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\n<\/div><\/li>\n<\/ul>\n<\/p>\nVarov\u00e1n\u00ed: Text – p\u0159\u00edbalov\u00fd let\u00e1k – \u010d\u00edst a\u017e po zhl\u00e9dnut\u00ed cel\u00e9 instalace!<\/p>\n
V\u00fdchoz\u00edm materi\u00e1lem, ze kter\u00e9ho Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1 p\u0159i tvorb\u011b sv\u00e9 instalace vych\u00e1zela, jsou sta\u017een\u00e1 videa. Jejich autorem je mu\u017e z \u010cesk\u00e9 republiky, kter\u00fd t\u00edmto zp\u016fsobem zaznamen\u00e1v\u00e1 sv\u016fj ka\u017edodenn\u00ed \u017eivot. Tyto z\u00e1znamy maj\u00ed slou\u017eit jako d\u016fkazn\u00ed materi\u00e1l \u010dinnosti lid\u00ed, kter\u00e9 naz\u00fdv\u00e1 nej\u010dast\u011bji L\u00e9ka\u0159i, kte\u0159\u00ed se systematicky a vytrvale sna\u017e\u00ed po\u0161kodit jeho zdrav\u00ed a ovl\u00e1dnout cel\u00fd jeho \u017eivot (otravuj\u00ed j\u00eddlo, ovliv\u0148uj\u00ed jeho zdravotn\u00ed stav b\u011bhem noci). \u010casto se tak\u00e9 jedn\u00e1 o z\u00e1b\u011bry motivuj\u00edc\u00ed, deklamuj\u00edc\u00ed p\u0159ipravenost boje s L\u00e9ka\u0159i (otev\u00edr\u00e1n\u00ed no\u017ee, kontroly bytu, maz\u00e1n\u00ed s\u00e1dla na parapet).<\/p>\n
Paranoik soubory vide\u00ed ukl\u00e1d\u00e1 na ve\u0159ejn\u011b p\u0159\u00edstupn\u00fd server ulozto.cz\u00a0 a nijak je neskr\u00fdv\u00e1 p\u0159ed jin\u00fdmi u\u017eivateli: jsou tedy, zvl\u00e1\u0161t\u011b s p\u0159ihl\u00e9dnut\u00edm ke sv\u00e9mu mno\u017estv\u00ed, paradoxn\u00edm a extr\u00e9mn\u011b detailn\u00edm vhledem do osobn\u00edho \u017eivota, kter\u00fd si tak sna\u017e\u00ed chr\u00e1nit p\u0159ed ciz\u00edmi a zlov\u011bstn\u00fdmi silami zven\u010d\u00ed. V\u0161em t\u011bmto soubor\u016fm p\u0159i\u0159azuje dlouh\u00e9 n\u00e1zvy, kter\u00e9 popisuj\u00ed, jak\u00e9 d\u011bje se na nich (podle n\u011bj) odehr\u00e1vaj\u00ed, respektive, \u010deho jsou videa d\u016fkazem. N\u00e1zvy maj\u00ed a\u017e liter\u00e1rn\u00ed charakter absurdn\u00edch b\u00e1sn\u00ed, podv\u011bdom\u00fdch proklamac\u00ed \u010di snad i litani\u00ed.<\/p>\n
S\u00e1hodlouh\u00e9 tituly jsou namluveny profesion\u00e1ln\u00edm hercem a tak\u00e9 byla \u201enoisov\u00fdmi\u201c hudebn\u00edky vytvo\u0159ena zvukov\u00e1 stopa, zvy\u0161uj\u00edc\u00ed nal\u00e9havost obrazu pomoc\u00ed r\u016fzn\u00fdch hluk\u016f a \u0161um\u016f. Cel\u00fd tento proces nahr\u00e1v\u00e1n\u00ed byl zaznamen\u00e1n a \u010d\u00e1sti z\u00e1znamu jsou soub\u011b\u017en\u011b prom\u00edt\u00e1ny v t\u0159\u00edkan\u00e1lov\u00e9 instalaci. C\u00edt\u00edme, \u017ee jsme sv\u011bdky velk\u00e9 (dvojn\u00e1sobn\u00e9, trojn\u00e1sobn\u00e9) manipulace s obrazem, narativem v\u00fdchoz\u00edch soubor\u016f, celkovou atmosf\u00e9rou a kontextem p\u016fvodn\u00edch z\u00e1znam\u016f paranoika. Nav\u00edc, ve\u0161ker\u00e9 \u201cf\u00edgle\u201dm\u00e9dia filmu jsou p\u0159izn\u00e1ny, doslova vystaveny na\u0161im o\u010d\u00edm, a komplexn\u00ed sv\u011bt pohybliv\u00e9ho obrazu je a\u017e nep\u0159\u00edjemn\u011b transparentn\u00ed.<\/p>\n
