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\n<\/div><\/li>\n<\/ul>\n<\/p>\nsjezd<\/b>, 1. <\/b>shrom\u00e1\u017ed\u011bn\u00ed lid\u00ed, kt. se sjeli za spole\u010dn\u00fdmi z\u00e1jmy; (u polit. ap. organizac\u00ed) nejvy\u0161\u0161\u00ed org\u00e1n rozhoduj\u00edc\u00ed o z\u00e1sadn\u00edch ot\u00e1zk\u00e1ch a o veden\u00ed organizace: <\/i>2. <\/b>j\u00edzda dol\u016f; sjet\u00ed <\/i>3. <\/b>cesta, po kt. se sj\u00ed\u017ed\u00ed; <\/i>\u010ce\u0161tina nab\u00edz\u00ed v\u00edce smysl\u016f ne\u017e angli\u010dtina, a tak se n\u00e1zev v\u00fdstavy v\u016fbec nep\u0159ekl\u00e1dal, a k divn\u011b zn\u011bj\u00edc\u00edmu slovu, pod kter\u00fdm si opravdu m\u016f\u017eeme p\u0159edstavit cokoliv podle v\u00fd\u0161e uveden\u00e9 definice, p\u0159idal Martin Kohout trochu melancholick\u00e9: „videovzpom\u00ednka na l\u00e9to“. Pr\u00e1zdninov\u011b p\u016fsob\u00ed prost\u0159ed\u00ed videa, kter\u00e9 n\u00e1m autor p\u0159edkl\u00e1d\u00e1: l\u00e9to, voda, pl\u00e1\u017ee, letovisko, dovolen\u00e1, nezn\u00e1m\u00e9 m\u00edsto asi n\u011bkde ve st\u0159edozem\u00ed – sna\u017e\u00edme se zachytit ve zrychlen\u00e9 sekvenci alespo\u0148 n\u011bco, co by n\u00e1m bylo n\u011b\u010d\u00edm pov\u011bdom\u00e9, proto\u017ee tu n\u00e1ladu v\u0161ichni zn\u00e1me. Jen\u017ee to nejde moc dob\u0159e, proto\u017ee obraz naru\u0161uje frenetick\u00fd pohyb kamery, kter\u00e1 sj\u00ed\u017ed\u00ed po povrchu v\u0161eho, co j\u00ed p\u0159\u00edjde do cesty. P\u0159ej\u00ed\u017ed\u00ed p\u0159es z\u00e1bradl\u00ed, drkot\u00e1 po asfaltu, klou\u017ee p\u0159es dr\u00e1t\u011bn\u00fd plot, kodrc\u00e1 na klandru, br\u00e1zd\u00ed ke\u0159, drnc\u00e1 po \u0159et\u011bzu, sk\u00e1\u010de p\u0159es kamenn\u00e9 schody, \u010dluny u mo\u0159e, z\u00eddky, ohrady, p\u0159es pl\u00e1\u017e…a to v\u0161e za drsn\u00e9ho zvuku, kter\u00fd vznik\u00e1 p\u0159itom sk\u00e1k\u00e1n\u00ed, drnc\u00e1n\u00ed, br\u00e1zd\u011bn\u00ed, kodrc\u00e1n\u00ed, klouz\u00e1n\u00ed, drkot\u00e1n\u00ed a p\u0159ej\u00ed\u017ed\u011bn\u00ed…T\u00edm se vizu\u00e1ln\u00ed zku\u0161enost st\u00e1v\u00e1 fyzickou. Rytmus hluku souvis\u00ed s p\u0159edm\u011bty, po kter\u00fdch kamera drhne, vznik\u00e1 nov\u00e1 skladba noisu, kde zvukov\u00e1 agrese, distorze a \u0161um vytv\u00e1\u0159\u00ed nekone\u010dnou, \u010dasoprostorovou br\u00e1nu. Arytmii bez n\u00e1vaznosti a kontextu vypl\u0148uj\u00ed stopy absurdn\u00edch remak\u016f rege a modifikovan\u00fd hlas, dost nesrozumiteln\u011b deklamuj\u00edc\u00ed cosi o glob\u00e1ln\u00edm