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\n<\/div><\/li>\n<\/ul>\n<\/p>\nN\u011bkter\u00e9 procesy n\u00e1s p\u0159\u00edmo neovliv\u0148uj\u00ed, ale p\u0159i jejich sledov\u00e1n\u00ed se v n\u00e1s katalyzuje na\u0161e vlastn\u00ed zku\u0161enost. Z\u00e1pad slunce, pohyb t\u011blesa za horizont, je ve skute\u010dnosti pohybem pozorovatele, ve kter\u00e9m se p\u0159ehr\u00e1v\u00e1 jeho vlastn\u00ed p\u0159\u00edb\u011bh. I ka\u017ed\u00e1 socha m\u00e1 svou vlastn\u00ed \u010dasovou osu \u2013 sv\u016fj p\u0159\u00edb\u011bh. Vznikla, je pozorov\u00e1na zas a znova, a jej\u00ed v\u00fdznam se st\u00e1le m\u011bn\u00ed.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk, kter\u00fd vstoup\u00ed do prostoru galerie, by mohl b\u00fdt zasko\u010den. Cel\u00e1 m\u00edstnost je rozd\u011blena do dvou pl\u00e1n\u016f a prosycena situac\u00ed, kter\u00e1 se ji\u017e ud\u00e1la p\u0159ed jeho p\u0159\u00edchodem. Prostor cel\u00e9 v\u00fdstavy je monumentem, kter\u00fd neslou\u017e\u00ed jako odkaz k \u017e\u00e1dn\u00e9 historick\u00e9 ud\u00e1losti ani ni\u010demu jin\u00e9mu, jen pouze sob\u011b samotn\u00e9mu a p\u0159edev\u0161\u00edm principu sv\u00e9ho vzniku. Je n\u011bm\u00fdm sv\u011bdkem d\u00e1vno prob\u011bhl\u00e9ho d\u011bje. Jeho tvar se nerozpad\u00e1 \u2013 nen\u00ed ruinou zanikl\u00fdch \u010das\u016f \u2013 m\u016f\u017ee n\u00e1s naopak a\u017e mrazit svoj\u00ed autonomi\u00ed a lhostejnost\u00ed k okon\u00edmu sv\u011btu. Cel\u00e1 v\u00fdstava je inscenac\u00ed, ve kter\u00e9 m\u016f\u017eeme postupn\u011b rekonstruovat \u201cm\u00edsto \u010dinu\u201d. Ka\u017ed\u00fdm na\u0161\u00edm pohybem zakou\u0161\u00edme jinou emoci d\u00edky pom\u011bru hmot a forem a ka\u017ed\u00fdm pohledem nach\u00e1z\u00edme nov\u00e9 souvislosti: vid\u00edme jak jevi\u0161t\u011b, tak i samotn\u00e9 z\u00e1kulis\u00ed cel\u00e9ho \u201cp\u0159edstaven\u00ed\u201d.
\nVra\u0165me se na za\u010d\u00e1tek: Div\u00e1k, kter\u00fd vstoup\u00ed do prostoru galerie, by mohl b\u00fdt zasko\u010den \u2013 \u010di snad zmaten. Nevid\u00edme mechanismus cel\u00e9 instalace a ztuhlost protla\u010den\u00e9 barevn\u00e9 hmoty jit\u0159\u00ed na\u0161i imaginaci. Obraz, kter\u00fd vid\u00edme na zdi, nen\u00ed pouhou dekorac\u00ed prostoru, je doslova srostl\u00fd se zd\u00ed, kter\u00e1 je nutnou podm\u00ednkou jeho vzniku. Pokud by nebyla postavena ze\u010f, nebyl by ani obraz. Stejn\u011b tak je nutn\u00e1 fyzick\u00e1 vzd\u00e1lenost, kter\u00e1 umo\u017enila obrazu vzniknout. Okolnosti vzniku t\u00e9to instalace, p\u0159es ve\u0161ker\u00e9 denn\u00ed i um\u011bl\u00e9 sv\u011btlo, kter\u00e9mu je cel\u00fd monument vystaven, n\u00e1padn\u011b p\u0159ipom\u00ednaj\u00ed p\u0159edpoklady, kter\u00e9 mus\u00ed spl\u0148ovat ka\u017ed\u00fd prom\u00edtan\u00fd pohybliv\u00fd obraz v galerii \u010di kin\u011b.