V \u00e9\u0159e modern\u00edho \u010dlov\u011bka, od po\u010d\u00e1tku devaten\u00e1ct\u00e9ho stolet\u00ed, m\u016f\u017eeme nal\u00e9zt bezpo\u010det p\u0159\u00edklad\u016f, kter\u00e9 se sna\u017e\u00ed evokovat, \u010di dokonce jsou v\u00fdsledkem fragment\u00e1rn\u00edho vnit\u0159n\u00edho sv\u011bta paranoika, \u010di schizofrenika. Ov\u0161em v p\u0159\u00edpad\u011b Al\u017eb\u011btiny pr\u00e1ce jsme sv\u011bdky t\u00e9m\u011b\u0159 akademick\u00e9 (v tom nejlep\u0161\u00edm slova smyslu – pou\u010den\u00e9) dekonstrukce takov\u00e9ho vid\u011bn\u00ed. D\u00edky zv\u00fd\u0161en\u00ed spektakularity z\u00e1znamu ohled\u00e1v\u00e1 hranice prostupnosti m\u00e9dia – zcizuje nejen soubory, ale i na\u0161e vlastn\u00ed vid\u011bn\u00ed. Jsme sv\u011bdky, tak jako u minul\u00fdch vide\u00ed Al\u017eb\u011bty, jemn\u00e9 manipulace s okoln\u00edmi vlivy, utv\u00e1\u0159enou realitou spojen\u00edm ne\u010dekan\u00e9ho do nov\u00e9ho v\u00fdkladov\u00e9ho r\u00e1mce.<\/p>\n
Al\u017eb\u011bta poukazuje na to, \u017ee ve\u0159ejn\u011b p\u0159\u00edstupn\u00e1 videa se st\u00e1vaj\u00ed ve\u0159ejn\u00fdm majetkem, pokud jsou sd\u00edleny na ve\u0159ejn\u011b p\u0159\u00edstupn\u00e9m serveru. P\u0159esto se mi na mysl vkr\u00e1d\u00e1 ot\u00e1zka mor\u00e1ln\u00ed roviny cel\u00e9ho projektu. Kdo je ten \u010dlov\u011bk? Ned\u00edv\u00e1me se na zoufalou \u017e\u00e1dost o pomoc? Hled\u00edme na upracovan\u00e9ho \u010dlov\u011bka, zni\u010den\u00e9ho nedokonal\u00fdm soci\u00e1ln\u00edm syst\u00e9mem, nebo pouze na podiv\u00edna, kter\u00fd po st\u0159etu s \u201crealitou \u017eivota\u201d nach\u00e1z\u00ed ve sv\u00e9m okol\u00ed nep\u0159\u00e1tele? Kdy\u017e jsem v\u00fdchoz\u00ed materi\u00e1l vid\u011bl poprv\u00e9, vzpomn\u011bl jsem si na holywoodsk\u00fd film Spiknut\u00ed (Conspiracy Theory) z roku 1997, ve kter\u00e9m hlavn\u00ed hrdina (Mel Gibson) trp\u00ed podobnou paranoiou jako n\u00e1\u0161 \u201cprotagonista\u201d. Uk\u00e1\u017ee se, \u017ee jeho vize reality maj\u00ed re\u00e1ln\u00fd z\u00e1klad a opravdu jej sleduj\u00ed lid\u00e9 (vl\u00e1dn\u00ed program), hrdinovi je p\u0159izn\u00e1na ur\u010dit\u00e1 sv\u00e9pr\u00e1vnost a je v\u00edce humanizov\u00e1n, p\u0159ijat do okruhu \u201cnorm\u00e1ln\u00edch\u201d lid\u00ed.\u00a0 Napad\u00e1 m\u011b daleko \u0161\u00edlen\u011bj\u0161\u00ed p\u0159edstava, \u017ee tento \u010dlov\u011bk hraje s div\u00e1ky vlastn\u00ed hru, je zcela sv\u00e9pr\u00e1vn\u00fd a hraje pro sv\u00e9 p\u0159\u00edpadn\u00e9 div\u00e1ky hru na nesv\u00e9pr\u00e1vn\u00e9. T\u00edm by dostala cel\u00e1 pr\u00e1ce Al\u017eb\u011bty zcela jin\u00fd kontext a oko kamery by lhalo je\u0161t\u011b v\u00edce, ne\u017e doposud.<\/p>\n
Kur\u00e1tor: Martin Prudil<\/p>","protected":false},"excerpt":{"rendered":"
Varov\u00e1n\u00ed: Text – p\u0159\u00edbalov\u00fd let\u00e1k – \u010d\u00edst a\u017e po zhl\u00e9dnut\u00ed cel\u00e9 instalace! V\u00fdchoz\u00edm materi\u00e1lem, ze kter\u00e9ho Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1 p\u0159i tvorb\u011b sv\u00e9 instalace vych\u00e1zela, jsou sta\u017een\u00e1 videa. Jejich autorem je mu\u017e z \u010cesk\u00e9 republiky, kter\u00fd t\u00edmto zp\u016fsobem zaznamen\u00e1v\u00e1 sv\u016fj ka\u017edodenn\u00ed \u017eivot. Tyto z\u00e1znamy maj\u00ed slou\u017eit jako d\u016fkazn\u00ed materi\u00e1l \u010dinnosti lid\u00ed, kter\u00e9 naz\u00fdv\u00e1 nej\u010dast\u011bji L\u00e9ka\u0159i, kte\u0159\u00ed se […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2103","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=2103"}],"version-history":[{"count":12,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2103\/revisions"}],"predecessor-version":[{"id":2171,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/2103\/revisions\/2171"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=2103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=2103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=2103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}