\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n
\n<\/div><\/li>\n<\/ul>\n<\/p>\nPolitika pravdy III. \u2013 Obraz druh\u00e9ho (Karrabing Film Collective)<\/p>\n
Kdo je n\u00e1\u0161 \u201edruh\u00fd\u201c? A jak s jeho obrazem pracuje kamera? T\u0159et\u00ed kapitola v\u00fdzkumn\u00e9ho projektu Politika pravdy se soust\u0159ed\u00ed na pr\u016fse\u010d\u00edky dokument\u00e1rn\u00edch p\u0159\u00edstup\u016f se sou\u010dasn\u00fdm postkoloni\u00e1ln\u00edm my\u0161len\u00edm. Nam\u00edsto popisov\u00e1n\u00ed postkoloni\u00e1ln\u00edch podm\u00ednek a hled\u00e1n\u00ed jejich prom\u011bn, v\u0161ak budou v pr\u016fb\u011bhu dvou ve\u010dern\u00edch prom\u00edt\u00e1n\u00ed p\u0159edstavena um\u011bleck\u00e1 d\u00edla, kter\u00e1 pracuj\u00ed s inkluz\u00ed komunit definovan\u00fdch kulturn\u00ed odli\u0161nost\u00ed. Tato inkluze m\u016f\u017ee prob\u00edhat bu\u010f zm\u011bnou form\u00e1tu \u2013 kamera a s n\u00ed i div\u00e1k se p\u0159izp\u016fsob\u00ed prost\u0159ed\u00ed, nebo vlastn\u00edm uchopen\u00edm zobrazovac\u00edch prost\u0159edk\u016f.<\/p>\n
Prvn\u00ed prom\u00edtac\u00ed ve\u010der bude v\u011bnov\u00e1n filmov\u00e9mu kolektivu Karrabing, kter\u00fd vznikl v roce 2008 ve snaze kriticky a aktivisticky reagovat na vl\u00e1dn\u00ed opat\u0159en\u00ed proti domorod\u00fdm kmen\u016fm na severoz\u00e1pad\u011b Austr\u00e1lie. Zhor\u0161uj\u00edc\u00ed se soci\u00e1ln\u00ed podm\u00ednky a nucen\u00e9 opou\u0161t\u011bn\u00ed \u00fazem\u00ed kv\u016fli t\u011b\u017ea\u0159sk\u00fdm z\u00e1jm\u016fm vedly ke spojen\u00ed n\u011bkolika \u010dlen\u016f, kte\u0159\u00ed spole\u010dn\u011b s antropolo\u017ekou a teoreti\u010dkou genderu Elizabeth Povinelli za\u010dali nat\u00e1\u010det filmy sami o sob\u011b, o sv\u00fdch p\u0159\u00edb\u011bz\u00edch a \u017eivotn\u00edch situac\u00edch. Vznikly tak sn\u00edmky, ve kter\u00fdch se m\u00eds\u00ed dokument\u00e1rn\u00ed obraz s inscenovan\u00fdmi sc\u00e9nami. Tento p\u0159\u00edstup sami \u010dlenov\u00e9 Karrabing nazvali \u201eimproviza\u010dn\u00edm realismem\u201c.<\/p>\n
Prvn\u00ed film When the Dogs Talked (2014) se zab\u00fdv\u00e1 \u017eivotem ve stanech a bytovou kriz\u00ed domorod\u00fdch ob\u010dan\u016f, oproti tomu ned\u00e1vn\u00fd sn\u00edmek Wutharr \u2013 Saltwater Dreams (2016) zkoum\u00e1 v t\u00e9m\u011b\u0159 psychedelick\u00e9m a surrealistick\u00e9m obraze mor\u00e1ln\u00ed pravidla ustanoven\u00e1 k\u0159es\u0165ansk\u00fdmi mision\u00e1\u0159i. Video tak upozor\u0148uje na prom\u011bnu ducha, kter\u00e1 je z\u00e1kladem jak\u00e9hokoli koloni\u00e1ln\u00edho projektu.<\/p>\n
Prom\u00edt\u00e1n\u00ed vide\u00ed od filmov\u00e9ho kolektivu Karrabing okomentuje teoreti\u010dka um\u011bn\u00ed a \u0159editelka Arty\u010dok.tv a N\u00e1rodn\u00ed galerie v \u010cern\u00e9 Ho\u0159e Vjera Borozan. Videa budou prom\u00edt\u00e1na s anglick\u00fdmi titulky.<\/p>\n
Prom\u00edtan\u00e1 videa:<\/p>\n
When the Dogs Talked (2014)
\nWutharr \u2013 Saltwater Dreams (2016)<\/p>\n
Kur\u00e1torky projektu: Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1 a Anna Reme\u0161ov\u00e1
\nPolitika pravdy III. \u2013 Obraz druh\u00e9ho
\n1. 5. \u2013 17. 6. 2018<\/p>","protected":false},"excerpt":{"rendered":"
Politika pravdy III. \u2013 Obraz druh\u00e9ho (Karrabing Film Collective) Kdo je n\u00e1\u0161 \u201edruh\u00fd\u201c? A jak s jeho obrazem pracuje kamera? T\u0159et\u00ed kapitola v\u00fdzkumn\u00e9ho projektu Politika pravdy se soust\u0159ed\u00ed na pr\u016fse\u010d\u00edky dokument\u00e1rn\u00edch p\u0159\u00edstup\u016f se sou\u010dasn\u00fdm postkoloni\u00e1ln\u00edm my\u0161len\u00edm. Nam\u00edsto popisov\u00e1n\u00ed postkoloni\u00e1ln\u00edch podm\u00ednek a hled\u00e1n\u00ed jejich prom\u011bn, v\u0161ak budou v pr\u016fb\u011bhu dvou ve\u010dern\u00edch prom\u00edt\u00e1n\u00ed p\u0159edstavena um\u011bleck\u00e1 d\u00edla, kter\u00e1 […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2645","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2645"}],"version-history":[{"count":4,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2645\/revisions"}],"predecessor-version":[{"id":2663,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2645\/revisions\/2663"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}