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7\/3 \u00a0<\/b>16:00 Ji\u0159\u00ed Sk\u00e1la, Tom\u00e1\u0161 Uhn\u00e1k, 19:00 Marek Meduna (Rafani), Maty\u00e1\u0161 Chochola<\/p>\n
13\/3 \u00a0<\/b>17:00 Vladim\u00edr Kokolia, 18:00 Ale\u0161 \u010cerm\u00e1k, 19:00 Ale\u0161 Zapletal<\/p>\n
14\/3 \u00a0<\/b>17:00 Petr Vesel\u00fd, 17:30 Marie Luk\u00e1\u010dov\u00e1, 19:30 Barbora \u0160vehl\u00e1kov\u00e1<\/p>\n
20\/3\u00a0<\/b>\u00a017:00 Mark\u00e9ta Magidov\u00e1, 18:30 Zbyn\u011bk Baladr\u00e1n<\/p>\n
21\/3 \u00a0<\/b>17:00 Barbora Kl\u00edmov\u00e1, 18:30 Vladim\u00edr Skrepl<\/p>\n
27\/3\u00a0<\/b>\u00a017:00 Ond\u0159ej Buddeus, 18:00 Lucie Rosenfeldov\u00e1 + Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1, 19:00 Ond\u0159ej Homola, 19:30 Ji\u0159\u00ed David<\/p>\n
28\/3 \u00a0<\/b>17:00 Anne-Claire Barriga, 18:00 Honza Zamojski, 19:00 Lenka V\u00edtkov\u00e1 + Ond\u0159ej Petrl\u00edk + Michal P\u011bchou\u010dek, 20:00 V\u00e1clav Stratil<\/p>\n
Francouzsk\u00fd sociolog Pierre Bourdieu napsal knihu Pravidla um\u011bn\u00ed: Vznik a struktura liter\u00e1rn\u00edho pole<\/i>. Demonstroval v\u00a0n\u00ed, krom\u011b jin\u00e9ho, chov\u00e1n\u00ed silov\u00fdch, mocensk\u00fdch anebo form\u00e1ln\u00edch okruh\u016f, do\u00a0nich\u017e se soust\u0159e\u010fuj\u00ed jednotliv\u00ed tv\u016frci (v jeho studii zejm\u00e9na liter\u00e1ti). V\u00a0p\u0159\u00edpad\u011b Bourdieuho knihy se jedn\u00e1 o prost\u0159ed\u00ed Francie, ba je\u0161t\u011b \u00fa\u017eeji, Pa\u0159\u00ed\u017ee. Za kotevn\u00ed v\u00fdchodisko zde slou\u017e\u00ed rozbor spisovatelsk\u00e9ho d\u00edla Citov\u00e1 v\u00fdchova<\/i> od Gustava Flauberta, podle kter\u00e9 se pomysln\u00e9 elipsy<\/i> um\u011bleck\u00fdch enkl\u00e1v vz\u00e1jemn\u011b m\u00edjej\u00ed, prot\u00ednaj\u00ed nebo p\u0159ekr\u00fdvaj\u00ed jedna druhou, \u010d\u00edm\u017e nakonec koexistuj\u00ed.<\/p>\n
Zvl\u00e1\u0161t\u011b posledn\u011b jmenovan\u00fd moment se jev\u00ed pozoruhodn\u00fd a inspirativn\u00ed. Av\u0161ak podobn\u00e9 sch\u00e9ma je nanejv\u00fd\u0161 polemick\u00e9 a n\u00e1chyln\u00e9 k\u00a0poru\u0161en\u00ed, proto\u017ee um\u011blec, jako univerz\u00e1ln\u00ed \u010dinn\u00fd subjekt, je mnohon\u00e1sobn\u00fd a prom\u011bnliv\u00fd. Nicm\u00e9n\u011b kolektivn\u00ed psych\u00e9 je navykl\u00e1 rozd\u011blovat um\u011bn\u00ed na jeho jednotliv\u00e9 discipl\u00edny, k\u00a0nim\u017e p\u0159i\u0159azuje autory a vytv\u00e1\u0159\u00ed si kvalitativn\u00ed hierarchie. To p\u0159edstavuje zn\u00e1m\u00fd tradi\u010dn\u00ed model, jeho\u017e protip\u00f3lem je vz\u00e1jemn\u00e1 propustnost a ovlivn\u011bn\u00ed. Ani\u017e by se to nahlas vyslovilo, m\u016f\u017ee se \u201eelipsa\u201c (oblast) vizu\u00e1ln\u00edho um\u011bn\u00ed z\u010d\u00e1sti st\u00e1t m\u00edstem, na n\u011bm\u017e dominuj\u00ed, krom\u011b tradi\u010dn\u011b vn\u00edman\u00fdch forem, zp\u016fsoby kreativn\u00edho u\u017eit\u00ed, kter\u00e9 podle stejn\u00e9 percepce pat\u0159\u00ed do oblasti poezie a literatury, divadla, hudby nebo humanitn\u00edch v\u011bd. V\u00a0tu chv\u00edli se \u010dinnost psan\u00ed transformuje z\u00a0latentn\u00ed do \u00fast\u0159edn\u00ed roviny a vznikl\u00fd \u201ep\u00ed\u0161\u00edc\u00ed um\u011blec\u201c je relevantn\u00edm p\u0159evisem na pomysln\u00e9m soci\u00e1ln\u00edm t\u011ble v\u00fdtvarn\u00e9ho