{"id":3071,"date":"2019-06-14T12:36:51","date_gmt":"2019-06-14T12:36:51","guid":{"rendered":"http:\/\/etcgalerie.cz\/?page_id=3071"},"modified":"2025-08-23T18:13:04","modified_gmt":"2025-08-23T16:13:04","slug":"mediateka","status":"publish","type":"page","link":"https:\/\/etcgalerie.cz\/cs\/mediateka\/","title":{"rendered":"Mediat\u00e9ka"},"content":{"rendered":"

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Mediat\u00e9ka etc. galerie slou\u017e\u00ed k prezen\u010dn\u00edmu studiu um\u011bleck\u00fdch d\u011bl, je\u017e byla v minulosti sou\u010d\u00e1st\u00ed v\u00fdstavn\u00edho programu galerie. Pokud m\u00e1te o n\u00e1v\u0161t\u011bvu mediat\u00e9ky z\u00e1jem, kontaktujte n\u00e1s na\u00a0mail.etcgalerie@gmail.com<\/span>.<\/p>\n

Aktu\u00e1ln\u011b jsou v mediat\u00e9ce ke zhl\u00e9dnut\u00ed n\u00e1sleduj\u00edc\u00ed d\u00edla:
\n(barevn\u011b vyzna\u010den\u00e1 d\u00edla jsou dostupn\u00e1 i online na na\u0161em webu)<\/p>\n

