{"id":2756,"date":"2018-09-03T07:33:37","date_gmt":"2018-09-03T07:33:37","guid":{"rendered":"http:\/\/etcgalerie.cz\/?p=2756"},"modified":"2020-05-22T22:43:44","modified_gmt":"2020-05-22T22:43:44","slug":"pristizena-skutecnost-zaverecna-prezentace-autora","status":"publish","type":"post","link":"https:\/\/etcgalerie.cz\/cs\/pristizena-skutecnost-zaverecna-prezentace-autora\/","title":{"rendered":"P\u0159isti\u017een\u00e1 skute\u010dnost (z\u00e1v\u011bre\u010dn\u00e1 prezentace autora)"},"content":{"rendered":"<p><em>P\u0159isti\u017een\u00e1 skute\u010dnost\u00a0<\/em><\/p>\n<p><em>Byl to pr\u00e1v\u011b sov\u011btsk\u00fd mont\u00e1\u017en\u00edk Dziga Vertov, kter\u00fd si ve sv\u00e9 urputn\u00e9 dokument\u00e1rn\u00ed snaze zachytit \u017eitou skute\u010dnost ve sv\u00e9 autentick\u00e9 \u010distot\u011b vytkl imperativ &#8211; &#8222;p\u0159istihnout \u017eivot p\u0159i \u010dinu&#8220;. Je to pr\u00e1v\u011b onen nedefinovateln\u00fd akt p\u0159isti\u017een\u00ed, kter\u00fd nem\u00e1 pevnou a jasnou povahu a jeho\u017e nejednozna\u010dnost v d\u011bjin\u00e1ch audiovizu\u00e1ln\u00edho media vedla k r\u016fzn\u00fdm form\u00e1m a postup\u016fm reprezentace reality. Dokumaginace je jednou z nich.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dokumaginace &gt;15&gt;18&gt;<\/strong><\/p>\n<p>Dokumaginace je tv\u016fr\u010d\u00ed postup pohybuj\u00edc\u00ed se mezi dokumentem ka\u017edodennosti, den\u00edkem vid\u011bn\u00e9ho a asociativn\u00ed mont\u00e1\u017e\u00ed.<\/p>\n<p>Dokumaginace vyu\u017e\u00edv\u00e1 metodick\u00fdch postup\u016f tzv. spont\u00e1nn\u00edho filmu, a\u010dkoli p\u0159\u00edsn\u011b nedodr\u017euje \u017e\u00e1dnou doktr\u00ednu tohoto proudu.<\/p>\n<p>Dokumaginace se z\u00e1m\u011brn\u011b vyh\u00fdb\u00e1 konkr\u00e9tn\u00edmu form\u00e1ln\u00edmu vymezen\u00ed, nebo\u0165 nechce nab\u00edzet \u017e\u00e1nrov\u00fd estetick\u00fd kl\u00ed\u010d ke \u010dten\u00ed vid\u011bn\u00e9ho.<\/p>\n<p>Dokumaginace pokou\u0161\u00ed ot\u00e1zku, do jak\u00e9 m\u00edry z\u00e1znam autentick\u00e9 reality vede k v\u011bt\u0161\u00edmu porozum\u011bn\u00ed \u017eit\u00e9 skute\u010dnost.<\/p>\n<p>Dokumaginace je tak pokusem o zcitlivov\u00e1n\u00ed div\u00e1kovi recepce v\u016f\u010di ka\u017edodenn\u00ed skute\u010dnosti.<\/p>\n<p>Dokumaginace m\u00e1 v\u00e9st k aktivn\u00ed div\u00e1kov\u011b participaci.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Spont\u00e1nnost a nahodilost<\/strong><\/p>\n<p>Tv\u016fr\u010d\u00ed princip, jak bylo v\u00fd\u0161e nazna\u010deno, vych\u00e1z\u00ed ze spont\u00e1nn\u00edho gesta pozorovatele vzhledem k nahodil\u00e9 bezprost\u0159edn\u00ed situaci. Spont\u00e1nnost je tak nep\u0159ipravenou a nepl\u00e1novanou reakc\u00ed na podn\u011bt vn\u011bj\u0161\u00ed skute\u010dnosti, a tud\u00ed\u017e nem\u00e1 definovan\u00e9 t\u00e9ma. Nen\u00ed-li p\u0159edem definovan\u00e9 t\u00e9ma, nen\u00ed tak mo\u017en\u00e9 ani p\u0159edem definovat d\u016fvod, motivaci observace t\u00e9to spont\u00e1nn\u00ed reakce na vn\u011bj\u0161\u00ed podn\u011bt. Jedn\u00e1 se tak o postup ur\u010dit\u00e9ho psychologick\u00e9ho automatismu, v jeho\u017e r\u00e1mci je zachycovan\u00e1 skute\u010dnost z\u00e1znamem subjektivn\u00edho autorova vid\u011bn\u00ed a pro\u017e\u00edv\u00e1n\u00ed reality.