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\n<\/div><\/li>\n<\/ul>\n<\/p>\nAby Deleuze s Guattarim mohli vysv\u011btlit, jak funguj\u00ed slo\u017eit\u011b hierarchizovan\u00e9 struktury oproti struktur\u00e1m, kter\u00e9 unikaj\u00ed centr\u00e1ln\u00ed moci, pou\u017e\u00edvaj\u00ed vzorce a pojmy bl\u00edzk\u00e9 na\u0161emu vizu\u00e1ln\u00edmu a haptick\u00e9mu vn\u00edm\u00e1n\u00ed. Nap\u0159\u00edklad kontrolovan\u00e9 a slo\u017eit\u011b organizovan\u00e9 struktury \u2013 jako jsou \u201est\u00e1tn\u00ed prostory\u201c (\u010di institucion\u00e1ln\u00ed celky), krajiny m\u011b\u0159iteln\u00e9 p\u0159\u00edstroji, m\u00edsta pozm\u011bn\u011bn\u00e1 civiliza\u010dn\u00edmi z\u00e1sahy \u2013 jsou podle nich prostory zvrstven\u00e9 (striated). Kde\u017eto prostory voln\u00e9 a neohrani\u010den\u00e9, kter\u00e9 nahr\u00e1vaj\u00ed p\u0159\u00edle\u017eitostem k nom\u00e1dsk\u00e9mu \u017eivotu, naz\u00fdvaj\u00ed hladk\u00fdmi (smooth). Podle Deleuze a Guatarriho nefunguj\u00ed ob\u011b tyto formy prostor\u016f odd\u011blen\u011b, ale prostupuj\u00ed se a navz\u00e1jem se ovliv\u0148uj\u00ed \u010di naru\u0161uj\u00ed. Krom\u011b zvrstven\u00e9ho a hladk\u00e9ho prostoru pak existuje t\u0159et\u00ed typ \u2013 a to prostor \u201epodzemn\u00ed\u201c, m\u00edsto, kter\u00e9 na\u0161emu zraku unik\u00e1 a kter\u00e9 nepodl\u00e9h\u00e1 z\u00e1konitostem \u201enadzem\u00ed\u201c. Tomu tak\u00e9 odpov\u00edd\u00e1 vlastn\u00ed infrastruktura takov\u00e9ho prostoru \u2013 nen\u00ed jasn\u011b \u010diteln\u00e1, je labyrintn\u00ed a unikaj\u00edc\u00ed. Nemus\u00ed se v\u0161ak nutn\u011b jednat jen o fyzickou architekturu, ale tak\u00e9 o virtu\u00e1ln\u00ed prostor neleg\u00e1ln\u00edch \u00falo\u017ei\u0161\u0165, otev\u0159en\u00fdch knihoven, dark web\u016f a anonymn\u00edch prohl\u00ed\u017ee\u010d\u016f. Proto\u017ee je tento t\u0159et\u00ed prostor ukryt pod povrchem, ale nen\u00ed pln\u011b izolov\u00e1n, kde\u017eto k viditeln\u00e9mu sv\u011btu pronik\u00e1 v n\u011bkter\u00fdch m\u00edstech \u2013 nazvali Deleuze a Guatarri tento typ prostoru d\u011brav\u00fd (holey).<\/p>\n
Na sv\u00e9 v\u00fdstav\u011b v galerii etc. pokra\u010duje Ale\u0161 \u010cerm\u00e1k v uva\u017eov\u00e1n\u00ed o sou\u010dasn\u00fdch syst\u00e9mech a pohybech spole\u010dnosti. K ruce si bere autory, jako jsou Gilles Deleuze a F\u00e9lix Guatarri, Reza Negarestani, Benjamin Bratton, Eyal Weizmann ad. Ve sv\u00e9 instalaci pak Ale\u0161 k t\u011bmto filozof\u016fm a teoretik\u016fm odkazuje nep\u0159\u00edmo, sp\u00ed\u0161e hled\u00e1 vlastn\u00ed cesty, jak se v jejich my\u0161len\u00ed zorientovat a jak\u00fdm zp\u016fsobem je vizu\u00e1ln\u011b uchopit. M\u016f\u017eeme tak na v\u00fdstav\u011b hledat n\u011bkter\u00e9 z pojm\u016f, kter\u00e9 se objevily v\u00fd\u0161e \u2013 jsou jimi podzem\u00ed, struktury, hmota, pravidla diskuze nebo d\u00edry v pl\u00e1\u0161ti. Sama instalace v\u0161ak nem\u00e1 slou\u017eit jako ilustrov\u00e1n\u00ed t\u011bchto t\u00e9mat, sp\u00ed\u0161e se pokou\u0161\u00ed zviditelnit proces uva\u017eov\u00e1n\u00ed o nich a hled\u00e1 vlastn\u00ed cestu k jejich uchopen\u00ed.<\/p>\n
