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\n<\/div><\/li>\n<\/ul>\n<\/p>\n\u201ePrav\u00fdm symbolem inteligence je \u0161ne\u010d\u00ed r\u016f\u017eek s\u00a0hmatov\u00fdm zrakem.\u201c\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Adorno\/Horheimer<\/em><\/p>\n Antihmota, Hitler, symbolismus, alfa mu\u017ei, \u017eena, trpaslice, k\u00e9rky, kosti, strunov\u00e1 teorie, internetov\u00e1 \u0159\u00ed\u0161e, pape\u017eenci, feti\u0161e, z\u00e1kony, sex, temnota, Jung, samply, masturbanti, fanatici, \u00fachylov\u00e9, horsk\u00fd mas\u00edv,\u00a0svit luny, islandsk\u00fd vodop\u00e1d, zv\u00ed\u0159\u00e1tka, ostrov smrti, Gutfreund, lepkav\u00e1 minulost, jeskyn\u011b, surrealismus, ber\u00e1n\u010d\u00ed k\u016f\u017ee, \u0161amani, ka\u0161pa\u0159i noci\u2026K tv\u016fr\u010d\u00edm psychologick\u00fdm desk\u00e1m se lze pono\u0159it jen velmi obt\u00ed\u017en\u011b, av\u0161ak sign\u00e1ln\u00ed asociace, jimi\u017e pulzuj\u00ed d\u00edla t\u011bchto um\u011blc\u016f, maj\u00ed sv\u00e1 opodstatn\u011bn\u00ed pr\u00e1v\u011b tak hluboko jako je m\u016f\u017eeme \u010d\u00edst a vn\u00edmat p\u0159\u00edmo z\u00a0jejich povrchu. Od filozofa Gillese Deleuze poch\u00e1z\u00ed tato imaginativn\u011b p\u016fsobiv\u00e1 v\u011bta: \u201eUm\u011bn\u00ed z\u00e1pas\u00ed s\u00a0chaosem, aby jej u\u010dinilo poci\u0165ovateln\u00fdm.\u201c A nen\u00ed to pob\u00eddka k\u00a0bezb\u0159eh\u00e9 \u0161rapneli\u00e1d\u011b forem, n\u00fdbr\u017e v\u00fdzva k\u00a0p\u0159esn\u00e9 artikulaci rozlehl\u00fdch informa\u010dn\u00edch a inspira\u010dn\u00edch sv\u011bt\u016f, ze kter\u00fdch se \u010dasem a mnohdy st\u00e1v\u00e1 fra\u0161ka \u010di dokonce anekdota nihilismu. My\u0161lenkov\u00fd obraz \u0161ed\u00e9 oblohy minulosti, do kter\u00e9 je um\u011blec neust\u00e1le nucen d\u011blat sv\u011bteln\u00e9 trhliny, aby dosp\u011bl k\u00a0monumentu nov\u00e9ho trv\u00e1n\u00ed, jak tvrd\u00ed Deleuze, proto v\u016fbec nen\u00ed od v\u011bci t\u00e9to v\u00fdstavy. Ka\u017ed\u00fd z vybran\u00fdch um\u011blc\u016f se vyzna\u010duje siln\u00fdm individualistick\u00fdm principem, j\u00edm\u017e v\u0161ak p\u0159isp\u00edv\u00e1 k\u00a0\u0161\u00ed\u0159i fenom\u00e9nu, kter\u00fd m\u016f\u017eeme ch\u00e1pat jako p\u0159echod od revize modernity k\u00a0jej\u00ed empiricky nebo romanticky pro\u017e\u00edvan\u00e9 hodnot\u011b.<\/p>\n Pohyb mezi genera\u010dn\u011b rozd\u00edln\u00fdm uva\u017eov\u00e1n\u00edm o minul\u00e9m v\u00a0r\u00e1mci sv\u00e9 osobn\u00ed sou\u010dasnosti se zd\u00e1 b\u00fdt jedn\u00edm z\u00a0t\u011bch nejpodstatn\u011bj\u0161\u00edch moment\u016f. Specifick\u00fd druh um\u011bleck\u00e9ho pozn\u00e1n\u00ed, pomysln\u00e9 kompozice chaosu, kter\u00e9 vytv\u00e1\u0159ej\u00ed, jsou dokladem jist\u00e9 prom\u011bny uvnit\u0159 um\u011ble definovan\u00fdch kontext\u016f, do nich\u017e byli, mohli b\u00fdt nebo ji\u017e jsou nevyhnuteln\u011b za\u0159azov\u00e1ni. Jedn\u00e1 se o ok\u00e1zale nen\u00e1padn\u00fd posun, kter\u00fd z\u00a0mix\u00e1\u017en\u00edho pultu postprodukce \u010din\u00ed dal\u0161\u00ed zaj\u00edmav\u00fd a d\u011bliteln\u00fd p\u0159edm\u011bt. To p\u0159in\u00e1\u0161\u00ed mo\u017enost odklonit v\u0161eobecn\u011b usp\u00e1vanou kontextu\u00e1ln\u00ed pozornost v\u016f\u010di v\u011bdom\u00e9 pr\u00e1ci s\u00a0historickou archeologi\u00ed k\u00a0psychologicky podm\u00edn\u011bn\u00e9mu zdroji um\u011bleck\u00e9 tvorby, k\u00a0jej\u00edmu nespekulativn\u00edmu kl\u00ed\u010di. Tedy u\u017e si nad konkr\u00e9tn\u00edmi objekty nepokl\u00e1dat ot\u00e1zky po tom, kde a kdy za\u010d\u00edn\u00e1 sou\u010dasnost ve vztahu k\u00a0modernit\u011b, ale