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\n<\/div><\/li>\n<\/ul>\n<\/p>\nV\u00fdstava byla pojmenov\u00e1na po knize esej\u016f polsk\u00e9 prozai\u010dky Olgy Tokarczukov\u00e9. Ve stejnojmenn\u00e9m textu Tokarczukov\u00e1 p\u0159ibli\u017euje z\u00e1\u017eitek z d\u011btstv\u00ed, kdy jako mal\u00e1 d\u00edvenka uvid\u011bla st\u00e1t medv\u011bda ve front\u011b v obchod\u011b. Konflikt, kdy byla konfrontov\u00e1na s pohledem „dosp\u011bl\u00fdch“, kte\u0159\u00ed ji na\u0159kli ze l\u017ei, vn\u00edm\u00e1 jako d\u016fle\u017eitou ud\u00e1lost, kter\u00e1 radik\u00e1ln\u011b naru\u0161ila jej\u00ed d\u016fv\u011bru v autoritu rodi\u010d\u016f. Jak p\u00ed\u0161e, v tomto okam\u017eiku si uv\u011bdomila, jak je pravda subjektivn\u00ed a jak ka\u017ed\u00fd z n\u00e1s \u017eije v rozporu mezi vypr\u00e1v\u011bn\u00fdm \u017eivotem-m\u00fdtem a zd\u00e1nliv\u011b objektivn\u00ed \u201erealitou\u201c.<\/p>\n
Pro v\u0161echny t\u0159i vystavuj\u00edc\u00ed um\u011blkyn\u011b je spole\u010dn\u00fdm poj\u00edtkem zku\u0161enost s ilustrac\u00ed knih a periodik, pota\u017emo animace. Tedy sv\u011bt, kter\u00fd je spjat s imaginativn\u00ed hrou s n\u00e1znakem, asociativn\u00ed hrou nespojiteln\u00fdch prvk\u016f. Form\u00e1ln\u00ed bl\u00edzkost\u00ed (p\u0159evzet\u00ed jist\u00e9 stylizace, narativnost) ve\u0161ker\u00e9 podobnosti kon\u010d\u00ed \u2013 formuje je zcela odli\u0161n\u00e9 my\u0161lenkov\u00e9 z\u00e1zem\u00ed. Jejich p\u0159\u00edstupy k reflexi spole\u010densk\u00e9ho \u0159\u00e1du, historii \u010di na\u0161i p\u0159\u00edtomnosti se p\u0159\u00edmo rozch\u00e1zej\u00ed a ka\u017ed\u00e1 z nich uplat\u0148uje jin\u00fd druh rezistence v\u016f\u010di spole\u010dnosti, by\u0165 jen t\u0159eba v n\u00e1znaku, v\u00fdb\u011brem t\u00e9mat \u010di vlastn\u00ed \u017eivotn\u00ed prax\u00ed. N\u00e1zory, postoje \u010di „pouh\u00e9“ emoce nemus\u00ed b\u00fdt deklamativn\u011b viditeln\u00e9, jsou vtisknuty do samotn\u00e9 distribuce vizu\u00e1ln\u00edch znak\u016f a vyjad\u0159uj\u00ed se k t\u00e9mat\u016fm genderu, soci\u00e1ln\u00edho vylou\u010den\u00ed, ekologie.<\/p>\n
Ladislava Ga\u017eiov\u00e1 je empatickou pozorovatelkou, kter\u00e1 form\u00e1ln\u00ed stylizaci vyu\u017e\u00edv\u00e1 k demytizaci z\u00e1va\u017en\u00fdch spole\u010densk\u00fdch p\u0159edsudk\u016f. Jej\u00ed pr\u00e1ce je \u0159et\u011bzen\u00edm a propojov\u00e1n\u00edm pe\u010dliv\u011b zvolen\u00fdch obraz\u016f, kter\u00e9 posl\u00e9ze redukuje a\u017e k abstrahovan\u00fdm znak\u016fm. P\u0159edev\u0161\u00edm je jej\u00ed