<\/p>\n<p>Spont\u00e1nn\u00ed princip vzniku zachycen\u00e9ho je akcentov\u00e1n i v procesu postprodukce, kter\u00e1 v\u011bt\u0161inov\u011b respektuje chronologii zachycovan\u00e9ho. Informace vych\u00e1zej\u00edc\u00ed z obsahu situace je p\u0159edm\u011btem pozd\u011bj\u0161\u00ed autorovi i div\u00e1kovi recepce. Nahodil\u00e9 situace vedou k t\u00e1z\u00e1n\u00ed se po podstat\u011b <em>situace <\/em>jako takov\u00e9. Situace je zde kl\u00ed\u010dem k informaci, kterou v\u0161ak div\u00e1k dos\u00e1hne tehdy, oprost\u00ed-li se od o\u010dek\u00e1v\u00e1n\u00ed, \u017ee autor v d\u00edle nab\u00edz\u00ed konven\u010dn\u00ed interpreta\u010dn\u00ed kl\u00ed\u010d. Sou\u010dasn\u011b mu poskytuje prostor k reflexi vlastn\u00edch zvnit\u0159n\u011bl\u00fdch vzorc\u016f o\u010dek\u00e1v\u00e1n\u00ed \u010di obecn\u011b prostor k\u00a0vlastn\u00ed introspekci. D\u00edlo my\u0161lenkov\u011b pracuje s\u00a0vizu\u00e1ln\u00ed teori\u00ed Rolanda Barthese, konkr\u00e9tn\u011b s\u00a0t\u00e9matem div\u00e1kovi participace.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nepodm\u00edn\u011bn\u00fd apar\u00e1t<\/strong><\/p>\n<p>Prostor pro volnou spont\u00e1nn\u00ed reakci je v dan\u00e9m p\u0159\u00edpad\u011b podm\u00edn\u011bn okam\u017eitou dostupnost\u00ed sn\u00edmac\u00edho za\u0159\u00edzen\u00ed, kterou v p\u0159\u00edpad\u011b Hlav\u00e1\u010dkovy tvorby napl\u0148uje integrovan\u00e9 sn\u00edmac\u00ed za\u0159\u00edzen\u00ed mobiln\u00edho telefonu. Nat\u00e1\u010den\u00ed skrze miniaturizovan\u00e9 za\u0159\u00edzen\u00ed chytr\u00e9ho telefonu v d\u016fsledku vytv\u00e1\u0159\u00ed podm\u00ednky tzv. nepodm\u00edn\u011bn\u00e9ho apar\u00e1tu. Na rozd\u00edl od klasick\u00e9ho nat\u00e1\u010den\u00ed se tak z\u00e1sadn\u011b m\u011bn\u00ed charakter sn\u00edman\u00e9 situace i v\u00fdrazn\u011b roz\u0161i\u0159uje podm\u00ednky mo\u017en\u00e9ho nat\u00e1\u010den\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"<p>P\u0159isti\u017een\u00e1 skute\u010dnost\u00a0 Byl to pr\u00e1v\u011b sov\u011btsk\u00fd mont\u00e1\u017en\u00edk Dziga Vertov, kter\u00fd si ve sv\u00e9 urputn\u00e9 dokument\u00e1rn\u00ed snaze zachytit \u017eitou skute\u010dnost ve sv\u00e9 autentick\u00e9 \u010distot\u011b vytkl imperativ &#8211; &#8222;p\u0159istihnout \u017eivot p\u0159i \u010dinu&#8220;. Je to pr\u00e1v\u011b onen nedefinovateln\u00fd akt p\u0159isti\u017een\u00ed, kter\u00fd nem\u00e1 pevnou a jasnou povahu a jeho\u017e nejednozna\u010dnost v d\u011bjin\u00e1ch audiovizu\u00e1ln\u00edho media vedla k r\u016fzn\u00fdm form\u00e1m a [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2756","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2756"}],"version-history":[{"count":4,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2756\/revisions"}],"predecessor-version":[{"id":2760,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2756\/revisions\/2760"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}