00fdch um\u011blc\u016f o kritick\u00fd projekt, kter\u00fd kur\u00e1tor vymezuje takto: \u201eP\u0159etv\u00e1\u0159en\u00ed existuj\u00edc\u00edho materi\u00e1lu v kritick\u00e9 sv\u011bdectv\u00ed, kter\u00e9mu jde o odkryt\u00ed situovanosti b\u011b\u017en\u00fdch vzorc\u016f chov\u00e1n\u00ed na internetu.\u201c<\/span><\/p>\n<p><span style=\"color: #000000;\">Krom\u011b toho v\u0161ak lze jejich vz\u00e1jemn\u00e9 spojitosti nejspolehliv\u011bji naj\u00edt v jejich form\u011b a z\u00e1m\u011bru. \u010c\u00e1sti videa, a\u0165 poch\u00e1z\u00ed odkudkoli, mohou b\u00fdt dlouh\u00e9 \u010di kr\u00e1tk\u00e9, prom\u00edtan\u00e9 jednotliv\u011b nebo z\u00e1rove\u0148, dopln\u011bn\u00e9 koment\u00e1\u0159em, hudbou, titulky. Ale proto\u017ee \u010dty\u0159i zkouman\u00e9 spole\u010densk\u00e9 ot\u00e1zky jsou natolik d\u016fle\u017eit\u00e9, natolik r\u016fzn\u00e9, natolik rozt\u0159\u00ed\u0161t\u011bn\u00e9, jako v\u0161echno na internetu, i ony, kdy\u017e je kur\u00e1tor sest\u0159\u00edh\u00e1 pro galerii a kdy\u017e o nich odborn\u00edk na kritickou reflexi internetu nap\u00ed\u0161e, se mus\u00ed st\u00e1t <em>v\u0161\u00edm<\/em>: tedy stanou se z\u00e1stupci v\u0161eho, na \u010dem lidem z\u00e1le\u017e\u00ed dost na to, aby o tom nato\u010dili video a pozd\u011bji i video o vide\u00edch o jejich p\u016fvodn\u00edm t\u00e9matu.<\/span><\/p>\n<p><span style=\"color: #000000;\">Pro Revkovsk\u00e9ho a Rachinsk\u00e9ho je konkr\u00e9tn\u00ed m\u00edsto, kde se videa lid\u00ed odehr\u00e1vaj\u00ed, t\u00edm, co je zaj\u00edm\u00e1 v\u00edce ne\u017e jejich tv\u016frci a zachycen\u00ed lid\u00e9; v tomto p\u0159\u00edpad\u011b je to Dnipropetrovsk\u00e1 oblast na Ukrajin\u011b. P\u016fvodn\u00ed tv\u016frci vide\u00ed nejsou ve filmu jmenov\u00e1ni (z pochopiteln\u00fdch d\u016fvod\u016f, pot\u0159ebuj\u00ed toti\u017e z\u016fstat anonymn\u00ed z\u00a0povahy z\u00e1znamu). Prac\u00ed Revkovsk\u00e9ho a Rachinsk\u00e9ho je vybrat a sest\u0159\u00edhat z\u00e1znam a n\u00e1sledn\u011b p\u0159idat na pl\u00e1tno slova \u2013 jako t\u0159eba geolokaci nebo titulky z ukrajin\u0161tiny do angli\u010dtiny. Severn\u00ed d\u016fln\u00ed tov\u00e1rna, KRYVYJ RIH; \u00daNIK KYSELINY DUSI\u010cN\u00c9; METALURGICK\u00c9 SPOLE\u010cNOSTI; \u201eTy si prost\u011b jede\u0161 a ud\u011bl\u00e1\u0161 takovouhle sra\u010dku, a j\u00e1 to pak po tob\u011b mus\u00edm zkontrolovat a \u0159\u00edct n\u011bkomu nov\u00fdmu, a\u0165 to p\u0159ed\u011bl\u00e1! Kdy u\u017e to kurva za\u010dneme d\u011blat po\u0159\u00e1dn\u011b!