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\n<\/div><\/li>\n<\/ul>\n\n<\/div>\n<\/div>\nZ\u00e1v\u011bre\u010dn\u00e1 (p\u00e1t\u00e1) kapitola programu o dokument\u00e1rn\u00edch tendenc\u00edch v sou\u010dasn\u00e9m um\u011bleck\u00e9m videu je v\u011bnov\u00e1na d\u00edl\u016fm, kter\u00e9 se prost\u0159ednictv\u00edm sv\u00e9bytn\u00fdch um\u011bleck\u00fdch strategi\u00ed vypo\u0159\u00e1d\u00e1vaj\u00ed s nejistotou spo\u010d\u00edvaj\u00edc\u00ed v tom, zda a jak\u00fdm zp\u016fsobem lze pomoc\u00ed audiovizu\u00e1ln\u00edch prost\u0159edk\u016f reprezentovat realitu. Posledn\u00ed prom\u00edtac\u00ed blok shrnuje p\u0159edchoz\u00ed kapitoly v\u00fdzkumn\u00e9ho projektu etc. galerie nazvan\u00e9ho Politika pravdy a rekapituluje kl\u00ed\u010dov\u00e9 p\u0159\u00edstupy, kter\u00e9 um\u011blc\u016fm a um\u011blkyn\u00edm umo\u017e\u0148uj\u00ed reflektovat a prom\u011b\u0148ovat v\u00fdchodiska sv\u00e9 tvorby i mo\u017enosti samotn\u00e9ho dokument\u00e1rn\u00edho m\u00e9dia.<\/div>\n<\/div>\nB\u011bhem ve\u010dera budou prom\u00edt\u00e1na videa autor\u016f etablovan\u00fdch na \u010desk\u00e9 i mezin\u00e1rodn\u00ed sc\u00e9n\u011b, jejich\u017e pr\u00e1ce p\u0159edstavuje vlivn\u00e9 modely kritick\u00fdch p\u0159\u00edstup\u016f k dokument\u00e1rn\u00ed um\u011bleck\u00e9 tvorb\u011b.<\/div>\nHranici mezi realitou a fikc\u00ed podvrac\u00ed film Ad\u00e9ly Babanov\u00e9 N\u00e1vrat do Adriaportu. Um\u011blkyn\u011b rekonstruuje prost\u0159ednictv\u00edm rozpohybovan\u00e9 kol\u00e1\u017ee historick\u00fd projekt, kter\u00fd se nikdy neuskute\u010dnil. Dokument\u00e1rn\u00ed zhmotn\u011bn\u00ed vize stavby tunelu a\u017e k Jadransk\u00e9mu mo\u0159i groteskn\u00edm zp\u016fsobem reflektuje restriktivn\u00ed charakter soudob\u00e9 politick\u00e9 situace v \u010ceskoslovensku.<\/p>\n
Rosalind Nashashibi ve sv\u00e9m videu Electrical Gaza zachycuje v\u0161edn\u00ed chod \u017eivota v palestinsk\u00e9m p\u00e1smu Gazy b\u011bhem prob\u00edhaj\u00edc\u00edho vojensk\u00e9ho \u00fatoku ze strany izraelsk\u00e9ho st\u00e1tu. Kombinac\u00ed observa\u010dn\u00edho m\u00f3du s animovan\u00fdmi momenty um\u011blkyn\u011b podtrhuje politickou situovanost v\u0161edn\u00edch m\u00edst.<\/p>\n
Film Mich’aela Zupranera The Snow Tapes pracuje s nahr\u00e1vkami z kamery, kter\u00e9 po\u0159\u00eddila palestinsk\u00e1 rodina \u017eij\u00edc\u00ed v Izraelci kontrolovan\u00e9m sektoru Hebron. Dvoukan\u00e1lov\u00e1 projekce srovn\u00e1v\u00e1 z\u00e1b\u011bry poty\u010dek s izraelsk\u00fdmi osadn\u00edky s reakcemi samotn\u00e9 rodiny p\u0159i sledov\u00e1n\u00ed nahr\u00e1vek. Zupraner tak nam\u00edsto distancovan\u00e9ho pohledu na \u201edruh\u00e9ho\u201c p\u0159in\u00e1\u0161\u00ed reflexi samotn\u00e9ho procesu zaznamen\u00e1v\u00e1n\u00ed konfliktu mezi dv\u011bma (kulturn\u011b odli\u0161n\u00fdmi) komunitami.<\/p>\n