tvorba formov\u00e1na vytrval\u00fdm z\u00e1jmem o pocit vylou\u010den\u00fdch lid\u00ed z b\u011b\u017en\u00e9 spole\u010dnosti, a to na z\u00e1klad\u011b etnika \u010di spole\u010densk\u00e9ho postaven\u00ed. V etc. galerii rozv\u00edj\u00ed sv\u016fj z\u00e1jem o post-koloni\u00e1ln\u00ed situaci v Africe, kdy se zam\u011b\u0159ila na reflexi ugandsk\u00e9 v\u00fdtvarn\u00e9 akademie, ve kter\u00e9 se st\u0159et\u00e1v\u00e1 od konce 30. let 20. stolet\u00ed implantovan\u00e1 evropsk\u00e1 v\u00fduka dle klasick\u00e9ho z\u00e1padn\u00edho k\u00e1nonu s op\u011btovn\u00fdm nal\u00e9z\u00e1n\u00edm vlastn\u00ed „p\u0159irozenosti“. Navz\u00e1jem se st\u0159et\u00e1vaj\u00edc\u00ed my\u0161lenkov\u00e9 proudy vyvol\u00e1vaj\u00ed v tam\u011bj\u0161\u00ed um\u011bleck\u00e9 komunit\u011b (a nejen v n\u00ed) rozpory, kter\u00e9 jsou dosud \u017eiv\u00e9.<\/p>\n
Eva Macekov\u00e1 se nec\u00edt\u00ed b\u00fdt um\u011blkyn\u00ed, je ostatn\u011b zn\u00e1m\u00e1 sp\u00ed\u0161e na poli (d\u011btsk\u00e9) kni\u017en\u00ed ilustrace. Jej\u00ed tvorba, osciluj\u00edc\u00ed mezi velmi \u0159emesln\u011b zvl\u00e1dnutou kresbou a rozm\u00e1chl\u00fdm expresivn\u00edm v\u00fdrazem, \u010dasto zaujme mno\u017estv\u00edm systematicky dohled\u00e1van\u00fdch informac\u00ed ke ka\u017ed\u00e9mu jednotliv\u00e9mu cyklu. Jej\u00ed pr\u00e1ce v etc. galerii tak v sob\u011b skr\u00fdv\u00e1 mno\u017estv\u00ed odkaz\u016f k tradovan\u00fdm p\u0159edstav\u00e1m o pekle a takt\u00e9\u017e zahrnuje v\u00fdjevy ze znovuobjeven\u00fdch apokryf\u016f k Nov\u00e9mu z\u00e1konu, sugestivn\u011b l\u00ed\u010d\u00edc\u00ed apokalyptick\u00e9 vize konce sv\u011bta. D\u00edky p\u016fsobiv\u00e9 Evin\u011b imaginaci vid\u00edme jarmark prapodivn\u00fdch bytost\u00ed, konaj\u00edc\u00edch nesmysln\u00e9 \u00fakony a ritu\u00e1ly \u2013 jsou to zneklid\u0148uj\u00edc\u00ed p\u0159edstavy lidsk\u00e9 fantazie a podv\u011bdom\u00ed.<\/p>\n
Pro Veroniku Vlkovou je jej\u00ed pr\u00e1ce pr\u016fse\u010d\u00edkem, ve kter\u00e9m se prot\u00ednaj\u00ed mnoh\u00e9 jej\u00ed z\u00e1jmy, vych\u00e1zej\u00edc\u00ed p\u0159edev\u0161\u00edm jej\u00ed zaujatost\u00ed konstruovan\u00fdm obrazem animace. Latinsk\u00e9 \u201eanimatio\u201c, tedy \u010desky \u201eo\u017eiven\u00ed\u201c, se zd\u00e1 b\u00fdt z\u00e1kladn\u00edm Veroni\u010din\u00fdm principem, kter\u00fd slou\u017e\u00ed napl\u0148ov\u00e1n\u00ed jej\u00ed um\u011bleck\u00e9 vize. Vytv\u00e1\u0159\u00ed inscenovan\u00e9 prostory, ve kter\u00fdch nal\u00e9z\u00e1me rozli\u010dn\u00e9 kombinace klasick\u00fdch