p\u0159esn\u011b naopak, kdy a pro\u010d za\u010d\u00edn\u00e1 modernita ve vztahu k\u00a0sou\u010dasnosti? Nikoliv se pt\u00e1t: jak\u00e9 minul\u00e9 formy u\u017e\u00edt k reflexi soudob\u00e9 reality a vnit\u0159n\u00edho \u017eivota? Ale pr\u00e1v\u011b opa\u010dn\u011b: co skute\u010dn\u011b znamen\u00e1 minul\u00e1 um\u011bleck\u00e1 forma pro soudobou realitu a vnit\u0159n\u00ed \u017eivot um\u011blce, j\u00ed\u017e bezprost\u0159edn\u011b hovo\u0159\u00ed a artikuluje svou touhu, sv\u016fj ml\u010d\u00edc\u00ed intelekt, jimi\u017e ovl\u00e1d\u00e1 ony chaotick\u00e9 n\u00e1nosy nebo svoji vlastn\u00ed legendu autora?<\/p>\n Archetyp\u00e1ln\u00ed, podprahov\u00fd anebo autorefen\u010dn\u00ed charakter vystaven\u00fdch d\u011bl se tak rozp\u00edn\u00e1 do vn\u011bj\u0161\u00edho prostoru s\u00a0rozd\u00edlnou samoz\u0159ejmost\u00ed. Divotvorn\u00e1 gesta a povrchy maleb a soch Vladim\u00edra Skrepla, romantizuj\u00edc\u00ed a fragment\u00e1rn\u011b kombinovan\u00e9 obrazy Viktorie Valock\u00e9, antireklamn\u00ed objekty a grafick\u00e1 mont\u00e1\u017en\u00ed staf\u00e1\u017e Tom\u00e1\u0161e Roubala, brutalistn\u011b p\u0159etaven\u00fd konstruk\u010dn\u00ed syst\u00e9m prostorov\u00fdch intervenc\u00ed Filipa Smetany, k\u0159ehk\u00e1 radikalita socha\u0159stv\u00ed Dominika Langa a \u017eivo\u010di\u0161n\u011b t\u011bkaj\u00edc\u00ed mnoho\u010detnost znak\u016f a vizu\u00e1ln\u00edch vsuvek v\u00a0artefaktech Juliuse Reichela jsou zdrojem chv\u011bn\u00ed, v n\u011bm\u017e prob\u00edhaj\u00ed melodramatick\u00e9 st\u0159ety naprosto odli\u0161n\u00fdch v\u00fdchodisek. Emoce, hra a pragmatismus, zmaten\u00ed, roz\u0161afnost a jistota zde utv\u00e1\u0159ej\u00ed konstelaci \u010dist\u00fdch subjektivn\u00edch ostr\u016fvk\u016f, do nich\u017e se kumuluj\u00ed odtu\u0161en\u00e9 a dosud nepotvrzen\u00e9 pravdy a p\u0159ehrazen\u00e9 estetick\u00e9 toky. Vkro\u010dit do podobn\u00e9ho energetick\u00e9ho pole tedy znamen\u00e1 poko\u0159it ve\u0161ker\u00e1 o\u010dek\u00e1v\u00e1n\u00ed ve jm\u00e9nu hmatov\u00e9ho zraku, s n\u00edm\u017e p\u0159ich\u00e1z\u00ed intelekt ve sv\u00e9m absolutn\u00edm zv\u011bcn\u011bn\u00ed.<\/p>\n Kur\u00e1tor: Radim Langer<\/p>","protected":false},"excerpt":{"rendered":" \u201ePrav\u00fdm symbolem inteligence je \u0161ne\u010d\u00ed r\u016f\u017eek s\u00a0hmatov\u00fdm zrakem.\u201c\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Adorno\/Horheimer Antihmota, Hitler, symbolismus, alfa mu\u017ei, \u017eena, trpaslice, k\u00e9rky, kosti, strunov\u00e1 teorie, internetov\u00e1 \u0159\u00ed\u0161e, pape\u017eenci, feti\u0161e, z\u00e1kony, sex, temnota, Jung, samply, masturbanti, fanatici, \u00fachylov\u00e9, horsk\u00fd mas\u00edv,\u00a0svit luny, islandsk\u00fd vodop\u00e1d, zv\u00ed\u0159\u00e1tka, ostrov smrti, Gutfreund, lepkav\u00e1 minulost, jeskyn\u011b, surrealismus, ber\u00e1n\u010d\u00ed k\u016f\u017ee, \u0161amani, ka\u0161pa\u0159i noci\u2026K tv\u016fr\u010d\u00edm psychologick\u00fdm desk\u00e1m se lze […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1013","post","type-post","status-publish","format-standard","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=1013"}],"version-history":[{"count":9,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1013\/revisions"}],"predecessor-version":[{"id":1647,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/posts\/1013\/revisions\/1647"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=1013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/categories?post=1013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/tags?post=1013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}