Hito Steyerl ve sv\u00e9m filmu In Free Fall sleduje propojen\u00e9 mechanismy ekonomiky, n\u00e1sil\u00ed a z\u00e1bavy v \u00e9\u0159e glob\u00e1ln\u00edho kapitalismu, kter\u00e9 ukazuje na pozad\u00ed p\u0159\u00edb\u011bhu o ikonick\u00e9m typu letadla Boeing, je\u017e se objevuje v mnoha filmech. Samotn\u00e1 cirkulace obraz\u016f a distribuce um\u011bleck\u00fdch d\u011bl je reflektov\u00e1na jako sou\u010d\u00e1st tohoto kolob\u011bhu.<\/p>\n
Dnes ji\u017e kanonick\u00fd film Intervista Anriho Saly rekonstruuje prost\u0159ednictv\u00edm nalezen\u00e9ho z\u00e1znamu, jemu\u017e chyb\u00ed zvukov\u00e1 slo\u017eka, vystoupen\u00ed mlad\u00e9, politicky zan\u00edcen\u00e9 \u017eeny na kongresu alb\u00e1nsk\u00e9 komunistick\u00e9 strany v\u00a070. letech. Salovo p\u00e1tr\u00e1n\u00ed po p\u016fvodn\u00edm obsahu projevu rekonstruuje ud\u00e1lost ze sou\u010dasn\u00e9ho pohledu z\u00fa\u010dastn\u011bn\u00fdch akt\u00e9r\u016f, p\u0159edev\u0161\u00edm pak z\u00a0pohledu on\u00e9 mlad\u00e9 \u017eeny, j\u00ed\u017e je Salova matka Valdet.<\/p>\n
<\/h6>\n
Prom\u00edtan\u00e1 videa:<\/p>\n
Ad\u00e9la Babanov\u00e1 \u2013 N\u00e1vrat do Adriaportu (2013, 13 min)<\/p>\n
Rosalind Nashashibi \u2013 Electrical Gaza (2015, 17 min)<\/p>\n
Michael Zupraner \u2013 The Snow Tapes (2011, 14 min)<\/p>\n
Hito Steyerl \u2013 In Free Fall (2010, 33 min)<\/p>\n
Anri Sala \u2013 Intervista (1998, 26 minut)<\/p>\n
<\/p>\n
Kur\u00e1torky projektu: Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1, Mark\u00e9ta Jon\u00e1\u0161ov\u00e1 a Anna Reme\u0161ov\u00e1<\/p>\n
V\u0161echny filmy jsou v anglick\u00e9m jazyce \u010di maj\u00ed anglick\u00e9 titulky.<\/p>\n
All movies are in English or have English subtitles.<\/p>","protected":false},"excerpt":{"rendered":"
Z\u00e1v\u011bre\u010dn\u00e1 (p\u00e1t\u00e1) kapitola programu o dokument\u00e1rn\u00edch tendenc\u00edch v sou\u010dasn\u00e9m um\u011bleck\u00e9m videu je v\u011bnov\u00e1na d\u00edl\u016fm, kter\u00e9 se prost\u0159ednictv\u00edm sv\u00e9bytn\u00fdch um\u011bleck\u00fdch strategi\u00ed vypo\u0159\u00e1d\u00e1vaj\u00ed s nejistotou spo\u010d\u00edvaj\u00edc\u00ed v tom, zda a jak\u00fdm zp\u016fsobem lze pomoc\u00ed audiovizu\u00e1ln\u00edch prost\u0159edk\u016f reprezentovat realitu. Posledn\u00ed prom\u00edtac\u00ed blok shrnuje p\u0159edchoz\u00ed kapitoly v\u00fdzkumn\u00e9ho projektu etc. galerie nazvan\u00e9ho Politika pravdy a rekapituluje kl\u00ed\u010dov\u00e9 p\u0159\u00edstupy, kter\u00e9 um\u011blc\u016fm […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2797","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2797"}],"version-history":[{"count":36,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2797\/revisions"}],"predecessor-version":[{"id":2969,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2797\/revisions\/2969"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}