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 <\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Ale\u0161 \u010cerm\u00e1k<\/td>\n151 like surface of [lo] 555 111 light try<\/td>\n<\/td>\n<\/tr>\n
Lucie Rosenfeldov\u00e1<\/td>\nNepokoje vlastn\u00edho<\/td>\nRestlessness of Property<\/td>\n<\/tr>\n
Tom\u00e1\u0161 Hlav\u00e1\u010dek<\/td>\nP\u0159isti\u017een\u00e1 skute\u010dnost<\/td>\nCaught Reality<\/td>\n<\/tr>\n
Alice R\u016f\u017ei\u010dkov\u00e1<\/td>\nPozitivn\u00ed negativ<\/td>\n<\/td>\n<\/tr>\n
Alice R\u016f\u017ei\u010dkov\u00e1<\/td>\nBiostruktury<\/td>\n<\/td>\n<\/tr>\n
Alice R\u016f\u017ei\u010dkov\u00e1<\/td>\n[:rouge moulin:]<\/td>\n<\/td>\n<\/tr>\n
Alice R\u016f\u017ei\u010dkov\u00e1<\/td>\nCal\u00e1bek autonomn\u00ed<\/td>\n<\/td>\n<\/tr>\n
Jana Kapelov\u00e1<\/td>\nParadox akv\u00e1ria (performance)<\/td>\nAquarium Paradox<\/td>\n<\/tr>\n
David P\u0159\u00edlu\u010d\u00edk<\/td>\nBlind Bidding<\/td>\n<\/td>\n<\/tr>\n
Ruti Sela &\u00a0Maayan Amir<\/td>\nImage Blockade<\/td>\n<\/td>\n<\/tr>\n
Nika Autor<\/td>\nNewsreel 63<\/td>\n<\/td>\n<\/tr>\n
Marie Luk\u00e1\u010dov\u00e1<\/td>\n\u010cHOS<\/td>\nCBDS<\/td>\n<\/tr>\n
Nir Evron<\/td>\nCover Version<\/td>\n<\/td>\n<\/tr>\n
Oleksiy Radynski<\/td>\nLandslide<\/td>\n<\/td>\n<\/tr>\n
Oleksiy Radynski<\/td>\nBanner<\/td>\n<\/td>\n<\/tr>\n
Oleksiy Radynski<\/td>\nThe Film of Kyiv. Episode One<\/td>\n<\/td>\n<\/tr>\n
Nira Pereg<\/td>\nSabbath 2008<\/td>\n<\/td>\n<\/tr>\n
Lucia Nimcov\u00e1<\/td>\nMartelinar<\/td>\n<\/td>\n<\/tr>\n
\u0160t\u011bp\u00e1n Pech<\/td>\nVal<\/td>\nBarrier<\/td>\n<\/tr>\n
Irina Botea Bucan<\/td>\nAuditions for a Revolution<\/td>\n<\/td>\n<\/tr>\n
Mykola Ridnyi<\/td>\nGrey Horses<\/td>\n<\/td>\n<\/tr>\n
Ad\u00e9la Babanov\u00e1<\/td>\nN\u00e1vrat do Adriaportu<\/td>\nReturn to Adriaport<\/td>\n<\/tr>\n
Anri Sala<\/td>\nIntervista<\/td>\n<\/td>\n<\/tr>\n
Joshua Bonnetta & J. P. Sniadecki<\/td>\nEl Mar La Mar<\/td>\n<\/td>\n<\/tr>\n
Ji\u0159\u00ed \u017d\u00e1k<\/td>\nDeepReal Havel\u00a0<\/a><\/span><\/td>\nDeepReal Havel<\/a><\/td>\n<\/tr>\n
Tereza Darmovzalov\u00e1<\/td>\nVe sv\u011btle \u0159\u00edzen\u00fdch ud\u00e1lost\u00ed<\/a><\/span><\/td>\nIn Light of Controlled Events<\/a><\/td>\n<\/tr>\n
Lucie Rosenfeldov\u00e1 & Mat\u011bj Pavl\u00edk<\/td>\nTechnologie sebedot\u00fdk\u00e1n\u00ed oka<\/a><\/span><\/td>\nTechnology of the Self-touching of the Eye<\/a><\/td>\n<\/tr>\n
Anna Kryvenko<\/td>\nLekce kolektivn\u00ed samoty<\/a><\/span><\/td>\nClass of Collective Loneliness<\/a><\/td>\n<\/tr>\n
Kolektiv Pr\u00e1delna<\/td>\nJak vyd\u011blat na um\u011blc\u00edch<\/a><\/span><\/td>\nHow to Make Money off Artists<\/a><\/td>\n<\/tr>\n
Tamara Spalajkovi\u0107<\/td>\nNet Worth, Intercepting Urbanization<\/a><\/td>\n<\/td>\n<\/tr>\n
Martina Havl\u00ed\u010dkov\u00e1 Hol\u00e1<\/td>\nDlouhodob\u00e9 c\u00edle<\/a><\/td>\nLong-term Goals<\/a><\/td>\n<\/tr>\n
D\u00e1vid Koronczi<\/td>\nOvocie prahnutia<\/a><\/td>\nFruits of Yearning<\/a><\/td>\n<\/tr>\n
Franti\u0161ek Fekete<\/td>\nQuerrs*Mystics*Ravers<\/a><\/td>\n<\/td>\n<\/tr>\n
J\u00e1chym \u0160idl\u00e1k<\/td>\nVst\u0159\u00edc Eremos: Forma, Pr\u00e1zdnota, Posthumanimus<\/a><\/td>\nTowards Eremos: Form, Emptiness, Posthumanism<\/a><\/td>\n<\/tr>\n
Tereza Kalousov\u00e1<\/td>\nVanilla Sky<\/a><\/td>\nVanilla Sky<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Mediat\u00e9ka etc. galerie slou\u017e\u00ed k prezen\u010dn\u00edmu studiu um\u011bleck\u00fdch d\u011bl, je\u017e byla v minulosti sou\u010d\u00e1st\u00ed v\u00fdstavn\u00edho programu galerie. Pokud m\u00e1te o n\u00e1v\u0161t\u011bvu mediat\u00e9ky z\u00e1jem, kontaktujte n\u00e1s na\u00a0mail.etcgalerie@gmail.com. Aktu\u00e1ln\u011b jsou v mediat\u00e9ce ke zhl\u00e9dnut\u00ed n\u00e1sleduj\u00edc\u00ed d\u00edla: (barevn\u011b vyzna\u010den\u00e1 d\u00edla jsou dostupn\u00e1 i online na na\u0161em webu)     Ale\u0161 \u010cerm\u00e1k 151 like surface of [lo] 555 111 […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3071","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/pages\/3071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/comments?post=3071"}],"version-history":[{"count":33,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/pages\/3071\/revisions"}],"predecessor-version":[{"id":6416,"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/pages\/3071\/revisions\/6416"}],"wp:attachment":[{"href":"https:\/\/etcgalerie.cz\/cs\/wp-json\/wp\/v2\/media?parent=3071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}