\u201c<\/span><\/p>\n<p><span style=\"color: #000000;\">Obrat o 180 stup\u0148\u016f p\u0159edstavuje kolektiv Neozoon, kter\u00fd pou\u017e\u00edv\u00e1 v\u00fdpov\u011bdi lid\u00ed v jejich online vide\u00edch proti nim sam\u00fdm, vyu\u017e\u00edv\u00e1 soukrom\u00e9 v\u011bci sam\u00e9 od mnoha lid\u00ed jako kostky stavebnice, ze kter\u00fdch skl\u00e1d\u00e1 z\u00e1va\u017en\u011bj\u0161\u00ed politick\u00e9 stanovisko ke vztah\u016fm mezi soukrom\u00fdm a ve\u0159ejn\u00fdm, mezi lidmi a zv\u00ed\u0159aty, v n\u011bm\u017e zd\u016fraz\u0148uje, jak lid\u00e9 zauj\u00edmaj\u00ed k ostatn\u00edm \u017eiv\u00fdm tvor\u016fm zvr\u00e1cen\u00e9 postoje a jak je t\u00fdraj\u00ed: kv\u016fli sodomii, kv\u016fli p\u0159\u00e1telstv\u00ed, kv\u016fli trofej\u00edm. Politick\u00fd a estetick\u00fd dopad pr\u00e1ce Neozoonu se neodv\u00edj\u00ed od konkr\u00e9tn\u00edho m\u00edsta nebo od jm\u00e9na p\u016fvodn\u00edch tv\u016frc\u016f vide\u00ed, ani od jejich v\u011bc\u00ed o sob\u011b. Z jejich sest\u0159ih\u016f sp\u00ed\u0161e vyplouv\u00e1 samotn\u00e1 v\u0161udyp\u0159\u00edtomnost, univerz\u00e1lnost l\u00e1sky ke zv\u00ed\u0159ec\u00edm mazl\u00ed\u010dk\u016fm, lidsk\u00e9 sklony ke zv\u00ed\u0159ec\u00edm zvuk\u016fm (ve filmu <em>Call of the Wild<\/em>) a patriarch\u00e1ln\u00ed dobyva\u010dnost a krutost.<\/span><\/p>\n<p><span style=\"color: #000000;\">Tak\u00e9 p\u016fvodn\u00ed tv\u016frci videa od Ariy Dean z\u016fst\u00e1vaj\u00ed beze jm\u00e9na a konkr\u00e9tn\u00edho m\u00edsta, ale v tomto p\u0159\u00edpad\u011b citace odkazuje na sebe sama, nebo\u0165 jej\u00ed v\u00fdtvor, stejn\u011b jako m\u016fj, spo\u010d\u00edv\u00e1 v\u00a0tv\u016fr\u010d\u00ed pr\u00e1ci a ve vztaz\u00edch \u201ek du\u0161evn\u00edmu vlastnictv\u00ed a k du\u0161evn\u00ed pr\u00e1ci\u201c. V\u00a0jej\u00edm p\u0159\u00edpad\u011b je politick\u00fd a estetick\u00fd argument samoz\u0159ejm\u011b o kr\u00e1de\u017ei a o zneu\u017eit\u00ed tv\u016fr\u010d\u00ed pr\u00e1ce \u010derno\u0161sk\u00fdch autor\u016f a o tom, jak\u00e9 z toho pro n\u011b plynou d\u016fsledky. Jej\u00ed projekt zviditel\u0148uje ztr\u00e1tu identity a navzdory tomu mo\u017enost pomal\u00e9ho budov\u00e1n\u00ed spole\u010dn\u00e9 \u010derno\u0161sk\u00e9 identity, ale tak\u00e9 mnoh\u00e1 zneu\u017e\u00edv\u00e1n\u00ed a vyu\u017e\u00edv\u00e1n\u00ed t\u011bchto mnoh\u00fdch identit, kdysi ztracen\u00fdch a znovu nalezen\u00fdch. Tot\u00e9\u017e plat\u00ed pro m\u011b v tomto textu. M\u00e1 tvrzen\u00ed mus\u00ed z\u016fstat stejn\u011b glob\u00e1ln\u00ed jako internet a jako tato v\u00fdstava, kter\u00e1 vytv\u00e1\u0159\u00ed spojen\u00ed mezi ukrajinsk\u00fdmi d\u011bln\u00edky, milovn\u00edky zv\u00ed\u0159at a lovci velk\u00e9 zv\u011b\u0159e, \u010derno\u0161sk\u00fdmi pracovn\u00edky v\u00a0kultu\u0159e a lidmi sti\u017een\u00fdmi morgellonovou poruchou. Z toho vypl\u00fdv\u00e1 pointa Ariy Dean \u2013 kter\u00e1 je tak\u00e9 m\u00fdm p\u0159\u00edsp\u011bvkem \u2013 o tom, jak rychle n\u00e1s internet posouv\u00e1 od jedn\u00e9 v\u011bci ke v\u0161emu, jak n\u011b\u010d\u00ed \u201etohle\u201c m\u011bn\u00ed v um\u011blcovo \u201etamto\u201c a nakonec do podoby \u201etohohle o tamtom v\u0161em\u201c.