oteplov\u00e1n\u00ed. V jedn\u00e9 chv\u00edli se mihne st\u00edn, kter\u00fd jasn\u011b vysv\u011btluje princip nat\u00e1\u010den\u00ed: silueta postavy s mobiln\u00edm telefonem, v\u0161udyp\u0159\u00edtomn\u00fdm apar\u00e1tem, kter\u00fdm zachycujeme na\u0161i ka\u017edodenn\u00ed skute\u010dnost. Jak se tyto odli\u0161n\u00e9 elementy vlastn\u011b potk\u00e1vaj\u00ed? Co je stmeluje v tomto pon\u011bkud ban\u00e1ln\u011b pojmenovan\u00e9m videu? Banalitu podtrhuje filmov\u00fd jazyk typick\u00fd pro\u00a0 skateov\u00e1 videa. Jednoduchost jednotliv\u00fdch video kan\u00e1l\u016f podr\u00fdv\u00e1 expresivita celku – vn\u00edm\u00e1n\u00ed je spojeno s nutnou extr\u00e9mn\u00ed hlasitost\u00ed (kter\u00e1 je ostatn\u011b pro noisov\u00e9 skladby typick\u00e1) a tak\u00e9 se zd\u00e1nliv\u00fdm momentem n\u00e1hody. Martin Kohout konstruuje p\u0159esn\u011b. Pracuje se zvuky, jako se slovy, pozorn\u011b edituje, struktura je napl\u00e1novan\u00e1 a pe\u010dliv\u011b p\u0159ipraven\u00e1. C\u00edlen\u011b ji naru\u0161uje n\u011bkolika spamy digit\u00e1ln\u00edch postav, kter\u00e9 se nepozorovan\u011b mihnou sekvenc\u00ed videa. Trocha ironie, n\u011bkolik protiklad\u016f, p\u00e1r odkaz\u016f k t\u00e9mat\u016fm sou\u010dasnosti, to v\u0161e tvo\u0159\u00ed velmi zda\u0159il\u00fd, agresivn\u00ed, nal\u00e9hav\u00fd a pod k\u016f\u017ei se vr\u00fdvaj\u00edc\u00ed sjezd.<\/p>\n
Mark\u00e9ta Vinglerov\u00e1<\/p>\n
Pod\u011bkov\u00e1ni:<\/p>\n
Ben Amit, Michal Brenner, Nanoantik, Sasso Residency, Linda Spjut, Turkovi a Zezulkovi<\/p>","protected":false},"excerpt":{"rendered":"
sjezd, 1. shrom\u00e1\u017ed\u011bn\u00ed lid\u00ed, kt. se sjeli za spole\u010dn\u00fdmi z\u00e1jmy; (u polit. ap. organizac\u00ed) nejvy\u0161\u0161\u00ed org\u00e1n rozhoduj\u00edc\u00ed o z\u00e1sadn\u00edch ot\u00e1zk\u00e1ch a o veden\u00ed organizace: 2. j\u00edzda dol\u016f; sjet\u00ed 3. cesta, po kt. se sj\u00ed\u017ed\u00ed; \u010ce\u0161tina nab\u00edz\u00ed v\u00edce smysl\u016f ne\u017e angli\u010dtina, a tak se n\u00e1zev v\u00fdstavy v\u016fbec nep\u0159ekl\u00e1dal, a k divn\u011b zn\u011bj\u00edc\u00edmu slovu, pod kter\u00fdm si […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1147","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1147"}],"version-history":[{"count":12,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1147\/revisions"}],"predecessor-version":[{"id":1800,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1147\/revisions\/1800"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}