Pr\u00e1v\u011b metoda zviditeln\u011bn\u00ed (vizualizace) \u2013 kter\u00e1 je nejpatrn\u011bj\u0161\u00ed v p\u0159\u00edtomn\u00e9m videu nebo v ru\u010dn\u011b vytvo\u0159en\u00fdch p\u0159edm\u011btech \u2013 je kl\u00ed\u010dem k Ale\u0161ov\u011b samotn\u00e9 tvorb\u011b. Zat\u00edmco igelitem nap\u016fl-zadu\u0161en\u00e1 m\u00edstnost aktivizuje haptick\u00fd vjem (a vytv\u00e1\u0159\u00ed jak\u00fdsi kvazi-jeskynn\u00ed prostor), pohybliv\u00fd obraz pout\u00e1 oko n\u00e1v\u0161t\u011bvn\u00edka. Video zprost\u0159edkov\u00e1v\u00e1 pr\u00e1ci po\u010d\u00edta\u010dov\u00e9ho programu, kter\u00fd za pomoci zadan\u00e9ho modelu – zad\u00e1n\u00edm m\u016f\u017ee b\u00fdt tak\u00e9 text \u010di popis dan\u00e9 v\u011bci – usiluje o vytvo\u0159en\u00ed obrazu nerozeznateln\u00e9ho od fotografi\u00ed re\u00e1ln\u00e9ho sv\u011bta. Pakli\u017ee m\u00e1 program jen velmi m\u00e1lo vstupn\u00edch informac\u00ed, odpov\u00edd\u00e1 tomu tak\u00e9 kvalita v\u00fdsledn\u00e9ho obrazu \u2013 je rozost\u0159en\u00fd, nejasn\u00fd, jen velmi zt\u011b\u017eka rozpozn\u00e1v\u00e1me n\u011bkter\u00e9 tvary ve videu. Logika programu v\u0161ak funguje tak, \u017ee se s\u00e1m od sebe u\u010d\u00ed, generuje dal\u0161\u00ed a dal\u0161\u00ed obrazy, kter\u00e9 v ur\u010ditou chv\u00edli mohou p\u0159ekro\u010dit i na\u0161i vlastn\u00ed imaginaci. To se t\u00fdk\u00e1 tak\u00e9 zvuku. Hlas reflektuj\u00edc\u00ed vstupn\u00ed algoritmy se zd\u00e1nliv\u011b vyjas\u0148uje, je z\u0159eteln\u011b sly\u0161et, jak na za\u010d\u00e1tku s\u00e1m klop\u00fdt\u00e1. Zn\u00ed, jako by si skoro s\u00e1m \u0161lapal na jazyk. Hledal vhodn\u00e1 slova. <\/p>\n
Ale\u0161ova v\u00fdstava n\u00e1m poskytuje \u010d\u00e1ste\u010dn\u00fd vhled do jeho p\u0159em\u00fd\u0161len\u00ed o sou\u010dasn\u00e9m sv\u011bt\u011b. Jednotliv\u00e9 p\u0159edm\u011bty p\u016fsob\u00ed jako stopy jeho \u00favah \u2013 n\u011bkde se dopl\u0148uj\u00ed s filozofick\u00fdmi teoriemi, jinde zase hledaj\u00ed vlastn\u00ed p\u0159\u00edstup ke komplexn\u00edm syst\u00e9m\u016fm, v nich\u017e se ka\u017edodenn\u011b pohybujeme a jedn\u00e1me. Znalost t\u011bchto filozofick\u00fdch text\u016f n\u00e1m sice m\u016f\u017ee otev\u0159\u00edt n\u011bkter\u00e9 dal\u0161\u00ed mo\u017enosti \u010dten\u00ed, ale stejn\u011b pr\u00e1voplatn\u00e9 je nechat na sebe jen p\u016fsobit prostor a hledat v n\u011bm vlastn\u00ed interpretace.<\/p>\n
Kur\u00e1torky: Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1 a Anna Reme\u0161ov\u00e1<\/p>","protected":false},"excerpt":{"rendered":"
Aby Deleuze s Guattarim mohli vysv\u011btlit, jak funguj\u00ed slo\u017eit\u011b hierarchizovan\u00e9 struktury oproti struktur\u00e1m, kter\u00e9 unikaj\u00ed centr\u00e1ln\u00ed moci, pou\u017e\u00edvaj\u00ed vzorce a pojmy bl\u00edzk\u00e9 na\u0161emu vizu\u00e1ln\u00edmu a haptick\u00e9mu vn\u00edm\u00e1n\u00ed. Nap\u0159\u00edklad kontrolovan\u00e9 a slo\u017eit\u011b organizovan\u00e9 struktury \u2013 jako jsou \u201est\u00e1tn\u00ed prostory\u201c (\u010di institucion\u00e1ln\u00ed celky), krajiny m\u011b\u0159iteln\u00e9 p\u0159\u00edstroji, m\u00edsta pozm\u011bn\u011bn\u00e1 civiliza\u010dn\u00edmi z\u00e1sahy \u2013 jsou podle nich prostory zvrstven\u00e9 (striated). […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2315","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2315"}],"version-history":[{"count":14,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2315\/revisions"}],"predecessor-version":[{"id":2471,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2315\/revisions\/2471"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}