<\/span><\/p>\n<p><span style=\"color: #000000;\">Penny Lane vystav\u011bla sv\u016fj znepokojiv\u00fd celove\u010dern\u00ed dokument\u00e1rn\u00ed film na objemn\u00fdch sv\u011bdectv\u00edch t\u0159\u00ed YouTuber\u016f: @TashaLee, @4eyes2sea, @mfromcanada1 jsou jedin\u00ed tv\u016frci z YouTube, kte\u0159\u00ed jsou v prom\u00edtan\u00fdch vide\u00edch jmenov\u00e1ni. Jejich pr\u00e1ce a utrpen\u00ed j\u00ed slou\u017e\u00ed jako z\u00e1klad pro d\u00edlo, kter\u00e9 se \u00fadajn\u011b zab\u00fdv\u00e1 morgelonny. Pr\u00e1ce Penny Lane p\u0159edstavuje, stejn\u011b jako video Ariy Dean, zamy\u0161len\u00ed nad politick\u00fdmi a etick\u00fdmi ot\u00e1zkami zpracov\u00e1van\u00fdmi um\u011blci, intelektu\u00e1ly i v\u0161edn\u00edmi youtubery, kte\u0159\u00ed popisuj\u00ed tuto dobu a tento prostor na internetu: o vyu\u017e\u00edv\u00e1n\u00ed bolesti (a slasti) jin\u00fdch k vytv\u00e1\u0159en\u00ed um\u011bn\u00ed, k\u00a0byt\u00ed online, k popisu toho, jak\u00e9 \u201etohle\u201c je, a k nad\u011bji na to, \u017ee budu vid\u011bn a vn\u00edm\u00e1n za to, \u017ee jsem tak u\u010dinil. I j\u00e1 jsem doufala (v n\u00e1vaznosti na Ariu Dean), \u017ee obohat\u00edm (na\u0161i) um\u011bleckou a tv\u016fr\u010d\u00ed pr\u00e1ci. Ve v\u0161ech \u0161esti vide\u00edch se tv\u016fr\u010d\u00edm materi\u00e1lem, kter\u00fd d\u00e1v\u00e1 do pohybu \u0159et\u011bzec asociac\u00ed, inspirac\u00ed a interpretac\u00ed, a hodnotou, kter\u00e1 ka\u017ed\u00e9mu z n\u00e1s p\u0159in\u00e1\u0161\u00ed v tomto \u0159et\u011bzci n\u011bco jin\u00e9ho, stala bolest druh\u00fdch (n\u011bkdy v\u0161ak i jejich slast \u010di nad\u0161en\u00ed).<\/span><\/p>\n<p><span style=\"color: #000000;\">Kdy\u017e v Brooklynu p\u00ed\u0161u o t\u011bchto vide\u00edch pro um\u011bleckou ud\u00e1lost v Praze, mysl\u00edm na n\u00e1s (a v\u0161echny ty, kdo jsou v\u00a0projektu zmi\u0148ov\u00e1ni a jejich\u017e jm\u00e9na zde znovu uv\u00e1d\u00edm, i na v\u0161echny z mnoha anonymn\u00edch p\u0159isp\u011bvatel\u016f) jako na veselou partu internetov\u00fdch trose\u010dn\u00edk\u016f, kte\u0159\u00ed si u\u017e\u00edvaj\u00ed prchavou soun\u00e1le\u017eitost p\u0159i v\u00fdkonu sv\u00e9 v\u00fdjime\u010dn\u00e9 pr\u00e1ce kdesi na mali\u010dk\u00e9m, fyzicky existuj\u00edc\u00edm ostrov\u011b v\u00a0etc. galerii, kde se spole\u010dn\u011b na kr\u00e1tkou chv\u00edli vyno\u0159\u00edme z ohromn\u00e9ho mo\u0159e, kter\u00e9 n\u00e1s obklopuje a uml\u010duje. Na okam\u017eik odd\u011blen\u00e1 od hluku d\u00edky r\u016fzn\u00fdm rol\u00edm, kter\u00e9 hrajeme \u2013 filma\u0159, vlogger, redaktor, kur\u00e1tor, um\u011blec, spisovatel \u2013 kon\u010d\u00edm s touto zdrcuj\u00edc\u00ed maximou ze sestersk\u00e9 krize: je jist\u00e9, \u017ee mo\u0159sk\u00e1 hladina stoup\u00e1.