Obal m\u016f\u017ee izolovat, chr\u00e1nit, v\u011bznit, schov\u00e1vat, vystavovat apod. Vstupujeme-li do prostoru, vch\u00e1z\u00edme n\u011bkam, nebo vych\u00e1z\u00edme odn\u011bkud?<\/p>\n
Instalace Petra Kr\u00e1tk\u00e9ho vyu\u017e\u00edv\u00e1 i samotnou galerii,\u00a0b\u00edlou krychli, jako krabici. V p\u0159edn\u00edch oknech galerie\u00a0a jejich \u010dern\u00fdch, kovov\u00fdch z\u00e1rubn\u00edch m\u016f\u017eeme rozpoznat \u010dern\u00e9 r\u00e1my ohrani\u010den\u00ed vystaven\u00fdch obraz\u016f. Prefabrikovan\u00e9 prezenta\u010dn\u00ed boxy (zjevn\u011b zna\u010dky IKEA) odpov\u00eddaj\u00ed p\u0159edp\u0159ipraven\u00e9 povaze cel\u00e9ho prostoru. Kr\u00e1tk\u00e9ho gestem se tak st\u00e1vaj\u00ed sou\u010d\u00e1st\u00ed um\u011bleck\u00e9ho po\u010dinu.<\/p>\n
Autor i jinak vyu\u017e\u00edv\u00e1 hotov\u00e9 produkty jako materi\u00e1l. On s\u00e1m nestvo\u0159il r\u00e1my IKEA, ani prostor galerie, ani lepenkov\u00e9 krabice (pou\u017e\u00edvan\u00e9 jako pr\u016fmyslov\u00fd obal), alespo\u0148 ne v materi\u00e1ln\u00edm slova smyslu. Krom\u011b toho se v\u0161ak i samotn\u00e9 obrazy nesou v podobn\u00e9m duchu, jeliko\u017e pou\u017eit\u00fd materi\u00e1l p\u0159edstavuje v\u00fdsledek komer\u010dn\u00ed, masov\u00e9 v\u00fdroby \u2013 jedn\u00e1 se o reprodukce d\u011bl z knih a katalog\u016f o um\u011bn\u00ed.<\/p>\n
Jedine\u010dnost instalace Petra Kr\u00e1tk\u00e9ho spo\u010d\u00edv\u00e1 v tom, \u017ee div\u00e1ka vyz\u00fdv\u00e1 k p\u0159ehodnocen\u00ed t\u00e9m\u011b\u0159 v\u0161ech nejd\u016fle\u017eit\u011bj\u0161\u00edch ot\u00e1zek teorie um\u011bn\u00ed. S p\u016fvodn\u00edmi obrazy zach\u00e1z\u00ed se stejnou zv\u00eddavost\u00ed, kter\u00e1 vedla Theo van Doesburga v jeho Kontrakompozici k p\u0159eklopen\u00ed Mondrianova sv\u011bta o 45\u00b0. Kr\u00e1tk\u00fd p\u016fvodn\u00ed um\u011bleck\u00e1 d\u00edla vyvlast\u0148uje, rozkl\u00e1d\u00e1 na jednotliv\u00e9 elementy, a n\u00e1sledn\u011b je skl\u00e1d\u00e1 podle sebe. Nejde v\u0161ak nutn\u011b o deklaraci, n\u00fdbr\u017e sp\u00ed\u0161e o ot\u00e1zku, experiment \u010di n\u00e1vrh.<\/p>\n
Rozj\u00edm\u00e1 nad pojmem autorstv\u00ed, zpochyb\u0148uje koncept originality a studuje samotn\u00e9 j\u00e1dro um\u011bleck\u00e9ho d\u00edla. Zkoum\u00e1, jak nepostradateln\u00e9 jsou v d\u00edle takov\u00e9 slo\u017eky jako barva, tvar \u010di struktura. Spo\u010d\u00edv\u00e1 sam\u00e1 podstata obrazu v jedn\u00e9 z t\u011bchto slo\u017eek, nebo v jejich sou\u010dinnosti? Nebo snad je\u0161t\u011b v n\u011b\u010dem jin\u00e9m? Krom\u011b toho ov\u0161em tak\u00e9 poukazuje na vztah mezi produkc\u00ed a reprodukc\u00ed a dot\u00fdk\u00e1 se i t\u00e9matu interakce s div\u00e1kem.<\/p>\n
Jeho styl je \u010dist\u00fd, jasn\u00fd a obdivuhodn\u011b st\u0159\u00edzliv\u00fd. Instalace Petra Kr\u00e1tk\u00e9ho je elegantn\u00ed sumou mnoha koncep\u010dn\u00edch diskurz\u016f.<\/p>\n
Milo\u0161 Toth<\/p>\n<\/div>\n
Kur\u00e1tor: Martin Prudil<\/p>\n
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\n<\/div><\/li>\n<\/ul>\n<\/p>","protected":false},"excerpt":{"rendered":"V\u011bnov\u00e1no Dobromile. Obal m\u016f\u017ee izolovat, chr\u00e1nit, v\u011bznit, schov\u00e1vat, vystavovat apod. Vstupujeme-li do prostoru, vch\u00e1z\u00edme n\u011bkam, nebo vych\u00e1z\u00edme odn\u011bkud? Instalace Petra Kr\u00e1tk\u00e9ho vyu\u017e\u00edv\u00e1 i samotnou galerii,\u00a0b\u00edlou krychli, jako krabici. V p\u0159edn\u00edch oknech galerie\u00a0a jejich \u010dern\u00fdch, kovov\u00fdch z\u00e1rubn\u00edch m\u016f\u017eeme rozpoznat \u010dern\u00e9 r\u00e1my ohrani\u010den\u00ed vystaven\u00fdch obraz\u016f. Prefabrikovan\u00e9 prezenta\u010dn\u00ed boxy (zjevn\u011b zna\u010dky IKEA) odpov\u00eddaj\u00ed p\u0159edp\u0159ipraven\u00e9 povaze cel\u00e9ho prostoru. Kr\u00e1tk\u00e9ho […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1811","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1811"}],"version-history":[{"count":16,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1811\/revisions"}],"predecessor-version":[{"id":1919,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1811\/revisions\/1919"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}