v\u00fdtvarn\u00fdch technik s digit\u00e1ln\u00edm obrazem. Spl\u00e9t\u00e1n\u00ed r\u016fzn\u00fdch v\u00fdrazov\u00fdch prost\u0159edk\u016f slou\u017e\u00ed k op\u011btovn\u00e9mu nahl\u00ed\u017een\u00ed b\u011b\u017en\u011b u\u017e\u00edvan\u00fdch p\u0159edm\u011bt\u016f a ka\u017edodenn\u00edch ritu\u00e1l\u016f, kter\u00e9 nemaj\u00ed daleko ke sv\u00e9bytn\u00e9mu konceptu animismu. Drobn\u00e9 n\u00e1znaky narace, \u201emal\u00e9 alegorie\u201c, bezprost\u0159edn\u011b reflektuj\u00ed pro\u017e\u00edvan\u00e9 \u017eivotn\u00ed ud\u00e1losti.<\/p>\n
Olga Tokarczukov\u00e1 se obez\u0159etn\u011b vyjad\u0159uje k tvorb\u011b obraz\u016f, s v\u011bdom\u00edm spektakularity na\u0161\u00ed kultury, zam\u011b\u0159en\u00e9 na produkci atraktivn\u00edch vizu\u00e1ln\u00edch podm\u011bt\u016f, nev\u011b\u0159\u00ed tak v bezprost\u0159edn\u00ed \u00fa\u010dinky vizuality. Ov\u0161em sama nech\u00e1v\u00e1 promlouvat ve sv\u00fdch knih\u00e1ch smy\u0161len\u00e9 liter\u00e1rn\u00ed postavy o na\u0161\u00ed spole\u010dnosti s v\u011bt\u0161\u00ed „pravdivost\u00ed“, ne\u017e-li by tak mo\u017en\u00e1 \u010dinil „re\u00e1ln\u00fd“ \u010dlov\u011bk. Jsem p\u0159esv\u011bd\u010den, \u017ee d\u00edla vystaven\u00fdch autorek maj\u00ed tak\u00e9 podobn\u00e9 schopnosti jako tyto liter\u00e1rn\u00ed postavy. Ukazuje se, \u017ee p\u0159edstavivost, schopnost vytv\u00e1\u0159et vysoce pravd\u011bpodobn\u00e9 iluze, se dot\u00fdk\u00e1 nevy\u0159\u010den\u00fdch poloh na\u0161\u00ed humanity.<\/p>\n
Kur\u00e1tor: Martin Prudil<\/p>","protected":false},"excerpt":{"rendered":"
V\u00fdstava byla pojmenov\u00e1na po knize esej\u016f polsk\u00e9 prozai\u010dky Olgy Tokarczukov\u00e9. Ve stejnojmenn\u00e9m textu Tokarczukov\u00e1 p\u0159ibli\u017euje z\u00e1\u017eitek z d\u011btstv\u00ed, kdy jako mal\u00e1 d\u00edvenka uvid\u011bla st\u00e1t medv\u011bda ve front\u011b v obchod\u011b. Konflikt, kdy byla konfrontov\u00e1na s pohledem „dosp\u011bl\u00fdch“, kte\u0159\u00ed ji na\u0159kli ze l\u017ei, vn\u00edm\u00e1 jako d\u016fle\u017eitou ud\u00e1lost, kter\u00e1 radik\u00e1ln\u011b naru\u0161ila jej\u00ed d\u016fv\u011bru v autoritu rodi\u010d\u016f. Jak p\u00ed\u0161e, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1953","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1953"}],"version-history":[{"count":9,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1953\/revisions"}],"predecessor-version":[{"id":2027,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1953\/revisions\/2027"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}