\nA\u010d je Mat\u011bj Al-Ali (*1985) tv\u016frce se silnou socha\u0159skou intuic\u00ed, rad\u011bji se vyh\u00fdb\u00e1 tvorb\u011b estetizovan\u00fdch artefakt\u016f a sna\u017e\u00ed se dos\u00e1hnout zd\u00e1nliv\u011b nemo\u017en\u00e9ho: zmrazit okam\u017eik mezi \u201cte\u010f a tady\u201d a samotnou v\u011b\u010dnost\u00ed. Nepou\u017e\u00edv\u00e1 k tomu fotografii, kterou si spojujeme se zachycen\u00edm jedine\u010dn\u00e9ho okam\u017eiku, ale paradoxn\u011b jej p\u0159itahuje ambivalentn\u00ed pohybliv\u00fd (filmov\u00fd) obraz, ke kter\u00e9mu se vztahuj\u00ed na\u0161e stereotypn\u00ed p\u0159edstavy o linearit\u011b \u010dasu.
\nPro samostatnou v\u00fdstavu Mat\u011bj v etc. galerii p\u0159ipravil instalaci, kter\u00e1 v mnoh\u00e9m navazuje na jeho diplomovou pr\u00e1ci zab\u00fdvaj\u00edc\u00ed se zachycen\u00edm zd\u00e1nliv\u011b nesmysln\u00fdch mechanism\u016f a konstrukc\u00ed v nekone\u010dn\u00fdch videosmy\u010dk\u00e1ch. Tehdy se posunul od zkoum\u00e1n\u00ed soci\u00e1ln\u00ed interakce s publikem a zkoum\u00e1n\u00ed vlastn\u00ed t\u011blesnosti, ke zobrazov\u00e1n\u00ed (\u201czhmot\u0148ov\u00e1n\u00ed\u201d) n\u011b\u010deho tak t\u011b\u017ece postihnuteln\u00e9ho jako jsou samotn\u00e9 procesy a principy, kter\u00e9 se d\u011bj\u00ed kolem n\u00e1s. Zde nal\u00e9z\u00e1 emocion\u00e1ln\u00ed hloubku, kterou si sp\u00ed\u0161e spojujeme s nad\u0161en\u00edm v\u011bdc\u016f: \u0161roubovice DNA \u010di p\u0159edstava Slunce jako ob\u0159\u00edho t\u011blesa p\u0159ev\u00e1\u017en\u011b tvo\u0159en\u00e9ho jadern\u00fdmi reakcemi vod\u00edku a h\u00e9lia, n\u00e1s dok\u00e1\u017ee ohromit, pokud si uv\u011bdom\u00edme drtivou jednoduchost princip\u016f, kter\u00e9 ovliv\u0148uj\u00ed n\u00e1\u0161 samotn\u00fd \u017eivot. Div\u00e1k se ocit\u00e1 p\u0159ed prac\u00ed, ke kter\u00e9 m\u016f\u017ee naj\u00edt historick\u00e9 parely nap\u0159\u00edklad v kinetick\u00fdch soch\u00e1ch \u0161v\u00fdcarsk\u00e9ho socha\u0159e Jeana Tinguelyho, ale toto srovn\u00e1n\u00ed z\u00e1hy pokulh\u00e1v\u00e1: Mat\u011bjovi nejde o oslavu ani varov\u00e1n\u00ed p\u0159ed mechanizac\u00ed sv\u011bta, ale o p\u0159\u00edm\u00fd kontakt s \u010d\u00edmsi primitivn\u00edm v div\u00e1kov\u011b mysli, jeho t\u011blem a pam\u011bt\u00ed.<\/p>\n
Martin Prudil<\/p>","protected":false},"excerpt":{"rendered":"
N\u011bkter\u00e9 procesy n\u00e1s p\u0159\u00edmo neovliv\u0148uj\u00ed, ale p\u0159i jejich sledov\u00e1n\u00ed se v n\u00e1s katalyzuje na\u0161e vlastn\u00ed zku\u0161enost. Z\u00e1pad slunce, pohyb t\u011blesa za horizont, je ve skute\u010dnosti pohybem pozorovatele, ve kter\u00e9m se p\u0159ehr\u00e1v\u00e1 jeho vlastn\u00ed p\u0159\u00edb\u011bh. I ka\u017ed\u00e1 socha m\u00e1 svou vlastn\u00ed \u010dasovou osu \u2013 sv\u016fj p\u0159\u00edb\u011bh. Vznikla, je pozorov\u00e1na zas a znova, a jej\u00ed v\u00fdznam se […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":13,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1510,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1510"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}