\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n<\/ul>\n<\/p>\nPolitika pravdy III \u2013 Obraz druh\u00e9ho<\/p>\n
Kdo je n\u00e1\u0161 \u201edruh\u00fd\u201c? A jak s jeho obrazem pracuje kamera? T\u0159et\u00ed kapitola v\u00fdzkumn\u00e9ho projektu Politika pravdy se soust\u0159ed\u00ed na pr\u016fse\u010d\u00edky dokument\u00e1rn\u00edch p\u0159\u00edstup\u016f se sou\u010dasn\u00fdm postkoloni\u00e1ln\u00edm my\u0161len\u00edm. Nam\u00edsto popisov\u00e1n\u00ed postkoloni\u00e1ln\u00edch podm\u00ednek a hled\u00e1n\u00ed jejich prom\u011bn, v\u0161ak budou v pr\u016fb\u011bhu dvou ve\u010dern\u00edch prom\u00edt\u00e1n\u00ed p\u0159edstavena um\u011bleck\u00e1 d\u00edla, kter\u00e1 pracuj\u00ed s inkluz\u00ed komunit definovan\u00fdch kulturn\u00ed odli\u0161nost\u00ed. Tato inkluze m\u016f\u017ee prob\u00edhat bu\u010f zm\u011bnou form\u00e1tu \u2013 kamera a s n\u00ed i div\u00e1k se p\u0159izp\u016fsob\u00ed prost\u0159ed\u00ed, nebo vlastn\u00edm uchopen\u00edm zobrazovac\u00edch prost\u0159edk\u016f.<\/p>\n
Po ve\u010derech, ve kter\u00fdch jsme spole\u010dn\u011b s\u00a0filozofem Josefem Fulkou diskutovali o Nesly\u0161\u00edc\u00edch jako vlastn\u00ed kulturn\u00ed komunit\u011b a prom\u00edtali videa filmov\u00e9ho kolektivu Karrabing, se tentokr\u00e1t zam\u011b\u0159\u00edme na sn\u00edmky odr\u00e1\u017eej\u00edc\u00ed vlastn\u00ed jazyk a vn\u00edm\u00e1n\u00ed portr\u00e9tovan\u00fdch. Na programu m\u00e1me dv\u011b videa: Ivan nepot\u0159ebuje televizi\u00a0<\/em>(1997) od Ivo Dekovi\u0107e a Wonderland\u00a0<\/em>(2016) od Erkana \u00d6zgena. V prvn\u011b jmenovan\u00e9m dokument\u00e1rn\u00edm videu se kameraman vyd\u00e1v\u00e1 na no\u010dn\u00ed proch\u00e1zku s\u00a0Ivanem, kter\u00fd od narozen\u00ed nevid\u00ed. Dokument\u00e1rn\u00ed obraz t\u00edmto zp\u016fsobem vypov\u00edd\u00e1 o sv\u00e9 vlastn\u00ed podstat\u011b a limitech z\u00e1znamu. Druh\u00fd sn\u00edmek zachycuje nesly\u0161\u00edc\u00ed kurdsk\u00e9ho chlapce, kter\u00fd za pomoci gest a znakov\u00e9ho jazyka popisuje traumatickou zku\u0161enost s\u00a0v\u00e1lkou.<\/p>\n Ve\u010der doprovod\u00ed sv\u00fdm koment\u00e1\u0159em Hynek Troj\u00e1nek, scen\u00e1rista a soci\u00e1ln\u00ed pracovn\u00edk, kter\u00fd se dlouhodob\u011b zaj\u00edm\u00e1 o zobrazov\u00e1n\u00ed lid\u00ed s posti\u017een\u00edm ve filmech \u010di seri\u00e1lech a dan\u00e9mu t\u00e9matu se v\u011bnoval i ve sv\u00e9 bakal\u00e1\u0159sk\u00e9 pr\u00e1ci na ETF UK. Mimo jin\u00e9 tak\u00e9 pravideln\u011b bojuje s etick\u00fdm PR neziskov\u00fdch organizac\u00ed.<\/p>\n Prom\u00edtan\u00e1 videa:<\/p>\n Ivo Dekovi\u0107: Ivan braucht keinen Fernseher (1997)<\/p>\n Erkan \u00d6zgen: Wonderland (2016)<\/p>\n <\/p>\n Kur\u00e1torky projektu: Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1 a Anna Reme\u0161ov\u00e1<\/p>\n Politika pravdy III \u2013 Obraz druh\u00e9ho<\/p>\n 1. 5. \u2013 17. 6. 2018<\/p>","protected":false},"excerpt":{"rendered":" Politika pravdy III \u2013 Obraz druh\u00e9ho Kdo je n\u00e1\u0161 \u201edruh\u00fd\u201c? A jak s jeho obrazem pracuje kamera? T\u0159et\u00ed kapitola v\u00fdzkumn\u00e9ho projektu Politika pravdy se soust\u0159ed\u00ed na pr\u016fse\u010d\u00edky dokument\u00e1rn\u00edch p\u0159\u00edstup\u016f se sou\u010dasn\u00fdm postkoloni\u00e1ln\u00edm my\u0161len\u00edm. Nam\u00edsto popisov\u00e1n\u00ed postkoloni\u00e1ln\u00edch podm\u00ednek a hled\u00e1n\u00ed jejich prom\u011bn, v\u0161ak budou v pr\u016fb\u011bhu dvou ve\u010dern\u00edch prom\u00edt\u00e1n\u00ed p\u0159edstavena um\u011bleck\u00e1 d\u00edla, kter\u00e1 pracuj\u00ed s inkluz\u00ed […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2664","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2664"}],"version-history":[{"count":8,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2664\/revisions"}],"predecessor-version":[{"id":2704,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2664\/revisions\/2704"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}