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"#_ftnref1\" name=\"_ftn1\"><sup>[1]<\/sup><\/a>\u00a0 Viz Catherine Russell, <em>archiveology: Walter Benjamin and Archival Film Practices <\/em>(Duke, 2018); nebo m\u00e1 pr\u00e1ce o um\u011bleck\u00fdch vide\u00edch na YouTube in <em>Learning from YouTube<\/em> (MIT Press, 2011): <a style=\"color: #000000;\" href=\"http:\/\/vectors.usc.edu\/projects\/learningfromyoutube\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/vectors.usc.edu\/projects\/learningfromyoutube<\/a> nebo m\u016fj text \u201cVideo Art on YouTube,\u201d in <em>Resolutions 3<\/em>, eds. Ming-Yuen Ma, Erika Suderburg (Minneapolis: University of Minnesota Press, 2012): 309\u2013324.<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"#_ftnref2\" name=\"_ftn2\"><sup>[2]<\/sup><\/a>\u00a0 Tyto v\u00fdstavy s v\u00fdb\u011bry YouTube vide\u00ed jsem sama nav\u0161t\u00edvila, psala o nich, nebo na nich vystavovala svou pr\u00e1ci: Public, Private, Secret, ICP NY, 2017. Natalie Bookchin: now he\u2019s out in public and everyone can see, LACMA, LA, 2012. Video Vortex, Zagreb, 2012, kur\u00e1tor: Tihomir Milovac. V\u00fdstava kur\u00e1torovan\u00e1 mnou a Pato Hebert, PerpiTube: <a style=\"color: #000000;\" href=\"https:\/\/www.youtube.com\/user\/PerpiTubeSpace\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.youtube.com\/user\/PerpiTubeSpace<\/a>, 2011. Video Dada, UC Irvine, kur\u00e1tor: Martha Gever, 2010.<\/span><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>P\u00e1smo Pot\u0159eba sd\u00edlen\u00ed p\u0159edstavuje um\u011bleck\u00e1 videa, jejich\u017e autorky a auto\u0159i pracuj\u00ed s audiovizu\u00e1ln\u00edm obsahem sd\u00edlen\u00fdm u\u017eivateli prost\u0159ednictv\u00edm soci\u00e1ln\u00edch m\u00e9di\u00ed, a to p\u0159edev\u0161\u00edm prost\u0159ednictv\u00edm platformy YouTube. Um\u011blkyn\u011b a um\u011blci pracuj\u00ed s obsahem vytv\u00e1\u0159en\u00fdm u\u017eivateli jako se symptomatick\u00fdm materi\u00e1lem, kter\u00fd podrobuj\u00ed srovn\u00e1vac\u00ed anal\u00fdze, aby odhalili ust\u00e1len\u00e9 vzorce chov\u00e1n\u00ed na internetu. V mno\u017estv\u00ed dat, kter\u00e1 po sob\u011b u\u017eivatel\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3262","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=3262"}],"version-history":[{"count":38,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3262\/revisions"}],"predecessor-version":[{"id":3319,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/3262\/revisions\/3319"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=3262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}