um\u011bn\u00ed. P\u00ed\u0161e, hn\u00e1n nejr\u016fzn\u011bj\u0161\u00edmi d\u016fvody: grafomanie \u010dili ryz\u00e1 obsese a rozko\u0161 z textu, sklon k\u00a0barvit\u00e9mu opisu skute\u010dnosti do p\u0159\u00edb\u011bh\u016f a fabulac\u00ed, intelektu\u00e1ln\u00ed anal\u00fdza vyv\u0159el\u00e1 ze zp\u016fsobu vizu\u00e1ln\u00edho my\u0161len\u00ed \u010di re\u017eis\u00e9rsk\u00e9 ch\u00e1p\u00e1n\u00ed um\u011bleck\u00e9 role, kter\u00e9 p\u0159edev\u0161\u00edm vy\u017eaduje prvotn\u00ed sc\u00e9n\u00e1\u0159. Pokus o n\u00e1hled na individu\u00e1ln\u011b \u201ep\u00ed\u0161\u00edc\u00ed\u201c v\u00a0p\u0159edem p\u0159ipraven\u00e9 skupinov\u00e9 formaci je z\u00e1kladn\u00edm motivem pro uspo\u0159\u00e1d\u00e1n\u00ed organizovan\u00e9 akce.<\/p>\n
Prostor etc. galerie se na jeden m\u011bs\u00edc stane jevi\u0161t\u011bm organick\u00e9ho d\u011bn\u00ed, v\u00a0n\u011bm\u017e se budou v\u00a0ur\u010den\u00fd \u010das st\u0159\u00eddat, m\u00edjet i prot\u00ednat \u010dili koexistovat genera\u010dn\u011b i um\u011blecky reversibiln\u00ed auto\u0159i a autorky. Jejich z\u00e1kladn\u00ed v\u00fdrazovou spojnic\u00ed je pot\u0159eba vypr\u00e1v\u011bt, touha hovo\u0159it textem, moment\u00e1ln\u00ed nezbytnost psan\u00e9ho projevu, ale i zhola instrument\u00e1ln\u00ed zu\u017eitkov\u00e1n\u00ed jazyka v\u00a0divadeln\u00ed nebo hudebn\u00ed podob\u011b. Hmotn\u00fdm d\u016fkazem takov\u00e9ho v\u00fd\u010dtu nejr\u016fzn\u011bj\u0161\u00edch aspekt\u016f psan\u00ed jsou knihy, publikace a sv\u00e9bytn\u00e9 p\u0159edm\u011btn\u00e9 nosi\u010de, kter\u00e9 jako jedin\u00e9 artefakty budou vystaveny ve v\u00fdloh\u00e1ch galerie po celou dobu kon\u00e1n\u00ed sympozia. Liter\u00e1rn\u00ed \u010dinnost osloven\u00fdch um\u011blc\u016f sv\u00fdmi mo\u017enostmi, form\u00e1ln\u00ed mechanikou i obsahov\u00fdm ur\u010den\u00edm dalece p\u0159esahuje limity tohoto textu. Tud\u00ed\u017e p\u0159\u00edpadn\u00e9 komplexn\u00ed zhodnocen\u00ed spo\u010d\u00edv\u00e1 v\u00a0dobrodru\u017estv\u00ed jednotliv\u00fdch v\u00fdstup\u016f a \u010dasov\u011b or\u00e1movan\u00fdch inscenac\u00ed. V t\u011bch se n\u00e1m snad naskytne mo\u017enost uvid\u011bt ka\u017ed\u00e9ho um\u011blce v\u00a0jin\u00e9 struktu\u0159e, v jin\u00e9m liter\u00e1rn\u00edm poli.<\/p>\n
Kur\u00e1tor: Radim Langer<\/p>","protected":false},"excerpt":{"rendered":"
Harmonogram: 7\/3 \u00a016:00 Ji\u0159\u00ed Sk\u00e1la, Tom\u00e1\u0161 Uhn\u00e1k, 19:00 Marek Meduna (Rafani), Maty\u00e1\u0161 Chochola 13\/3 \u00a017:00 Vladim\u00edr Kokolia, 18:00 Ale\u0161 \u010cerm\u00e1k, 19:00 Ale\u0161 Zapletal 14\/3 \u00a017:00 Petr Vesel\u00fd, 17:30 Marie Luk\u00e1\u010dov\u00e1, 19:30 Barbora \u0160vehl\u00e1kov\u00e1 20\/3\u00a0\u00a017:00 Mark\u00e9ta Magidov\u00e1, 18:30 Zbyn\u011bk Baladr\u00e1n 21\/3 \u00a017:00 Barbora Kl\u00edmov\u00e1, 18:30 Vladim\u00edr Skrepl 27\/3\u00a0\u00a017:00 Ond\u0159ej Buddeus, 18:00 Lucie Rosenfeldov\u00e1 + Al\u017eb\u011bta Ba\u010d\u00edkov\u00e1, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1873","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1873"}],"version-history":[{"count":16,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1873\/revisions"}],"predecessor-version":[{"id":1875,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1873\/revisions\/1875"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}